Fiction Addict

Genre: Mystery, Suspense, Thriller

Publisher: Little, Brown and Company

Publication Date: May 26^th, 2009

Reviewed by Jake Chism

Jack McEvoy made headlines when he helped track down a deadly serial killer early in his career. These days he is being forced out of the Los Angeles Times because of budget cuts. It seems the world has forgotten about the hero reporter who avenged his brother’s death. Just as Jack is ready to throw in the towel, he catches wind of a story that might just allow him to go out with a bang. As Jack digs deeper he soon discovers that the newspaper may be done with him, but a deadly new killer is certainly not.

We first met Jack McEvoy in Michael Connelly’s highly acclaimed novel, The Poet. Many consider that first introduction of the character to be Connelly’s finest work, surpassing even the dearly loved Harry Bosch novels. Thankfully, Connelly decided to prove to us all that Jack McEvoy is anything but a one hit wonder.

The Scarecrow is the perfect blend of vintage Connelly with a welcome dose of tech savvy thriller. While The Poet dealt much more with the daily life of a beat reporter, this time around we get more action layered with the perfect amount of detail. One of Connelly’s trademarks is his thoroughness, giving the audience an all access pass into the lives of his characters. While that element is still strong throughout here, it almost feels like Connelly holds back just enough to let the characters tell the story. The Scarecrow has a much tighter, fast paced feel that makes for an even better read than The Poet.

Rachel Walling is of course back and Connelly does a masterful job of portraying the ache of old flames and the hope of what might be. Jack and Rachel have both matured in different ways, yet they can’t deny the spark that never died. Their relationship feels like a natural overflow of the story and even helps carry the tension along as the plot unfolds.

The Scarecrow himself is a deeply disturbing villain whose weapon is the one thing that makes us all vulnerable: technology. This is a whole new frightening breed of serial killer, and Connelly wondrously brings this character to life through some riveting third person narrative.

What sets The Scarecrow apart from the rest is the character of Jack McEvoy. Michael Connelly nails every aspect of this veteran reporter with an unyielding sense of justice. The use of the first person is second to none here and the switching from first to third person throughout works as a clever storytelling device.

Millions of Michael Connelly fans wait with bated breath for the next Harry Bosch novel, and rightly so. I, however, can’t help but hope that we haven’t seen the last of Jack McEvoy.