Fiction Addict

Genre: Suspense, Comedy, Drama

Publisher: Reagan Arthur Books

Publication Date: March 2010

Reviewed by Lori Twichell

Kevin Quinn is a man. He’s not extraordinary. He’s a liberal. He’s older. He’s on his way to Austin for a job interview. It’s a job he’s not really sure he even wants, but he knows he wants a change. He’s not married. He’s not a dad. He’s a little scared. And he’s a wealth of fantastic comedic and dramatic material. He’s so rich with observations and memories that this entire novel encompasses only eight hours of Kevin’s life. Just eight hours. And despite that, it’s an amazingly full story of a man with a very complete beginning, middle and end.

James Hynes delves into the mind of this character with such clarity that you sometimes find yourself laughing out loud and at others you’re stunned into silence. You may even find your mouth hanging open in shock as you page back and reread passages again to find out if that really happened or if it’s something just rolling around in Kevin’s vividly creative mind.  Sometimes his thoughts can seem too implausible to believe and you want to laugh out loud at the audacity. Seconds later though, Kevin’s thoughts might mirror your own and you’ll shake your head as he backtracks and apologizes in his own mind for even thinking such things.

Hynes’ descriptions are vivid, beautiful and stunning. Echoing with shades of Updike, his word choices are sweet and rich and they melt across your tongue like ice cream in the Austin heat. They beg for you to savor them, roll them around in your mouth, speak them out loud and then share them with someone else because they’re so utterly delightful. (My husband had large passages of this book either read aloud to him or forced on him as I was reading because it was just too entertaining not to share.)

The book takes a turn at one point that is so stunning it will spin you180 degrees at breakneck speed. You may even find yourself having trouble holding on to the reality in the book. It took me several times rereading passages to fully comprehend how quickly and completely everything had changed and even then I was left speechless.  Like I’d been on a rollercoaster ride, zooming toward the bottom of a long hill and then suddenly, without warning, found myself without tracks, I flailed a little at first. Then I wondered at how well Hynes managed to capture the reality of life turning on a dime and sometimes being completely out of our control.

Since Hynes dives into the deep end of a man’s mind without any filters, expect some forays into very deeply personal moments and memories. If you’re uncomfortable with frank discussion of sexual ideas or thoughts, this may not be the book for you. Though thankfully, Kevin’s thoughts do not follow the traditional understanding that men think about sex every few seconds, it is a thread of memories and description that is woven throughout the book. If you’re bothered by this, you might not want to try it. But on the other hand, if you want to know what the average American male who’s just slightly past his prime is thinking, this is definitely an interesting and adventurous read.

Review copy provided by Reagan Arthur Books.

Genre: Classic s Revisited

Publisher:  Quirk Classics

Publication Date:  March 2010

Reviewed by Jennifer Roman

In a take on the classic Pride and Prejudice, Hockensmith takes a leap from the original Bennet saga and turns the privileged family into zombie-killing warriors.  While the proper Mrs. Bennet fusses and frets, Mr. Bennet transforms his five daughters from silly, socialite girls into nunchuk-wielding, sword-bearing, killing machines.

At a local man’s funeral, the girls notice that the “deceased” is actually coming back to life as a zombie.  Their father rushes to the front of the church and cuts off the “dreadful’s” head before he can do more harm, but this change from dead to undead announces the coming of many more undead.  Knowing what the future holds, Oscar Bennet enlists the help of his five daughters: Elizabeth, Jane, Kitty, Mary, and Lydia.  He also summons help from the King’s Army, which arrives just in time to train for the battle of its life.  The ensuing training and killing are actually quite hilarious.  In one scene, the girls awaken in the middle of the night because they hear a noise.  Thinking it is a zombie, they rush down the hall just in time to catch their mother trying to enter their father’s bedchamber for a romantic interlude.  After realizing what they interrupted, they are more mortified than if they HAD seen a zombie.

There are some parallels to the original Pride and Prejudice, but the changes turn the once-classic into a campy romp of fun and hilarity.  While keeping some of the same style of language, Hockensmith manages to update the text and make it a pleasant, quick read.  The reader gets to see the English propriety as somewhat silly and frivolous: Mrs. Bennet and her “high society” friends get into a disagreement over the girls’ training.  There is to be a ball, and it is Elizabeth’s début.  Because of her “scandalous” training, however, the hostess of the ball refuses to invite her.

Pride and Prejudice and Zombies: Dawn of the Dreadfuls is innocuous for just about any reader.  Keeping with English propriety, there is no foul language.  In fact, the girls are not allowed to say the word “zombie” because it is improper.  Instead they call them “the Zed word.”  There are allusions to sex, but only in the vaguest form.  There are descriptions of beheading and the cutting off of limbs, but not in a grisly, raw manner.  Even those with the weakest of stomachs should be able to handle that.

Hockensmith manages to combine the old with the new in PP&Z with wit and humor.  He makes fun of late 1800s English propriety and throws in some political satire as well.  The story is quirky and fun, and most of all, an easy read.  Those looking for some fun and humor should enjoy this off-the-wall tale.

Genre: Humor

Publisher: Back Bay Books/Little, Brown and Co.

Publication Date: 2007

Reviewed by Jaci Miller

In an insightful look into the world of an ad agency, Then We Came to the End by Joshua Ferris shows the inner workings of a struggling ad agency in a bumpy economy. Ferris is borderline prophetic in this 2007 publication; he forecasts what many shops in the ad world currently face today.

The novel focuses on the creative department of a Chicago agency whose employees spend their mornings twiddling their thumbs, playing pranks and meddling in each others’ business while they wait/hope for work to arrive. As the looming layoffs become a reality to more and more of the agency’s members, readers encounter more of the employees’ lives and the individual crises they face: Carl’s rocky marriage, Tom’s unstable personality, Amber’s intra-office pregnancy and stoic employer Lynn’s rumored battle with cancer which unifies the book and the cast as well. The dynamic roster of characters Ferris has created draws the reader in to the ad world and into the characters’ lives.

As a member of a creative advertising team, I found this book to ring true in tone and content. The hijinks, the projects, the atmosphere. It reminds the reader a bit of “The Office” for ad agencies, but with a gentler humor and greater subtlety of dialogue. Ferris uses the first person plural, “we,” to capture the camaraderie as well as the corporate nature in his novel; I found it very effective. Although a bit jarring at first (it is an unusual point-of-view), it quickly captured the essence of corporate life—this, along with savvy observations of office nuances.

Then We Came to the End is a National Book Award finalist and justifiably so. It’s a surprising and excellent effort from a first time novelist.

Genre: Comedy, Mystery

Publisher: Viking

Released: October 29, 2009

Reviewed by Jonathan Schindler

If you are like me, then you too think that the Christmas season is far too short. The four or so weeks between Thanksgiving and Christmas are not nearly enough time for all the music that needs listening, lights that need viewing, eggnog that needs drinking, and holiday books that need reading. Christmas is a special season when, despite the hustle and bustle of shopping and parties and the moaning of an overburdened schedule about to buckle, the images of the cozy hearth and hot drink reign in my mind.

And cozy is exactly the word I would use to describe A Rumpole Christmas, the newest (and, unfortunately, posthumous) release of Rumpole stories from John Mortimer. All of these stories have appeared before in one form or another, but it is the combination of Christmas capers that gives this collection its cozy feeling.

Rumpole—barrister, Old Bailey hack, and a bit of a Scrooge himself—doesn’t care too much for Christmas. As he explains, “I suppose what I have against Christmas Day is that the courts are all shut and no one is being tried for anything.” Still, while the courts may be on hiatus, crime never takes a break, and it is up to Rumpole to solve the mysteries necessary to perform his duty to justice (and get his clients off). As if solving crimes weren’t enough, Rumpole must also navigate the dangerous waters of a “health farm” (where he encounters “a bicycle that you could exhaust yourself on without getting anywhere”); an arctic Norfolk Christmas (which finds Rumpole “hugging the radiator”); a British pantomime, for which Rumpole feels deceptive nostalgia; and the other whims of She Who Must Be Obeyed, his wife, Hilda.

It may seem odd to call a collection “cozy” when the stories involve murder and adultery, blackmail and robbery. Yet it is Mortimer’s particular brand of genius that makes them so. Mortimer keeps the sordid details to a minimum, allowing Rumpole’s singular voice to steal the show. Rumpole as a narrator is humorous without being flamboyant, dry without being boring, intelligent without being stuffy. American humor, I’ve found, tends toward outrageous narrators; Rumpole is much more subdued, the “straight man,” but he is no less enjoyable to read. The Rumpole stories make me think of what P. G. Wodehouse’s Jeeves and Wooster stories would be like if they were narrated by Jeeves instead of Wooster. And, in addition to Rumpole’s warm narration, the Christmas spirit, continually mentioned and observed, and a cast of recurring characters to share it with provide the firelight for this cozy collection.

A Rumpole Christmas is sure to delight this Christmas. I read that this volume is perfect as a stocking stuffer; its merit makes it better suited to be a main gift in its own right. A Rumpole Christmas is likely to become for me a holiday staple, alongside Dr. Seuss’s How the Grinch Stole Christmas and Henry Van Dyke’s Story of the Other Wise Man, stories that display and embody the Christmas spirit they spread.

Genre: Comedy, Sci-fi

Publisher: Delacorte Press

Released: October 20, 2009

Reviewed by Jonathan Schindler

American fiction suffered a great loss in April 2007 when Kurt Vonnegut passed away. Thankfully, his fans have not been forgotten, as two posthumous volumes of his writings have so far been released. The second of these, Look at the Birdie, a collection of previously unpublished short fiction, hit shelves in late October.

The stories in Look at the Birdie were not written anywhere near the time of Vonnegut’s death, and for having sat around unpublished for nearly fifty years, they hold up pretty well. The curmudgeonly Vonnegut of latter days is virtually absent from this book. Instead, we find an almost uncharacteristically optimistic Vonnegut. The problems in the world that he later subjects to satire and black humor are here met with hope in the goodness of human beings (hope he might later deem misplaced). While this results in a generally bright collection, Vonnegut occasionally falls into bouts of sentimentality, something fans of his later works might be unaccustomed to. But there is enough here that is vintage Vonnegut—quirky, off-kilter, incisive, and hilarious—that should satisfy his readers.

My favorite story in this collection is probably “FUBAR,” which provides us with a look at Fuzz Littler, whose life has been Fouled Up Beyond All Recognition, “not by malice but by administrative accidents.” Littler “became fubar in the classic way, which is to say that he was the victim of a temporary arrangement that became permanent.” Littler is a bumbler in the same way that many of Vonnegut’s great characters are, but this bumbler, entering the universe with Vonnegut’s optimism in control, comes to a better end. I also enjoyed “Little Drops of Water,” in which a spurned woman gets the best kind of revenge on her fastidious jilter: marriage. “Shout It from the Housetops” provides an interesting look at the life of a wildly popular writer and the damage her fame does on her personal life, something Vonnegut may have known something about.

Vonnegut’s trademark explorations of the bizarre and excursions into sci-fi territory are certainly present here. In “Confido,” an inventor finds creates a device that provides a constant conversation partner for the wearer. Unfortunately, the conversation is not always what one wants to (or should) hear. In “The Nice Little People,” a small, knife-shaped space ship arrives on earth, and the tiny aliens it contains begin to worship the man who gives them peanut butter and cheese. There are appearances by murder counselors, hypnotists, civilized ants, and real and counterfeit geniuses, and these characters combined with Vonnegut’s playful storytelling and penchant for twists make for novel, entertaining stories.

Look at the Birdie is peppered throughout with Vonnegut’s surreal illustrations, and the introduction by Sidney Offit is a fitting tribute to one of the masters of American fiction. An introductory letter that Vonnegut wrote to Walter J. Miller in 1951, which he describes (in the same letter) as “sententious crap, shot full of self-pity . . . the kind of letter writers seem to write,” helps set the stage for what is to follow. While I wouldn’t say Look at the Birdie is Vonnegut’s strongest work, it was certainly a joy to read and, best of all, reminded me of why I read his books in the first place. Kurt Vonnegut will truly be missed.

Genre: Comedy, Chicklit, Romance

Publisher: Sourcebooks Casablanca

Publication Date: May 5, 2009

Reviewed by Lori Twichell

As part of my continuing Jane Austen kick, I decided to dive into What Would Jane Austen Do? I won’t lie to you. The cover art caused me to raise an eyebrow. Instead of a traditional bodice ripper, this one seemed to have a button down ripper?!  Okay, that’s a twist.

Eleanor Pottinger is a modern day expert of Regency fashion and therefore knows almost everything there is to know about Jane Austen. So when she attends a modern day seminar in England about the Regency period, she believes she’s fully prepared. Unfortunately, the inn where she’s meant to stay has lost her reservation and must put her in a suite of rooms that is never used. Why? Supposedly the rooms are haunted. Eleanor soon finds out that there’s no ‘supposedly’ to it when she meets Deirdre and Mina Cracklebury, the former owners of the home and ghosts who are unable to ‘rest’ until some circumstances that happened in their lives get set straight.  Can you see where this is going?

Eleanor goes to sleep in modern times and wakes up facing the real life women behind the ghosts. Of course they have no idea where she’s from or who she is and they assume that she’s a long lost cousin who has come over from the Americas.

There’s mystery, romance, adventure and of course, a few fleeting moments with Jane Austen herself in this novel. A perfect read for a long trip or a vacation, this book is for anyone who enjoys romance and a little bit of adventure with a dash of time travel thrown in the mix. With a mystery that keeps you wondering and twists that are unexpected and delightful just the same, Brown does an excellent job of capturing what a modern day woman would think if tossed into the middle of a Jane Austen novel. With a few fun modern references and some very modern feelings about the men around her, Eleanor is a wonderful central character that you want to follow.

Laurie Brown has created fun characters, seemingly impossible situations and conversations with Jane Austen that are realistic and not overblown. I expected the novel to have more interaction with Austen or to have more about her, but when all was said and done, I was very glad that it didn’t. Where it would be easy to give in to the tendency to bestow Austen with her own words or thoughts, Brown resists the temptation. Instead, she gives us a wonderful slice of a possible moment in time with Jane Austen.

Genre: Sci-Fi, Comedy

Publisher: Hyperion

Publication Date: October 2009

Reviewed by Jonathan Schindler

The last time we saw Arthur Dent and Ford Prefect, they were on the earth as it was exploding…again. It would seem that the complete destruction of the earth in every dimension and timeline, along with the majority of the cast, would effectively seal the fate of the franchise. This, at least, was what Eoin Colfer was working against in And Another Thing…, the sixth book in Douglas Adams’s Hitchhiker’s Guide to the Galaxy series. And while Colfer’s method of resurrecting the series is clever and his task of continuing Adams’s legacy is admirable, he ultimately falls short of the magic of the original books.

First of all, this is not a standalone book. Readers unfamiliar with the original Hitchhiker’s Guide to the Galaxy books will probably not understand And Another Thing… If you haven’t read the original books, quit reading this review and go read them now (at least the first three; if you want a gold star, read So Long, and Thanks for All the Fish; I wouldn’t blame you for leaving Mostly Harmless alone). So, now that you’ve read the original books, we can proceed.

The book opens with earth poised on the edge of destruction, again. I won’t spoil how Arthur, Ford, Trillian, and Random miraculously survive—again, again—but they do. And in the process, they reunite with their old pal Zaphod Beeblebrox, the loose cannon former president of the galaxy. They also reunite with a perhaps not-so-recognizable character from their past, Wowbagger the Infinitely Prolonged, the unhappy immortal on a mission to insult the universe.

Their meeting Wowbagger—and his particularly insulting insult of Zaphod Beeblebrox—is what starts the plot moving. In response to Wowbagger’s unforgivable slander, Beeblebrox vows the impossible: he will kill an immortal.

But killing an immortal requires more than just two heads. Zaphod must reconnect (and hopefully reconcile) with his former rock-star protégé, the thunder god Thor. Thor and Zaphod have had their problems in the past (mainly referencing a viral video of Thor in a bustier), so getting him on board with any project—even one with murderous intentions—will be a bit of a challenge.

Add in a colony of displaced earthlings in search of a god to worship; an unlikely series of (interrupted) tender moments between a woman and an alien; a jealous and scheming daughter with an infinite supply of credit at her disposal; a man with an unlucky tendency to be on planets scheduled for demolition; and a crew of vindictive Vogons, hell-bent on destroying any trace of earth left in the universe, and you have a promising premise for a continuation of The Hitchhiker’s Guide to the Galaxy.

Unfortunately, there seem to be some problems in execution. The original problem with the book, at least in my opinion, is not Colfer’s fault. The previous final book of the Hitchhiker’s series, Mostly Harmless, didn’t really leave him with much to work with. Mostly Harmless is the weakest of the Hitchhiker’s books, and this continuation is forced to pick up where that book left off. Because of this, it takes a long time to repair the damage done in that book and get into the flow of the present story. There were several points early on where, had I not simply wanted to say I’d read every Hitchhiker’s book, I might have abandoned it altogether.

In addition to its taking a while to get going, the book’s pacing is hard to adjust to. My favorite part of the original books is the interspersed entries from The Hitchhiker’s Guide to the Galaxy (the book within a book). Colfer has picked up on this being the fans’ favorite part, but he seems overzealous in implementing it. While one should not go into the Hitchhiker’s series expecting a fantastic plot, the plot is what holds the book together. (It’s similar to the straight man on a TV show—Kramer, George, and Elaine may be the funnier characters on Seinfeld, but there wouldn’t be a show without Jerry.) In And Another Thing…, Colfer’s intrusions are more of an annoyance than a delightful aside (not in all cases, but in many). It was almost too much of a good thing, and it made it hard to get into the clever and funny plot that was there.

Despite these criticisms, there are some true flashes of genius in this book. First, the plot that Colfer has created is interesting (at least in concept). The interviews with out-of-work gods are certainly worth reading. Colfer’s description of the Vogon vessel Business End are inspired. And as the book progresses, Colfer seems to grow more comfortable writing about these characters he’s acquired secondhand. What the characters say and do seem a plausible extrapolation of Adams’s creation, especially toward the end of the book.

Eoin Colfer is not Douglas Adams, and no one really expects him to be. Still, while Colfer is throwing out various nods to the original series, using the right terminology, and employing similar storytelling methods, it is hard to shake the feeling that there is something askew in what is happening—the universe is not quite the way we remember it. (The closest analogy I can think of is Darth Vader at the end of Star Wars: Revenge of the Sith. Yes, he looks like Vader, sounds like Vader, and the impostor might fool a newcomer to the series, but anyone who has seen the originals knows that what’s on the screen is a cheap imitation.)

I didn’t expect this book to be as good as the others, or even “Hitchhiker’s canon” (which Colfer admits at the beginning this book is not), but I had high hopes for a further exploration in Douglas Adams’s universe. Ultimately, I’m content with the original Hitchhiker’s books, and this book reminded me what I love about the originals. While I don’t think And Another Thing… will win any converts to the series, it may prove an amusing distraction to the already initiated and bring them back to the books that started it all.

Genre: Comedy, Drama, Romance, Chicklit

Publisher: Guideposts Books

Publication Date: February, 2009

Reviewed by Lori Twichell

A couple of weeks ago, I went off on a total Jane Austen binge. I contacted Jake here at Fiction Addict and gave him a list of books that I wanted to read – almost all of them involving Jane Austen’s wonderful writing. (Watch for What Would Jane Austen Do, Pride and Prejudice and Zombies and Vampire Darcy’s Desire…all coming up for review soon!)  Jake was awesome (as usual) and within just a couple of days, my mailbox was overflowing with big oversized envelopes stuffed with books. All of them inspired by the great lady herself, Jane Austen.

I reached for this book first because really, what self respecting woman hasn’t wished for Mr. Darcy or even the somewhat less spectacular Mr. Bingley to rescue them from the modern dating scene? (Although I suspect that some of my friends and myself have been just as much in love with Colin Firth as with Mr. Darcy, but that’s a different review now isn’t it?) Regardless of this, I felt an immediate kinship and sympathy with this title. (I feel like I should say here that I’m married to a wonderful man who puts up with my adoration of both Mr. Darcy and Colin Firth in such a way as to make me love and adore him even more. That’s pretty impressive.)

So now that we’ve gotten that out of the way, shall we attend to the book that we are here to discuss? Indeed!

Emma Douglas has spent her entire academic career studying, lecturing on, and writing about Jane Austen. She is, in short, the quintessential Janeite.  She is quite pleased with the way her life is going until, in one shattering and slightly queasy moment, she discovers her husband and her teacher’s assistant involved in something very biological on the kitchen table. Things go downhill from there. He and his mistress accuse her of plagiarism and thus, not only do we meet our heroine in the middle of a personal crisis, but a career crisis as well.

Instead of giving up on everything she’s ever known, Emma decides that now is the time to separate from everything she’s become comfortable with and, on a lark, she gets rid of a lot of material items and finances her own trip to England to track down Jane Austen’s lost letters.

Here is where I need to back up and give a little history lesson. Jane Austen, being a writer, was an avid and prolific letter writer. It is believed by scholars that during her lifetime, she wrote over three thousand missives to a variety of people. Upon her death, her closest and most beloved fan, her sister Cassandra, destroyed a majority of her letters and allowed the others to be made public. Now that you know that fact, we can move on with the review.

Emma has received information that a very special group of people in England still have ALL of Jane’s letters and that they were not, in fact destroyed. This is not only intriguing to Emma, but it casts her a lifeline in the middle of her chaotic life. The discovery of these letters could mean the revival of her career in academia. She chases after these tidbits of information with the smallest whisper of logic and an incredible measure of passion.

Along the journey, she discovers more about Jane Austen than she’d ever thought possible and also begins to look at her beloved works of writing in a completely new light. On top of all of this, she learns more about herself than she’d understood before.

This book was a delight to read. For anyone who loves Jane Austen it is an absolute must. With exquisite attention to detail, Pattillo uncovers Jane Austen’s life for the reader who hasn’t had the opportunity to research on his or her own and she laces it through with a fictitious story that is delicious and wonderful to follow. Several times while reading this book I thought “Why didn’t I put those pieces together?!”

A little bit Pride and Prejudice mashed up with Sense and Sensibility and a chase worthy of National Treasure or Indiana Jones, you’ll delight in the world that Pattillo has created around a beloved international author and the stories she chose to tell and some she didn’t.  I was disappointed when the story ended. Not because it ended badly, but simply because it ended. I wanted to know more and follow what happened next. Thankfully there is a sequel due soon. I can’t wait to get my hands on Mr. Darcy Broke My Heart.

Genre: Comedy, Chicklit

Publisher: David C. Cook

Publication Date: September 1, 2009

Reviewed by Lori Twichell

It’s not often that you see a coming of age novel that isn’t about a teenager, but Stretch Marks fits the bill. Mia Rathbun is nearing the end of her twenties, set in a career and a relationship. Even though she seems to have everything going her way, she’s not quite settled in her life. The two main relationships in her life are rocky at best. Her live in boyfriend, Lars, is a free lance writer who’s more often free than lance these days. Their relationship is familiar, but that doesn’t necessarily mean it’s comfortable or better yet, growing. Mia has a habit of suppressing concerns and masking issues in order to keep the peace. This is a habit that most likely developed due to her mother’s decision to leave the family when Mia was younger. This brings us to that other big relationship in her life…

Mia’s mother, a cruise director on a ship, has been an in and out influence in her daughter’s life. More often than not she has a million things going on and calls Mia to dispense advice in a manner not too different from a candy machine in a grocery store lobby. A few hits. A few misses. And every now and then you get something good.

This is the life into which Stuart introduces a new character and with it, much conflict. Mia’s baby. As with real life, a pregnancy changes everything and it can really challenge where you are in your life. Mia’s views on the world and her relationships all begin to come into question. Especially when she shares her unexpected pregnancy with Lars… And things don’t settle down any further when her mother decides to visit. Can we say chaos?

From there, everything spirals into control. That’s right. As life seems to be spinning further and further out of control, Mia’s focus sharpens and she finally begins to pull things together and face issues she never even realized she had.

With a heavy topic like unplanned pregnancy, Stuart could have gone easily into the dramatic realm and preached a hard line. Instead, she infused the story with humor and light dialogue while balancing serious topics. The result is an enjoyable journey that deals with real life stress and chaos in a very relatable way.  Stuart’s sharing of other people’s faith is never heavy handed or preachy and the book leaves you feeling very hopeful. People make mistakes every day. We all do. And yet no matter what the mistake is, there’s always hope that we can learn and grow through what we’ve done. Perhaps we can even come out better for it on the other side.

Genre: Comedy, Romance, Chicklit

Publisher: Random House

Publication Date: July 21, 2009

Reviewed by Lori Twichell

Lara Lington is having a mid-life crisis. Her boyfriend just broke up with her, her business is failing and her great Aunt Sadie just died. Well the great aunt Sadie part doesn’t really add into Lara’s crisis except that a twenty year old version of Sadie is now haunting her. Sound a little mundane and outrageous all at once? Then you know that you’re reading a Sophie Kinsella novel.

Lara is a simple girl. She’s not drop dead gorgeous and not a world class genius, but she is, most importantly, relatable.  As I mentioned previously, Lara’s great Aunt Sadie has died at the ripe old age of 105. Lara didn’t know Sadie nor does she really care about her when she attends her funeral at the beginning of the story. She’s more concerned with her ex-boyfriend and trying to figure out how she can get him back while trying to convince her family that she’s not deluded or a stalker. So when, in the middle of the funeral, a beautiful young woman in twenties style clothing sits next to her and starts talking, Lara isn’t impressed. It’s not until she discovers that the beautiful young woman is the same woman who is currently the corpse in the coffin that things start to get interesting. It seems that Aunt Sadie can’t go to her ‘rest’ without her favorite necklace and since Lara’s the only one who can hear or see her, it’s up to Lara to find it or be driven insane by Aunt Sadie constantly screaming in her ear.

In Twenties Girl, you get exactly what you expect from reading a Kinsella novel. Adventure, humor, romance and a brilliant way out of an utter mess are the formula for Kinsella’s books and Kinsella always pulls it off with aplomb and style. Though the situations in Twenties Girl are even more extreme than the normal insanity you’d expect, Kinsella still manages to keep belief just barely suspended enough to hold your interest throughout.

As with her other books, Kinsella discusses adult situations and there is some brief language, but she does it with grace and a lack of intimate details such as to make it not overwhelming or too uncomfortable for a conservative reader. All in all, I got everything I expected when I cracked open the cover on this book. It was a delightful read that gave me some laughs, some embarrassment on the heroine’s behalf and a nice warm fuzzy feeling when it all ended.  Sometimes this is all that’s needed from a book. When I’m in need, I’ll always happily turn to a Kinsella heroine for my entertainment getaway.

Genre: Satire

Publisher: Zondervan

Publication Date: July 1^st, 2009

Reviewed by Jake Chism

The end of the world is coming. At least, it’s coming to Goodland, Kansas, a small town that has been chosen as a test run for the rapture. Caught right in the middle are Will Henderson and his family. One fateful night Will sees a face in the cornfield that reveals three signs that the rapture is imminent. After Will shares his signs and his predictions come true, he is shoved in the middle of the spotlight and his reluctant family right along with him. Chaos soon unfolds in Goodland and the Henderson’s are left fighting not only for their sanity, but their family as well.

Rob Stennett had me on the floor in stitches with his debut, The Almost True Story of Ryan Fisher. This latest offering doesn’t have as many laugh out loud moments, but the story is every bit as intriguing. This story concept is so off the wall, yet Stennett manages to sell us with his dry wit and subtle jabs at our own fascination with the end times. I found myself both laughing and cringing at the behavior of the Goodland citizens throughout as they made an absolute mess of an outlandish situation.

The real strength of the novel lies in the story of the Henderson’s. Despite the world falling apart around them, this endearing yet fallible family fights to stay together. Beneath the dark humor and irony, Stennett effectively gives us a bright reminder to hold on to what truly matters. Instead of looking to the skies with fear and uncertainty, perhaps our time is better spent cherishing the ones we love and ensuring we’re ready for the end by the way we live now.

Genre: Comedy

Publisher: Zondervan

Publication Date: March 2008

Reviewed by Tim George

Michael Snyder’s debut novel, My Name is Russell Fink, is a departure from the norm in today’s Christian fiction. Perhaps that is because “normal” isn’t a part of Russell Fink’s life. In his mid-twenties, Russell has led a mediocre life and is proud of it. His father is a fallen faith healer bent on making it back to the big time. His mother is a not-so-closet alcoholic still putting on the front of a doting minister’s wife. Peter, his occasionally con-man brother, is an aspiring novelist intent on jotting down every one of his family’s sorry secrets for a future Pulitzer Prize winning memoir. In short Russell’s family is what by any definition is normally labeled, dysfunctional.

Russell’s problems are compounded by a job he hates yet can’t seem to get fired from, a camera hound fiancée he can’t manage to dump, and the fact the only level headed member of the family is his grandfather (in prison for killing Russell’s grandmother).  It’s little surprise that faith and God have faded into the annoying fringes of our hero’s life. That is until, Sonny his psychic Bassett Hound, appears to have been murdered. That event leads Russell on a search for his best friend’s killer in which he finds more than he bargained for, including the girl he always really loved and should have married. His greatest discovery is the meaning of forgiveness and reconciliation.

This is one of the books that is, I think intentionally, hard to classify. Is it Chick Lit? Is it comedy? Is it a mystery? It’s the kind of book that a guy like me wouldn’t normally crack the front cover if paid to. And, it’s one of those books that reach a point of critical mass and you know there’s something good out there you can’t afford to miss by putting it down. If you are part of the 10 percent of the population that has lived a perfect life, My Name is Russell Fink will totally mystify you. And, if you are one of the unfortunates in life with no sense of humor this story might even offend you. But for those of us who have experienced disappointment, frustration, disillusionment, and even failure we say, “Thank you Russell Fink!”

A review in Publisher’s Weekly finds fault with the number of “crazy characters and rampant story lines” in Snyder’s hilarious novel. That is what I applaud it for. Only a few of us have perfect families. Only a few have lived lives with perfectly plotted, three-act storylines. This is a book for the rest of us.