Fiction Addict

Genre: Literary, Historical Fiction

Publisher: New American Library

Publication Date: May 2009

Reviewed by Jaci Miller

Pasha, a teenager in 1970s Iran, falls in love with Zari, the girl next door who happens to be betrothed to Doctor, a counterculture philosopher and a friend of Pasha’s. When Pasha accidentally reveals Doctor’s hiding place to the Shah’s secret police, Pasha feels racked by guilt. As he and his friends grieve, they grow to hate the secret police even more. Then, on the day of the Shah’s birthday, Zari makes a drastic choice born of this grief that thrusts the group of friends apart.

In Rooftops of Tehran, Mahbod Seraji attempts to take the reader into the world of a turbulent region but ultimately falls short. The reader expects to be transported to another culture—to smell, feel, taste, hear Iran—and instead remains in his living room watching wooden characters being puppeted through the action. Seraji violates “show, don’t tell,” the mantra of great writers, with his explanations and adverbs. He steps outside of the story to paint a setting instead of interweaving it into the book and he has Pasha, as narrator, explore lengthy tangents from a melodramatic point-of-view.

Portions of the plotline ring false and feel unfounded, while teen angst seems to dominate the narrative. While a measure of this is acceptable in a coming-of-age tale, it’s monotonous to bemoan heartbrokenness, the cruelty of God and the pain in one’s soul in each chapter.

Rooftops of Tehran offers a golden opportunity to present a truly unique culture and worldview but falls far short of the sweeping drama promised by the book’s cover copy. The Reader’s Guide in the back is far more interesting as it reveals Seraji’s personal journey and experiences. Seraji shines in his discussion there and may be better suited to writing memoir.

Review copy provided by New American Library publishers.