Genre: Suspense
Publisher: Thomas Nelson
Publication Date: September 2010
Jake Chism’s Review:
Toma Nicolescu has fought many brave battles for the Russian Empress, yet nothing can prepare him for the battle on the horizon. Toma sets out with his trusted confidant, Alek, for the Cantemir estate in Moldavia. There he is charged with protecting the family at all costs, for political reasons no doubt, yet Toma concerns himself not with such things. Duty and honor drive him and he will proudly do whatever his Empress requests. However, one look at Lucine Cantemir, one of the daughters under his charge, flings Toma head over heels into an inward war between duty and desire.
Matters spend madly out of control when the charming, yet mysterious Vlad van Valerik begins to court Lucine. This union would solidify relations between Russia and Moldavia, and it is Toma’s responsibility to ensure it happens. When Vlad and his minions begin to show their true colors, Toma finds himself in a race against time to save the one he loves and to stop darkness from sweeping the land. Torn between duty and love, Toma rushes headlong into the greatest battle he has ever known.
Immanuel’s Veins marks a significant milestone in Ted Dekker’s illustrious career. After ten years and twenty-eight novels he is saying goodbye to Thomas Nelson and moving on to Hachette and the mainstream market. As Dekker’s fans might expect, he refuses to leave quietly, and does so with one of the most unique and powerful stories he has ever penned.
Have you ever wondered what a Ted Dekker novel would be like written in the first person? Wonder no more! Toma Nicolescu’s first person narrative is absolutely brilliant throughout and the perfect device to effectively tell this story that is full of passion, seduction, and heartache. Toma himself might just be Dekker’s most endearing character and his fight to win Lucine’s love will have readers on the edge of their seats, ready to stand and cheer.
Dekker wastes no time in connecting Immanuel’s Veins to the massive Books of History Chronicles. The prologue alone will have die hard fans foaming at the mouth and postulating “otherworldly” theories. Fortunately, new readers will have no trouble following this story. There is plenty here to keep them churning the pages, even if a few references are lost on them. As a fan, it was fun to see the connections and get one final (?) taste of the redemptive history Dekker created years ago in the Circle Series. We even get a nice peek at a huge part of Dekker lore that some of his readers would gouge their own eyes out to behold.
Fantastic characters, gripping storylines, breathtaking imagery. Might as well go out on top right? As Dekker leaves one journey behind to start another, he leaves us with a story that will resonate in our hearts long after reading. Immanuel’s Veins will spark much discussion amongst readers about such things as vampires, seduction, blood books, and familiar dungeons. I’ll leave that thunder for other reviewers to steal. This one is special to me (and will be for many others) as it reminds me of how great the journey has been and it assures me that the best is yet to come.
Thanks for the journey, Ted. Let’s do it again soon.
Lori Twichell’s Review:
Toma Nicolescu is a warrior for Catherine the Great. He and his friend and fellow warrior, Alec, are sent to protect two young women in a very prominent family. The family is, in fact, key to the power of Catherine’s reign, so their mission is vital. Alec is a lover more than a fighter. Toma is the other half of this equation. When they arrive at the home of their charges, it’s to find two incredibly delightful and beautiful young sisters named Natasha and Lucine. If these were the only major characters in the book, it would be easy to see where things are headed. Unfortunately, they aren’t. There’s Vlad. And Sofia. And a whole house full of other characters that bring this book to new levels that run far beyond those of simple romance and passion.
Prim. Proper. Perfect. Toma’s always been the warrior who spent more time fighting than considering anything to do with women or romance. Much as Fitzwilliam Darcy has no idea what to do when he meets Elizabeth Bennet (Yes, I did just dare to make a Jane Austen reference in a Ted Dekker review. And it’s well deserved. So there.) Toma is also plunged into a level of inner conflict and confusion when he meets his beautiful Lucine. Painfully aware that his duty requires him to not only keep his beloved Lucine safe, but to also keep suitors away from her, Toma struggles with his feelings for her. At the same time, he’s confused by what’s happening with Natasha and Alek. Something very strange and very dangerous is happening. Is it something that he’s even able to fight? Or is it something from beyond this world? And how can Toma juggle his feelings, his duty, and his beloved’s safety? This is far more than just a love story. There’s something deeper and darker hiding within its depths.
Ted Dekker freely admits this is new territory for him. It’s unlike anything he’s ever done before. But honestly, this is Ted Dekker. Very little about Ted is ever like anything that’s been done before. Even when Dekker writes something that’s considered ‘inside the box’, it seems that he likes to take that box, smash it into bits and then warm his hands by the fire built from the parts. So when we venture into this new territory with him, instead of being something odd or uncomfortable, Dekker makes the journey heart achingly rich and beautiful. As Toma stumbles away from his hard line on duty and honor and begins to explore the feelings that are growing and opening within him, you can’t help but feel your own heart squeeze. As you’re reading, it makes you wonder if you, as an outside observer, are feeling this much emotion, what sort of depths could the characters possibly be feeling? At times it threatens to overwhelm the reader and yet you know that this is what Dekker wants to convey. He wants you to feel the overriding overwhelming passion that can nearly drown you with its intensity.
Dekker is a modern day master of the written word. Too often in modern literature, words are forced into creating the visual that the author wants to share. In sharp contrast, Dekker owns every word he uses. The words line up and melt willingly into his creation, eager to play their part in his vision. The story flows so smoothly through your mind that it feels as if the words have flown directly from the Technicolor depths of Dekker’s mind to the page with little effort. Dekker’s style submerges you in the story and even if it feels like you may be drowning in it at times, there’s still few other places you’d rather be.
If you have even a passing interest in Dekker’s work, don’t miss this book. If you’ve never read Dekker, this is a brilliant place to start. If you ever were a Dekker fan and got lost somewhere along the way, this is the book that will bring you back. And if you want mindless entertainment that doesn’t affect you, won’t challenge you, and that you can walk away from unchanged, move along. This isn’t the book for you.
Don’t miss our recent interview with Ted Dekker and our podcast review of Immanuel’s Veins.
Review copies provided by Thomas Nelson.