Fiction Addict

Genre: Literary

Publisher: Random House

Released: June 2009

Reviewed by Jonathan Schindler

Colum McCann’s Let the Great World Spin tells bit by bit the stories of transplant and native New Yorkers in the 1970s as their lives intersect and connect in unexpected ways, mostly through the common experience of a single event: Philippe Petit’s tightrope walk between the World Trade Center’s towers in 1974. Despite the characters’ varying backgrounds—an Irish friar and his brother, a streetwalking mother-daughter pair, a Park Avenue judge and his wife, to name a few—they are all bound together by what they’ve witnessed. And directly or indirectly, their lives are forever changed as a result.

The book’s plot is hard to describe because all of the characters are so interconnected—where one plotline seems to be winding down, another is just getting started. McCann’s weaving all these lives together could have easily become convoluted or contrived, but it is to McCann’s credit that it is not so. Characters walk in and out of each other’s stories in a way you imagine they would do in real life. The characters don’t feel like symbols, archetypes, ideas; they appear as real people do and exist in all the paradoxes of humanity. McCann has created a cast of diverse and believable characters and deftly intones the voice of each, each section being narrated by or around a single character. He avoids focusing on a single group and instead provides a true city cross-section, literally from the bottom up—from the prostitutes on the street to the very height of the World Trade Center. The diversity in the cast allows McCann to explore the spectrum of human emotions, opportunities, and relationships. (It also means that the book has a fair amount of adult content, especially language, so sensitive readers should be cautious.)

The characters in Let the Great World Spin are what make this book worth reading. They are believable and sympathetic, and when they hurt or are dealing with crisis, it is easy to become entangled in their lives. Characters face violence, imprisonment, prejudice, grief, doubt, sacrifice, and death, but above all this walks Petit on his tightrope, seemingly oblivious of the world spinning out of control below him. Petit’s stunning and beautiful act points to a great truth, one worthy of being at the center of a book like this: The world is a difficult place to live in, full of pain, but it is also full of beauty and thus provides a reason to hope.

Let the Great World Spin is readable and well written (though there are occasional flashes of distracting literariness), and the descriptions appeal to the reader’s senses, allowing for an immersive reading experience. Let the Great World Spin is truly a beautiful book, deserving of its National Book Award win.

Review copy provided by Random House