Fiction Addict

Genre: Science Fiction, Horror

Publisher:  Scribner

Publication Date:  January 2008

Reviewed by Jennifer S. Roman

As the result of a debilitating accident at work, Edgar Freemantle loses his arm and has significant damage to his hip and leg.  His brain also undergoes a transformation, as he loses some memory and language abilities.  Unfortunately, his wife is not able to deal with his new condition, and she divorces him.  To try to put his life back together, Edgar decides to spend some time away from Minnesota and chooses an island called Duma Key.  He rents a home and puts his old life in the past.  He makes an effort to exercise and to rehabilitate his body, and one of his goals is to wean himself from his strong painkillers before he becomes addicted.  He starts taking daily walks on the beach and each day goes farther and farther down the beach.  Once he finally gets to the next house on the beach, he meets a man named Jerome Wireman, the caretaker of the elderly and wealthy patron of the local art scene.  They become fast friends and share their difficult pasts.  Edgar eventually meets, and befriends the lady, Elizabeth, as well.

While on Duma, Edgar decides to take up painting again, which he dabbled in years before.  This time, however, he shows a talent he never knew he had.  He paints very odd, yet striking, paintings that seem to predict the future.  He learns that he is both receiving and sending messages to his new friends.  These messages tie him to both Wireman and Elizabeth in ways that they never would have imagined, and almost don’t want to know.  There is an evil lurking behind the painting talent, and it takes Edgar and his friends all they have within themselves to try to destroy that evil.

Stephen King seems to have two different styles: the truly horrific stories of ghosts and goblins, and the science fiction, otherworldly kind.  This one seems to fall under the latter.  The storyline focuses on real people with real issues, but at the same time, there is an evil force and an unknown power directing them.  Compared to others in this genre (The Tommyknockers, Desperation, Hearts in Atlantis), this one does better.  The characters are very likeable and the reader finds himself rooting for the characters.  Much of the information is mundane, but it doesn’t seem to be a problem as the reader absorbs everything happening all at once.  The evil is not so “out there” that it’s just too unbelievable, so it works.  True to form, however, King is wordy.  This book is big and long, and it does take a while to get through it.  For those looking for a light, quick read, this is not it.  For those looking for a serious book that will scare them, this is the right one.

As is Stephen King’s nature, he refers to pop culture from the 60s and 70s, so some of the references may not be acceptable in today’s more PC culture.  He uses profanity and violence, although they are not as common as they are in some of his other novels.  There is a bit of discussion about sex, but not much of it happens in this book.  King instead relies on just plain scaring the wits out of the reader to make the book entertaining.  He describes Edgar being alone in his house, at night, during a thunderstorm, and when he turns around, he is face-to-face with ghosts of children who died almost a century ago.  Those elements definitely cause the reader to jump, but not because of “blood and guts” gore.

All in all, Duma Key is a good story.  It doesn’t compare to some of King’s previous works, but it has the characters, the storyline, and the bump in the middle of the night to make it scary and entertaining.  King fans should be happy with the results.