Genre: Literary, Comedy
Publisher: The Dial Press
Publication Date: January 2011
Reviewed by Jonathan Schindler
Why would Cyrus Ott, a wealthy businessman known for his savvy investment skills, leave his family and his home and sink a substantial fortune into an international newspaper doomed to fail? The answer to this question, while known to the reader, is hidden from Ott’s descendants, who assume his love of the news is what has compelled him to start this venture in Rome. They double their efforts to keep the newspaper afloat for over fifty years in Ott’s memory. Their misunderstanding provides the backdrop to The Imperfectionists, Tom Rachman’s hilarious novel-in-stories that catalogues the misadventures of the final batch of employees at Ott’s newspaper.
The Imperfectionists is divided into eleven stories, each bearing a headline from the newspaper and each story following a different character in some way connected to Ott’s newspaper. The stories follow editors, correspondents, a reader, an accountant, one of Ott’s descendants—a motley cast of characters, to be sure, but one that reveals the broad scope of the newspaper’s reach. After each story follows a short bit of history about the founding of the paper. I liked this shift from the present back to an earlier period because it allows the story to develop and gain momentum, rather than revealing the necessary facts at one shot.
What I really appreciate about The Imperfectionists is not only the breadth of characters included but also the range of situations in which we are able to see them. Characters amble in and out of each other’s stories, and a character we meet in one is likely to appear in another. I like this approach because it mirrors real life in many ways: the people we meet wear many different hats, and who they are at work is not always who they are at home. Seeing the characters in different lights fosters empathy where it might otherwise be absent.
I said at the beginning of this review that The Imperfectionists is hilarious, and it is. There are several lines and situations that had me laughing out loud, and several dry sentences that perfectly captured the working-in-an-office experience. (One of my favorites, for example: “Nobody throws anything away here; nobody knows whose job that is.”) But for a book that is in many ways comedic, The Imperfectionists is surprisingly poignant. Rachman shows the reader the funny side of life and work at a subpar paper, but he presents the characters honestly, exposing all their failings and weaknesses yet without passing judgment on them. Sometimes readers will laugh, sometimes they will want to cry, but they will always feel, and normally they will feel with the characters.
In conclusion, I will say that part of the reason why I loved this book is how I related to it. I’ve had some experience with newspapers and editorial curmudgeons (and might even be one myself), and as far as my (limited) experience will take me, I can see the accuracy (or at least the caricatured accuracy) of Rachman’s account. Sensitive readers should be warned that there are some adult situations and language in The Imperfectionists, but for readers desiring an entertaining, well-written, and character-driven look at the underbelly of a fading, albeit well-respected, institution, I can’t recommend The Imperfectionists enough.
Review copy provided by the publisher.