Fiction Addict

Genre: Thriller

Publisher: Simon & Schuster

Publication Date: May 2010

Reviewed by Elizabeth Olmedo

At the frantic request of Sam Watson, a lifelong family friend, archaeologist Dilara Kenner shortens her excavation trip in Peru and hurries back to Los Angeles. Sam won’t share any details, but he insists she tell no one about their conversation. At their rendezvous, Sam informs her of a group planning an attack that will kill millions in an attempt to create a new and “better” world. Sam claims he has discovered they are the same group responsible for her father’s disappearance three years ago. Her father, renowned archaeologist Hasad Arvadi, had spent his life searching for Noah’s Ark and, according to Sam, Hasad found proof of its existence, but never had the chance to share his discoveries. Before Sam can tell her everything, he is poisoned. With his final breaths he tells her to elicit Tyler Locke’s help and gives her several key words, “Hayden … Project … Oasis … Genesis … Dawn …” At first, Dilara is tempted to brush off his words, but when a Black SUV runs her into oncoming traffic, she realizes her mistake. Dilara doesn’t understand why, but she knows one thing for sure, she must find Tyler Locke and figure out how he fits in to the mess that has just taken over her life.

Tyler Locke is an engineer and co-founder of Gordian Engineering. He is doing a job on the Scotia One oil platform when he receives a puzzling call from a so called Dr. Kenner. Dilara travels to the Scotia One and Tyler believes she’s crazy especially when she insists the key to preventing the attack is finding the lost ark. But when he witnesses a couple attempts on her life, the last one intended for him as well, Tyler is forced to admit there may be truth in her words after all.

So begins Dilara’s and Tyler’s adrenaline pumping race against the clock to not only save their own lives, but millions of innocent people. The cat-and-mouse hunt will not only take them across countries, but also continents as they search for an unknown threat as well as a historical artifact that many doubt ever existed.

The Ark by Boyd Morrison offers an interesting mixture of the past, present, and maybe not so distant future. Dilara is a representation of those who believe there can be some truth to the Biblical stories, even if not literal. Tyler on the other hand, only believes what he sees.

The line between reality and fiction is so blurred in this book; often the reader won’t know one from the other. This gives the novel a realistic feel despite the large amount of unrealistic content such as the disease they discover, or some of the technology used. For the most part, I enjoyed this blur between reality and fiction. I liked not always knowing what was real and what belonged to Morrison’s imagination. However, I felt disappointed by his loose interpretation of the Biblical story. Still, since it is a piece of fiction I don’t believe the loose interpretation takes away from the novel. For romantics, a budding romance does spark between the two characters, but it never takes over, the novel remains a thriller through and through. The Ark offers a fun and interesting read that I would recommend to those who enjoy a good-paced thriller.

Review copy provided by Simon & Schuster.

Genre: Superhero Thriller

Publisher: Ace

Publication Date: June 2010

Reviewed by Josh Olds

Novelizing Final Crisis is in itself a challenge of epic proportions. Greg Cox has taken the 7 issue crossover mini-series and the year-long 51 issue prelude from the comics and given it the form of a novel, portraying in text the evil Darkseid’s attempt to overthrow all reality. In order to make sense of it all, you have to understand a bit about the uber-complicated maze of universes within DC Comics. I’m no expert, but here’s the sum of it all:

Darkseid is the ruler of the evil planet Apokalips, and he’s gunning for total control of Earth. Human – and alien – free will shall all fall under the power of Darkseid. All shall be indwelt with the evil of Darkseid. All shall be evil. And there is nothing the superheroes of the world can do to stop it.

One by one Darkseid corrupts and takes over the souls of a litany of superheroes and those remaining find themselves warring against their colleagues and friends. As the future of the universe succumbs to the power of Darkseid, Superman and the few remaining heroes must find a way to counter the demon of Apokalips. But an even greater crisis is playing out in the Multiverse. Hushed words that the fallen Guardian Mandrakk has returned just might make this the epitome of the Final Crisis.

Complicated? Yes. Confusing? At times. Like all DC universe crossovers, Final Crisis is written as an epic. Hundreds of superheroes and supervillains converge on the scene, the plot shifts not just between cities, but between time and realities, there is just way too much information to take in – way too much unnecessary information if you ask me. Unless you an absolute DC comics freak, you’re not going to understand it all, so I recommend you just do what I did and just accept it.

At times, the novel sounds like Cox is merely narrating to the reader a description of the comic panels, and at other times his vocabulary gets a little…well…quintessentially florid. All in all, the writing is good. My personal opinion would’ve been to tighten the plot and avoid excessive characters, but I’m sure that would’ve elicited a feral reaction from comic book purists, so perhaps it was best for Cox this was not the case.

Like all modern mythology, the theologian in me searches for the Truth within, and it is that seed of Truth that, to me, makes Final Crisis fascinating. The idea of the removal of free will, the imposition of the will of an evil spirit named Darkseid, and its eventual defeat, primarily orchestrated by the Christic figure of Superman captures me on a thematic level. However, if you’re neither a fan of finding theology in comics, or of the comics themselves, then this is just a decently written book you may or may not enjoy.

Review copy provided by Ace.

Genre: Thriller

Publisher: Little, Brown and Company

Publication Date:  August 2010

Reviewed by Jake Chism

All over Europe young couples are being murdered and no clues are left behind. In every city, the killers send a postcard to the local paper before each slaying, but the police remain baffled and confused as the murderers run free. NYPD Detective Jacob Kanon lost his daughter to these monsters and is desperately traveling from city to city hoping to find one more piece to the puzzle. In Stockholm, Sweden, reporter Dessie Larsson has received the latest postcard indicating the murderers are about to strike again. Larsson and Kanon must now team up to stop this insurmountable foe and uncover the darkness that lies beneath.

What do you get when the #1 Bestselling Author in the U.S. (James Patterson) meets the #1 Bestselling Author in Europe (Liza Marklund)? According to the front cover of the book we get “the scariest vacation thriller ever.” While that may be clever marketing, I think the more appropriate tagline would be, “the most disturbing vacation thriller ever.”

Patterson and his co-authors often resort to over the top gimmicks in their writing that amount to nothing more than shock value. The Postcard Killers is a prime example with loads of graphic content, distasteful sex scenes, and an incestuous relationship thrown in our faces to really make us squirm. All these elements are just loud distractions attempting to cover up the fact that the story is mediocre at best.

As always, Patterson’s tight writing and relentless pacing keep the pages flying, but by the end I was just ready for this one to be over. Had more effort been made into fleshing out the characters or actually making this book scary this could have been a fun story. Sadly, the gimmicks and overall lack of depth drag this story down making this hyped collaboration a sore disappointment. Luckily for Patterson fans, after finding a dud we only have a couple of months at most to wait for his next attempt. I’m hoping the upcoming continuations of the stellar Alex Cross and Michael Bennett series will reflect the talent and creativity that Patterson is more than capable of.

Review copy provided by Little, Brown and Company.

Genre: Thriller

Publisher: Touchstone

Publication Date: June 2010

Reviewed by Josh Olds

I don’t think that in my history of book reviewing I’ve ever enjoyed a book I didn’t like as much as The Poet Prince by Kathleen McGowan. I’m quite aware how confusing that statement sounds, and trust me; I myself am still somewhat confused by it. The answer to this enigma lies in separating the story’s theology with its story, and the historical storyline with the present day storyline.

If you read the jacket flap, you’ll learn that this is the story of Maureen Paschal, an author/adventurer who just discovered (and wrote a book of the discovery of) a secret gospel written by Jesus Christ himself. But her celebrations are short when the tabloids report that her lover and soul mate, Berenger Sinclair, is alleged to be the father of another woman’s son. Together, the two set off to refute the claim and through the advice of their spiritual leader Destino, begin to look into Berenger’s royal and ancient bloodline. As it turns out, Berenger is a Poet Prince of the ancient prophecy, and there are those who would stop at nothing to keep Berenger from his role.

But the jacket flap leaves out the incredible historical story that fills most of The Poet Prince. Destino advises Maureen and Berenger to study another Poet Prince, Lorenzo de Medici. Through Renaissance artwork, the two uncover the Medici story and learn of the heretical secrets he kept. These discoveries flashback as McGowan fleshes out the life of Lorenzo de Medici, revealing a life of love, passion, intrigue, and mystery. This is the highlight of the story, bar none. History meshes flawlessly with fiction (secret heresies aside) to create a compelling drama of the life of Medici.

To me, the present storyline only served to get in the way, and was rather weak both in terms of storytelling and intrigue. Of course, since Maureen, Berenger, and Destino are the heroes of The Magdalene Line series, of which this is book 3, from a series standpoint they were necessary, but not a lot of action happens. And the action that does happen, because the lives of Poet Princes intertwine so, the action in the Medici storyline foreshadows the present storyline to the point it seems repetitious. This novel would have been much improved had the present storyline been removed completely in favor of elaborating on the Medici story (secret heresies included).

Ah, yes, the secret heresies. As outlined in The Poet Prince, the Medici are the heirs of a heretical legacy received to them from the descendants of Jesus and his wife, Mary Magdalene. Above all, their Order, called the Order of the Holy Sepulcher, follows the way of Love. The exact teachings of the Order are only vaguely defined; all that’s really made clear is that the Pope would certainly not be happy about it. From a theological standpoint, what is discovered about the Order is classically Gnostic (i.e. Jesus married to Mary Magdalene, secret gospels, hidden knowledge, heiros-gamos or twinned souls), which is a syncretic mix of pagan mystery cult and Christianity, and has been refuted as false quite soundly, but here is not the place to discuss that in detail.

Taken from a purely fictional standpoint, I can live with the idea. I can even live with the idea that in reality, the Medici believed in this Gnostic syncretism. My problem extends to where Kathleen McGowan not only claims this Gnostic belief is valid, but that she herself is a descendant of Jesus. As such, her writing on the “heretical legacy” takes on a new twist as she is basically claiming her fiction to be true. In fact, her initial intent was to publish this series of books as a non-fiction, but found the market less than enthusiastic. Her research on these Gnostic teachings and their relation to the Medici and the Renaissance is supposed to be contained on her website, but this reviewer found that all of that information is now missing.

In the end, while quite amazingly researched from a historical perspective, The Poet Prince carries with it a strange religious agenda that appears to be only another incarnation of Gnosticism. It fails at its self-described attempt at a “spiritual detective story” but is quite strong as a historical drama.

So hopefully you now understand what I meant by my first sentence. I loved reading the historical story, but between that had to endure an underdeveloped present day story where the ultimate climax ended up being rather anticlimactic. From a religious standpoint, I do not require the fiction I read to agree with my theology so it did not bother me. But given that McGowan is a serious proponent of such Gnostic theology and that her books have reached the NYT bestseller’s list, I felt the need to iterate that her views are completely without evidence, lest just as in the wake of Dan Brown’s The Da Vinci Code, readers be left confused concerning what is fact and fiction.

All theology and heresy aside, McGowan has a way with words and her historical detail is commendable, but ultimately due to the weak present day storyline, The Poet Prince fails to deliver the story it claims.

Review copy provided by Touchstone.

Genre: Thriller

Publisher: Revell

Publication Date: August 2010

Reviewed by Jake Chism

When a Congressman’s daughter is found brutally murdered in Washington D.C., FBI Agent Patrick Bowers is called in to help make sense of the madness. Bowers has a knack for catching high profile killers thanks to his controversial use of geospatial investigative techniques. However, this time around Bowers continually runs into dead ends despite his best efforts. Catching one killer is hard enough, but now all the evidence hints at two.

In Patrick’s personal life things are no less complicated. Tessa’s birth father is back on the scene, Bowers is caught in a dizzying love triangle, and a psychopath from his past pays an unwanted visit. Despite all the obstacles in his path, Patrick Bowers must find a way to do what he does best: catch killers.

Steven James continues his impressive run with his fourth Bowers Files novel.  Series of this nature often run the risk of becoming repetitive and overdone. After awhile familiar characters become stale and the plot twists become less surprising and more manufactured. Steven James shows no signs of falling into these traps, and it only seems his writing is better with each offering.

As always, this novel’s strengths lie in the characters. The first person narrative of Patrick Bowers is nothing short of exceptional, as is James’ depiction of the father/daughter relationship between Patrick and his step-daughter, Tessa. Indeed, Tessa has become a fan favorite of the series with her quick wit and intelligence coupled with a vulnerability that surfaces at just the right moments. This beautifully flawed relationship has been the glue that holds these stories together and that’s certainly the case once again.

The Bishop takes place primarily in the Northeast and its fun to see Patrick working in different locations in each novel. No matter where he finds himself the reader feels like they are there, only proving the level of research that goes into each story. If that wasn’t proof enough, readers will be captivated by the intricacies of geospatial investigative techniques and the procedural elements of FBI investigations. Everything about the story feels real and the reader can’t help but be drawn in.

Steven James continues to impress me with his ability create genuine twists and revelations. While there is nothing mind blowing about the plot execution here, I was still caught off guard by the killer’s identities in the end. James is a master of presenting so many possible angles that it makes it almost impossible to accurately foresee the outcome.

The Bowers Files is in full swing and I am thoroughly enjoying this journey. Up next is The Queen, and I have no doubt it will be well worth the wait.

Don’t miss our recent interview with Steven James.

Review copy provided by Revell.

Genre: Thriller, Suspense

Publisher: St. Martin’s Press

Publication Date: July 2010

Reviewed by Jeremy Taylor

Patrick Davis had it all—a beautiful wife, a Hollywood home, and a screenplay that was picked up by a major studio and made into a movie with an up-and-coming star. But just when he’s seemingly poised on the brink of serious success, he’s suddenly on the verge of losing everything. With his marriage on the rocks, his career in jeopardy, and a six-figure lawsuit pending against him, his formerly storybook existence has turned into a horror movie. When he starts getting DVDs showing footage of him going about his daily life, he’s at first confused, then alarmed, then angry. Patrick’s entire life is being meticulously scrutinized. But why?

Then the phone calls begin. And the e-mails. And then the demands. Whoever is watching Patrick knows everything about him—what he does, where he goes, whom he talks to. He can’t go to the police, and he has no choice but to do what is asked. But when the true intentions of his stalkers finally come to light, Patrick will have to decide whether to give up or fight back. In the process, he will learn what his true priorities are and how to value what really matters most.

They’re Watching is a tightly constructed thriller. Author Gregg Hurwitz spins out the suspense in the first-person narrative little by little until the tension is so high there’s nothing to be done but stay up all night and finish the book. The plot manages to avoid being formulaic while still giving readers the twists and turns they expect. The author is to be commended for telling a great story full of intrigue, betrayal, and high stakes without resorting to the graphic sensuality and violence adopted by many of his peers. Utterly entertaining, They’re Watching is an ideal escape for mystery/thriller aficionados. With sympathetic characters, great pacing, and superb writing, this book should easily secure Hurwitz’s place among today’s premier writers in this genre.

Review copy provided by St. Martin’s Press.

Genre: Thriller

Publisher: Grand Central

Release Date: February  2010

Reviewed by Josh Olds

Casey Jordan has got this case in the bag. Open and shut. Dwayne Hubbard has served 17 years of a life sentence after being convicted of raping and murdering a college student, but now Casey – with the help of the Freedom Project – is going to get an innocent man out of jail. Better still, not only is she going to help get the innocent out of prison, the Project’s founder, Robert Graham, is offering her a cool million a year to do it.

But once Casey begins to dig deeper in, she discovers that someone doesn’t want Hubbard out of prison, and the tables turn even as she tries to figure out why, all while just trying to stay alive. Nobody is who they seem to be, and Casey can’t be sure who to trust until it’s almost too late.

For half a novel, Tim Green takes us through a paint-by-numbers legal thriller. Exciting? Yes. Fun? Yes. Anything special? Not really. Then Green gives us one masterful twist and starts coloring outside the lines. Just as you’re lulled into the expected, Green hits you hard and makes you sit up and pay attention, because this not your normal legal thriller – at least not entirely. While the book could have benefitted from a little more explanation or character development in some areas, overall Green pulls off an enjoyable thriller.

It should be noted that False Convictions does contain some language and suggestive scenes that some readers might find offensive. However the matter is treated in a way that is integral to the plot, and not necessarily thrown in there for shock value. Altogether, False Convictions is a solid book that takes a deep look into corruption and how the law must deal with it.

Review copy provided by Grand Central.

Genre: Thriller

Publisher: Little, Brown & Company

Publication Date: March 2010

Reviewed by Elizabeth Olmedo

Alex Morrow is a rising Glasgow detective, but unlike her male partner who has everything pretty much handed to him, Alex must fight at every step. Born poor and with no connections, she struggles against both gender and familial issues. In a still male-dominated workforce, she encounters sexist bosses and colleagues and must prove that she is as good as, if not better than, any one of them. At the same time, Alex attempts to hide that her half-brother, Danny, is climbing the shady ranks of Glasgow’s criminal underground.

Alex’s life is complicated ten-fold when a battered van pulls up to average-looking home and spits out two masked men. They crash into the house, demanding the family produce a man that is not there. Chaos erupts and the intruders flee after shooting one family member, kidnapping another and demanding an unfeasible ransom. Alex arrives on the scene to find too many holes in the supposedly random attack. The investigation reveals a conglomeration of crimes ranging from drugs, robbery, and murder to religious intolerance. As the story unfolds Alex’s dark and tangled past brews just below the surface — a volcano ready to erupt at any moment and destroy everything in its path.

Denise Mina’s Still Midnight is an average story. The plot or characters don’t offer anything new or extraordinary, but I found it interesting enough for a one-time-read. Alex is annoyingly bitter at times, which Mina could have easily remedied if she had taken more time with the challenges the main character faced outside of work, e.g., a her broken marriage. Alex’s home-life, or lack thereof, provide the potential for a compelling subplot, but Mina barely taps into it. She only deals with Alex’s marital issues at the very end, almost like an afterthought, causing the resolution between the husband/wife relationship to feel unbelievable.

I also found the characters’ lack of growth frustrating. The miniscule changes that occur in the very last chapters resemble the changes between Alex and her husband—out of the blue. Those sensitive to vulgar language should be aware that Mina doesn’t have a problem using it and she doesn’t shy away from using uncomfortable language to describe scenes such as a mother breast-feeding her baby. This novel is not for readers looking for a story in which everyone gets what they deserve. Despite some of these things, Still Midnight can be an acceptable read for suspense/thriller fans.

Review copy provided by Little, Brown and Company.

Genre: Thriller

Publisher: Zondervan

Released: May  2010

Reviewed by Josh Olds

Do u want 2 b my friend? It’s undeniable that we live in an age where technology is putting people in contact with one another more than ever. Social networking has become a multi-billion dollar industry – be it Facebook, Twitter, or any one of the number of social networking forums out there. It’s all really good technology. Friends can stay in touch with friends even though they may not be in close proximity. Relatives from far away can see little Timmy’s first haircut because Mom uploaded to her Facebook page. But like any good technology, the depraved mind of humanity can find a multiplicity of ways to use it for evil.

In Predator, Terri Blackstock treats us to such a terrifying tale. Fourteen-year-old Ella Carmichael was brutally kidnapped, raped, and then buried alive in a shallow grave after an online predator watching her every GrapeVyne update sees his opportunity. In the face of such evil, her sister Krista and father David determine to hunt down the killer before more girls find themselves prey.

Krista goes straight to the top – CEO and founder of the social network GrapeVyne, Ryan Adkins. At first reluctant to see GrapeVyne’s responsibility in the matter, as the predator continues his rampage, Ryan finds himself risking his own job and fortune to help stop the killer. Krista and Ryan team up, but when they get to close to the killer’s trail, he turns his sights toward them.

Predator carries the theme of an exploration of the quintessential problem of pain and how a loving God could allow such evil; through the plot of the story we are exposed to the stark reality of the potential dangers of irresponsible social networking; and in subplots we are treated to a father’s agony over such loss and trauma and a sister’s determination to help those destitute and downtrodden. And in and through it all, there is a God who knows, who cares, and who weeps alongside the brokenhearted.

My only real complaint with the novel is that it explicitly tells you its purpose a few too many times. I got it. Social networking can be dangerous, and those using it should be careful. Given that the story surrounded 2 dead, 1 injured, and a killer on the loose as a result of such, it was a mantra that, while important, did not bear that much repeating.

Quite obviously, Predator was written as a cautionary tale for those of the Facebook generation, who in their quest to be loved, in their craving for attention, and in their desire to have purpose have thrown out all notions of privacy and forgotten that all is not always as it appears, and that evil often comes masquerading as light. Though it did touch upon the benefits of social networking (consider that the link for this review shall be Facebook shared and tweeted), I would have liked to have seen it do more to show these positive aspects.

In the end, Predator is a riveting story that could easily have been ripped from tomorrow’s headlines. It has a strong spiritual message as well as a clear and practical earthly message. It’s a solid thriller from a good writer, and, as this was my first Blackstock novel, I must admit that she has gained a fan.

Review copy provided by Zondervan.

Genre: Thriller

Publisher: Thomas Dunne Books

Publication Date: April 2010

Reviewed by Jake Chism

The President of the United States is the most protected man in the world, at least that’s what President Tom Duncan thought. All pretense of security vanishes when he falls victim to a weaponized strain of Brugada Syndrome, a genetic disease that kills without warning.  To make matters worse, it seems the President is just the beginning. Brugada will soon wipe out the world’s population if a cure can’t be found.

Enter the Chess Team, a Special Forces unit that is the best of the best. King, Queen, Rook, Knight, and Bishop have fought their fair share of enemies, but none as deadly as this silent killer. They are quickly dispatched to the jungles of Vietnam where this new strain originated. CDC agent Sarah Fogg joins the team as they traverse the rugged terrain in search of a cure. Standing in their way are the Vietnamese Special Forces who will stop at nothing to wipe them out. Unfortunately for the Chess Team, these VPLA Death Volunteers are the least of their worries. An ancient darkness is lurking and waiting to destroy them all.

Jeremy Robinson is quickly becoming one of my favorite writers and Instinct only furthers the cause.  Our heroes from the Chess Team are back in grand style and in true Robinson fashion, the action and the thrills never let up. The jungles of Vietnam are the perfect backdrop for this all out fight for survival. Just when we think the environment couldn’t be more grueling and lethal, we’re treated to an ancient underworld that adds a creepy, yet fun dimension to the story.

Instinct is pure escapist fiction, the kind of novel that you love to get lost in.  Jeremy Robinson sets out to entertain and he does so wonderfully, giving us a well researched plot laced with top notch action sequences. After reading Pulse I wanted to see the main characters fleshed out more, and I did walk away from this installment feeling like I had a better feel for each member of the Chess Team.

I was surprised at a major reveal in only the second book of this series, but on the other hand it’s refreshing to know that Jeremy Robinson is proving to be an author that rewards his readers. This reveal has the potential to really make for some intriguing storylines and I can’t wait to see what’s next. In the end, we’re also left with a nice little surprise that will leave fans hungry for more.

Review copy provided by Thomas Dunne Books.

Genre: Thriller

Publisher: Thomas Dunne Books

Publication Date: May 2009

Reviewed by Jake Chism

The Chess Team has battled its fair share of monsters, albeit monsters of the human variety. Nothing can prepare Special Forces Commander Jack Sigler (“King”) and his team for the mythical nightmare they will soon face.

An ancient relic has just been discovered in Peru that contains the DNA of the legendary Hydra monster that was defeated by Hercules himself. Richard Ridley, head of Manifold Genetics, sets out to distract the DNA in order to bio-engineer an army of soldiers that have the ability to regenerate, thus making them immortal.  The Chess Team is tasked with stopping Ridley before he can get his plans off the ground. If only it were that easy….

I love it when I discover a new author that knocks my socks off and leaves me wondering how or why they have previously flown under my radar.  That’s exactly what was going through my mind when I tore through Pulse with reckless abandon.

Jeremy Robinson’s writing leaps off the page with his over the top characters, awesome action scenes, and stunning locations. This is pure adventure escapist fiction and as other reviewers have pointed out, all of the woman are gorgeous, all the men are bulked out GQ models, and all of the villains are as a nasty as can be. And Robinson’s writing is so great that we don’t even care.

Pulse does contain the type of violence, language, adult content and gore that you would expect from a hard core thriller and readers should not be surprised to find those elements here.

The thriller genre is bursting at the seams with authors trying to make their mark with their own unique style. Jeremy Robinson is a breath of fresh air in a genre that is at times saturated with unoriginality and cookie cutter plots. This guy is the real deal and deserves his share of the spotlight.

Review copy provided by Thomas Dunne Books.

Genre: Thriller

Publisher: Water Brook

Release Date: May 2010

Reviewed by Josh Olds

Imagine a future where you could know everything. Imagine a future where you could live forever. Imagine a future where technological innovation has created a synthetic brain capable of making all that possible. Sounds great! But imagine a future where Christianity is a thing of the past. Imagine a future where you just might be The Last Christian.

It’s A.D. 2088, and Abigail Caldwell is, for the first time in her life, emerging from the New Guinea jungle where she’d lived with her missionary parents among the Inisi tribe – Earth’s only remaining primitive people group. She is the sole survivor of a mysterious jungle disease that literally ate the brains of the afflicted.

She finds herself thrown into an alien culture of technology, where people are as apt to live out their lives in virtual reality as in physical reality, where with the Grid – the Internet’s great-grandchild – people can store their memories and their dreams for later viewing, a world where Christianity has died out.

Abby receives a message from her grandfather – sent 16 years prior but never received – that sets her on a path, a mission: To reintroduce Christ to America. But amid all of this is the hubbub around Bryson Nichols and his silicon brain. Humans, who were already living well into their hundreds, would now be able to download their neural networking into computer software and be implanted with a synthetic brain, allowing humans to virtually live forever.

Only one problem. When the brain goes, so goes the soul. And with the soul, the spirit of God in believers. And that might not even be her biggest problem. Abby teams up with Professor Creighton Daniels, and together they stumble upon a plot to convert all of humanity to this transhuman status, a plot that will kill millions and forever leave the living with no chance of connecting with God. Just from the jungle, Abby can barely comprehend this new technology before she is forced to run for her life while trying to uncover those behind this plot.

The Last Christian is one of the most unique books I have ever read. It’s fairly heavy-handed on the preaching element, even to the point of quoting Scripture several times, but it’s not preachy. Instead, it serves to naturally develop one of the characters. It delves into deep philosophical issues such as the connection between the soul and the body, but it doesn’t bog down the action. So while this novel is built very deeply on some very deep topics, Gregory doesn’t let these details get in the way of the story, rather he manages to make it enhance the story.

Despite its futuristic scenario, Gregory manages to plausibly depict a culture where technology is god, and God is dead, and what the ramifications of that might be. It’s superbly written and shows tremendous insight into the deeper issues of theology and philosophy that provide the book’s foundations. It’s a smart, intelligent thriller that will leave you gasping, but beyond that, thinking.

Novels written to critique modern rationalism and materialism, ponder the metaphysical ramifications of the connection of the brain and soul, or present the Gospel clearly and emphatically as a rule never, ever work. David Gregory must not have known this rule because The Last Christian combines all three and pulls it off magnificently.

Review copy provided by Multnomah/Waterbrook.

Genre: Thriller

Publisher: Simon & Schuster

Publication Date: April 2010

Reviewed by Elizabeth Olmedo

Olivia Morrow is dying, but she faces a horrible choice. Her deceased cousin, Catherine, touched many lives as a nun. Now the Catholic Church is considering her for sainthood. But a secret torments Olivia and threatens to destroy Catherine’s post-mortem sainthood. With days left to live, should she speak the truth or take it to her grave?

Dr. Monica Farrell is a young, attractive pediatrician, loved by patients and co-workers alike. Her background, however, remains a mystery. During his lifetime, her father tried everything to uncover the identity of his birth parents. Years later, after a series of chance events, Monica finds herself calling a complete stranger who knew Monica’s birth grandparents. This stranger is none other than Olivia Morrow.

Unfortunately, before the two women can meet, Olivia passes away in her sleep. But what originally seems like a natural death leaves Monica unsettled. The more Monica searches, the more questions arise, and with it the certainty of foul play.

Olivia’s one true love, the late Alex Gannon, famous doctor and scientist who created a fortune in medical patents, died loving another — Catherine. In his will, he left his wealth to any possible child he may have fathered. But through extravagant lifestyles and bad choices, his nephews Greg and Peter Gannon have squandered the estate with the help of their fellow board members. Should someone ever step forward to claim the inheritance, the truth of their exploitation would come to light. Silence is vital to the board members of the Gannon foundation, crucial enough to kill for.

So Mary Higgins sets the scene for her latest novel, The Shadow of Your Smile, with a wide range of unique characters all with seemingly separate subplots. As their worlds narrow, their lives overlap to form a common thread sprinkled with lies, hope, fear, and murder. Clark is one of the few authors I’ve found who can juggle so many characters without losing the reader. Her mind works in such intricate ways that she delicately weaves complex and intriguing webs that draw the reader in and hold them captive until the last word.

As in most of her books, Clark explores a controversial issue. In the case of The Shadow of Your Smile, she deals with the seemingly exclusive worlds of medical science and religious faith. Refreshingly, Clark’s novels are “clean” offering a great read without vulgarity to anyone who loves an invigorating thriller. I strongly recommend them.

Review copy provided by Simon and Schuster.

Genre: Supernatural, Thriller, Suspense

Publisher: Faith Words

Publication Date: May 2010

Reviewed by Jake Chism

Laila is running from the demons of her past and they are quickly closing in. Sure, she’s made her fair share of mistakes, even bringing much of the hurt upon herself. She longs to escape and be free, but more than that she wants to be whole again, to somehow find a way to gather up the shattered pieces of her life. For too long she has tried things her way and it’s only brought her here: fleeing a mysterious stranger who knows what she did and wants to make her pay. As the demons of her past close in, Laila must decide whether to confront them or forever remain broken.

Travis Thrasher has tackled a wide range of genres in his career: romance, suspense, mystery, adventure, and more recently horror. Most publishing and marketing experts would wag their fingers at this scattershot approach, but Thrasher has managed to pull it off with his indelible talent. What I love most about Thrasher’s writing is the passion he brings to each story. He consistently creates characters that jump off the page and well defined plots that propel the story forward. This has allowed him to transcend genre and his writing always seems to reflect and celebrate the power of story. Broken is certainly no exception, and may just be his best yet.

Thrasher shifts gears a bit from Isolation and Ghostwriter, toning down the scares without losing the supernatural edge that I loved in both novels. This is a fast paced read supported by engaging dialogue, well depicted locations, and a powerful twist in the end. Each chapter begins with a journal entry from Laila and these scenes were by far my favorite.

With Laila, Thrasher has given us such a beautiful, messed up character. While you may not be able to relate to the specifics of her struggle, you will find yourself thinking about the broken pieces of your own life and the journey we all travel towards redemption. In the end I was moved by the revelations and awed by the way Thrasher pulled it off.

I’m sure Travis Thrasher has people in the “biz” constantly telling him to work on his brand, pick a genre, blah, blah, blah, etc. I applaud him for following his heart and pouring himself into every line, no matter where his books may be sorted on the shelves. If you long for memorable characters and stories that captivate then you can’t go wrong with Travis Thrasher.

Review copy provided by Faith Words.

Genre: Thriller, Suspense, Mystery

Publisher: Dutton

Publication Date: March 2010

Reviewed by Jake Chism

Dan Mercer has been caught. Reporter Wendy Tynes has just nailed him on national TV with her Caught in the Act program, as Dan shows up at a home to meet an underage girl he met online. Dan and those who know and love him plead his innocence, but incriminating evidence found in his home and on his computer claim otherwise. Before Dan’s case can go to court, a vigilante takes Dan’s life in front of Wendy’s eyes, and despite her eyewitness account, the authorities can’t find any evidence to support her claims.  An accused pedophile is put down, a killer goes free, and everyone is happy.

Everyone except for Wendy, that is. As much as she longs for justice in this case, she is appalled at the way it was carried out. As she does her own digging into the case she gets caught up in an investigation of a missing girl from her son’s school. Pieces slowly fall into place, linking both cases, and the truth that Wendy uncovers is more shocking than she could have imagined.

Harlan Coben continues to soar with his latest suburban thriller. Coben has become a master of taking the familiar comforts and perceptions of suburbia, and turning them on their head to reveal the very real fears and dangers that reside there. Caught isn’t so much a story about internet predators as it is a story about families and community responding to tragedy. As we get glimpses into how different characters are dealing with their own troubles, Coben takes us on an intriguing journey full of the mystery and suspense that he is known for.

I’ve always felt Coben’s greatest strength is his characters, and we get a lot of them here.  Authors often make the mistake of bringing too many characters into a plot, but when placed in the hands of a master storyteller like Coben, this technique only enhances the story. I have no doubt fans will be clamoring for more Wendy Tynes after this story, and rightly so. Her strength coupled with her broken past will easily draw readers in. Coben even has a bit of fun with a middle aged white rapper named Ten-A-Fly that readers will either love or love to hate. In true Coben fashion, we have some fun cameos from former characters including the always fascinating Win.

There are a lot of moving parts here, but Coben easily keeps the story woven tightly and part of the fun is knowing Coben will somehow tie it all together in the end. The twists serve their purpose, but by no means are they mind blowing. Nor do I think were they meant to be. I was moved by the final reveal, not for the clever way it was packaged, but for the emotional impact that tied all the threads together. Harlan Coben not only tells great stories, but he gets into the hearts and minds of his readers. That’s what separates this guy from the pack and the reason he is at the top of my list.

Review copy provided by Dutton.

Genre: Young Adult, Suspense, Thriller

Publisher: Thomas Nelson

Publication Date: February 2010

Reviewed by Jake Chism

Charlie West wakes up one day and a year of his life is gone. Mysterious thugs are after him and the police want him for the murder of his friend, Alex. As Charlie tries to makes sense of it all, he discovers he is in the middle of a major terrorist plot and he has no idea how he got involved. Reluctantly, Charlie decides to go to the only place where he might find some answers: home.

Andrew Klavan has more than left his mark on the adult thriller genre, but with this fresh new Young Adult series he is quickly proving what a multi-talented storyteller he is. While The Last Thing I Remember hooked me with it’s breakneck pace and tension, The Long Way Home has captured my imagination with the strong character development and themes of friendship and heroism that Klavan explores. The real heroes of this story are Charlie’s friends, who never doubted him and are ready to do whatever it takes to clear his name. I found much more character depth here than I anticipated and it made the book that much better. Never fear, though. Fans who are looking forward to the action and intrigue will find plenty here to cheer about.

With two more books to go in The Homelanders series, I find myself anxiously waiting what Klavan has up his sleeves. I’m buying everything Klavan is selling, from the excellent first person narrative, to the gut punching action; to the perfect doses of humor and wit…it’s all working for me.

With top notch series like The Dreamhouse Kings and The Homelanders, Thomas Nelson is blazing one heck of a trail in the Young Adult market. I can’t wait to see what’s next!

Don’t miss our interview with Andrew Klavan!

Review copy provided by Thomas Nelson.

Genre: Thriller

Publisher:  Little, Brown and Company

Publication Date:  June 2008

Reviewed by Jennifer S. Roman

Katherine Dunne, recently widowed and remarried, wants to take her three children on a sailing trip for two months during the summer so they can reconnect.  A dedicated heart surgeon, Katherine believes she has spent too much time on her career and not enough time on her family.  Her children agree.  Her daughter has an eating disorder, her older son has a pot addiction, and her younger son is just lost in the shuffle.  While her successful new husband, Peter, stays behind to work on an important case, her brother-in-law, Jake (with whom she had an affair years ago), agrees to captain the sailboat.  Right off the bat, though, things go wrong.  The family is hit hard by a storm that destroys a great deal of the boat.  The day after the storm, after the family miraculously makes it out alive, the boat explodes.  Jake suffers serious injuries and dies.  Katherine also is seriously injured: she has a compact fracture in her leg.  With nothing left but hope, the family must somehow survive and get safely home.  With betrayal and secrets exposed, it’s not the means in which she intends, but Katherine does pull her family together into a stronger unit.

James Patterson is not at his strongest in Sail.  While the plot does have some twists and turns, it does not have the usual “wow” factor his fans are accustomed to seeing.  It’s nice to get away from a high-speed chase at the end of the story, as this one does not have that, but the whole setup is tired.  The characters are not well-developed and sometimes it is difficult to believe their experiences.  That being said, the twists and turns that DO happen are interesting.  The secondary characters provide more interest than the main ones, and because of them, the story is not horrible.  With some depth added, the story could be a lot better.

There are a few curse words in the story, and quite a bit of sexual encounters.  There is some violence, and some of it is graphic.  For those used to Patterson novels, it is calm by his standards.  Others not accustomed to violence may be unnerved.  There is also mention of an extramarital affair, so people not comfortable with adultery should be warned.

This book, while not a fantastic read, is quick and easy and does provide a somewhat entertaining story.

Genre: Romance, Thriller

Publisher: Putnam

Publication Date: July 2009

Reviewed by Elizabeth Olmedo

When eleven-year-old Cooper Sullivan’s parents send him to his grandparents’ South Dakota horse ranch for a summer on his grandparents’ horse ranch, he expects the worst two months of his life. Instead, he meets the neighbors’ daughter, Lillian Chance. She shares his love of baseball and teaches him how to ride horses. With each annual visit their friendship grows and develops into something more, until the year they stumble on the body of a dead hiker.

From that day on, their lives follow different paths. Coop breaks away from his father’s demands while Lil becomes a wildlife biologist and creates the Chance Wildlife Refuge.

Twelve years later their lives intersect once more. Coop leaves his job as a private investigator in New York to care for his grandparents and the ranch. Still hurt by his departure all those years ago, Lil determines to not let his presence hold her back. But when animals are slaughtered, and left for Lil to find, and a man goes missing, Coop will stop at nothing to keep her safe, even if it means disrupting her life and the peace she fought so hard to achieve.

At first, I was very excited to read Nora Roberts’ Black Hills, but the more I read, the greater my disappointment grew. While the plot is intriguing and Roberts draws the reader into the world of wildlife biologists, I grew irritated with the crude language. By this I refer to swear words as well as countless distasteful conversations between the characters. They treat sex in a cavalier fashion, often talking about it or the opposite sex in extremely debasing terms. The words lust and love are thrown around freely and interchangeably, even when it’s lust every time.

Numerous sex scenes leave little to the imagination. Roberts isn’t a bad writer, she pulls her audience into the intricacies of a wildlife refuge and the lives of its inhabitants and caretakers, but if one pulls out the vulgar words, crass conversations, and sex scenes, there isn’t much left to this book. That aside, this novel is for those who prefer figuring out how to catch the culprit rather than learning whodunit, as the reader knows the culprit almost from the beginning.

Overall, Black Hills disappointed me. Knowing that Roberts is a mystery writer and having enjoyed several movies based on her books, I had high expectations for the novel. Unfortunately, I will now have to think twice before reading a Nora Roberts book again and stick to the movies, which are cleaner.

Review copy provided by Putnam.

Genre: Thriller

Publisher: Grand Central Publishing

Publication Date: April 2010

Josh Olds’ Review:

The ghastly images are set before the panic-stricken man. His eyes take in the grisly scenes of torture and death. He knows why they have come after him, but they will tell him. He knows why they are showing him these images, but they will remind him. He knows why he will die, because he is the one who caused the images set before him.

With his latest thriller, David Baldacci introduces a covert, off-the-record vigilante group dedicated to taking down big-time war criminals. Far beyond serial killers, the guys they take down have killed tens of thousands. With precision they locate a target. Then they become the judge, jury, and executioner—and Reggie Campion is one of their best operatives.

Her latest target is Evan Waller, a Canadian businessman man with a secret past and some not so legal business dealings. No longer content with the humdrum business of human trafficking, Waller is looking to expand his horizons to a field that could ensure his place in the history books—one that could results in millions dead.

This tidbit of information doesn’t go unnoticed by other agencies. Shaw, an agent for a quasi-official agency that was first introduced in Baldacci’s 2008 novel The Whole Truth, is sent to take down Waller as well.

As Reggie and Shaw hunt the same man for different reasons, their paths inevitably cross—and conflict. They can both tell there is something not quite normal about the other, and they seek to learn more about the other even as they continue their separate attempts to get a hit on Waller. But one doesn’t just get away with killing tens of thousands and not be fairly perceptive. They’re going to have to tread carefully if it’s all going to play out correctly. The only question is if they can stay out of the other’s crosshairs.

In Deliver Us from Evil, Baldacci writes an intricately plotted, character driven thriller that plumbs the depths of human evil and confronts the moral dilemma of confronting such evil. The depiction of Waller is downright horrifying: cold, calculating, a ruthless killer. Shaw is introduced for his second novel, though Baldacci expertly ensures that while having read The Whole Truth is a certain benefit, not having read it is not a detriment. Reggie Campion is at the forefront of the story. As the background of her past unfolds, the reader empathizes with her pain and with her drive to kill monsters like Waller. Baldacci could have easily stuck with Shaw, a character already developed, but I think he wisely chose to give the spotlight to this conflicted, broken, and driven soul.

Is it justice to kill killers in cold blood? Or in doing so, does the justice giver become the very thing sought to be destroyed? What separates the normal person from the mass murderer? Do all have the same potential for evil? More than any other Baldacci novel I’ve read, Deliver Us from Evil made me ask the same questions the characters were asking, immersing me in the story. The theme is played masterfully, if sometimes horrifyingly, throughout the book. As a caution, some readers will probably not like the language or some of the more grotesque moments involved in portraying a character of pure evil.

As the book rushes to its climax, Baldacci keeps the thrills coming, which each page building suspense and each chapter bringing new revelations. Nothing is as it seems, and everybody has their own motives.  Deliver Us from Evil is sure to deliver you from humdrum writing, as Baldacci pens one of his best novels yet.

Jake Chism’s Review:

Evan Waller is evil personified. A former war criminal responsible for the deaths of thousands under the communist regime, he now earns a living as a sex trafficker. Intel suggests that Waller has terrorist ties and is looking to enter into a new venture that could kill millions more worldwide. The mysterious agent/operative known as “Shaw” has been tasked with capturing Waller to bring him in for interrogation.  As he closes in on the enemy he discovers another covert group that wants Waller dead. Both sides must find a way to work together because Evan Waller is proving to be far more dangerous than they anticipated.

David Baldacci consistently churns out high quality thrillers that raise the bar for other writers in the genre. Deliver Us from Evil continues that trend in grand fashion giving us not only a tightly knit plot, but some well crafted characters that really carry this story. We’ve met Shaw in Baldacci’s previous release, The Whole Truth, and his character is just as mysterious and even more engaging. The star of the show is easily Reggie Campion, a beautiful, yet tough covert agent who goes head to head with Shaw. Their scenes are easily the best written with some clever dialog and some fun back and forth that Baldacci somehow manages to seamlessly weave into the story.

Never fear, there are some great action sequences and just the right amount of suspense. Indeed, Shaw is a force to be reckoned with and it never gets old as he finds new and inventive ways to take down the bad guys. Even Waller is the perfect villain: on one hand the kind of man you love to hate; on the other, a smooth talker that draws you in with his charm and intelligence, despite the harsh reality of the monster he truly is.

At its core this is a story of good versus evil and the sacrifice that must be made for good to win. Baldacci brings all the elements together to bring his fans another top notch thriller, and easily one of his best. I hope more novels with Shaw and Reggie are planned for the future, because fans will be demanding it after this superb offering.

Don’t miss our audio interview with David Baldacci!

Review copies provided by Grand Central Publishing.

Genre: Historical, Thriller, Suspense

Publisher: Thomas Nelson

Publication Date: April 2010

Reviewed by Jake Chism

Gina Lazarescu is preparing for a final showdown with the Akeldama Collectors. So much has happened in her life recently, especially the revelation that her son Jacob is alive. Cal Nichols, her father, has kept this secret until now to protect Jacob from the Collectors, who will stop at nothing to destroy the Nistarim and Those Who Resist. While Gina wants to go to Jacob now, Cal insists she wait for the right time when the Nistarim can band together to destroy the Collectors. In the meantime, Gina focuses on rebuilding her relationship with her husband, Jed, and preparing for the imminent battle. Unfortunately, for Gina and the Nistarim, the Collectors have deadly plans of their own and are confident they will be victorious.

I’m always anxious to see how an author will end a series, and it seems that very few are able to really nail it. Often it’s a combination of reader expectations and the writer’s unwillingness to fully let go of the story. Admittedly, I had high expectations going into Valley of Bones. Eric Wilson blew me away with the first two installments and I was hoping he would do so again. Thankfully, my expectations were met and quickly exceeded.

All of the elements that make Field of Blood and Haunt of Jackals so appealing are on display. From the attention to historical detail, to the strong characters and crisp dialogue, to the balanced action and tension throughout, everything really comes together to hook the reader. What I wanted the most is what everyone is no doubt anticipating: an all out throw down between darkness and light. And boy do we get it. All throughout the series I’ve felt the story building toward something big and Wilson holds nothing back in giving his fans a huge payoff.

Eric Wilson’s devoted readers will of course recognize characters from his earlier novels, and they play more of a role here than in the previous Jerusalem’s Undead books. I can see where fans unfamiliar with these characters and stories might feel left out at times, but as a fan I loved spending time with Josee and Sarge again, checking up on Clay Ryker, and even getting a nice little nod towards Aramis Black. To his credit, Wilson does a great job of winking at his fans without taking any important plot details away from new readers.

In the end, I was left with a bittersweet feeling. On the one hand, I was amazed at how well the plotlines were pulled together and I was floored by the powerful conclusion. On the other hand, I was sad to see the curtain close on so many characters that have become so special to me since I discovered Eric Wilson’s writing. I’ve always thought it was a shame that these novels seemed to fly under the radar of the masses, and I can’t help but wonder how great it would be to see the Five Senses and Aramis Black series fleshed out the way Wilson originally imagined them.

Even though the Jerusalem’s Undead Trilogy has come to a close, I do hope new readers will discover these remarkable novels for years to come. I stated this in my review of Field of Blood, but I feel that it bears repeating: Nowhere else will you find the redemptive power of Christ’s blood explored so brilliantly in fiction.

This has truly been an incredible journey and I can’t wait to see what the future holds for Eric Wilson and his devoted fans.

Genre: Thriller

Publisher: Center Street

Publication Date: April 2010

Jake Chism’s Review:

He loves them because they are beautiful. He kills them because he loves them.

FBI special agent Brad Raines has never faced a killer like the Bride Collector. He’s followed the mad man all over Denver, from crime scene to crime scene, trying to get one step ahead. Each victim is beautiful and always found dressed as a bride, disturbingly displayed for all to see. Desperate for help, Raines turns to the Center for Well-being and Intelligence, a private home for those who are mentally ill and extraordinarily gifted.

Brad soon befriends a young woman named Paradise, a schizophrenic patient with a sordid past. Brad quickly sees through the madness in Paradise, seeing only brilliance and beauty that overwhelmingly draw him in.  As Brad and Paradise grow closer together they close in on the Bride Collector and enter into his deadly game.

Ted Dekker has done the unthinkable in The Bride Collector. Not only has he given us a serial killer yarn that will no doubt make your skin crawl, but he has given us a powerful love story that has absolutely floored me. It’s hard to nail down exactly what I love the most about this story. Maybe it’s the suspense and tension that pulse through every line. Perhaps it’s the collection of some of the most memorable characters I’ve ever read, especially the hauntingly beautiful Paradise who easily steals the show as Dekker’s best written character to date. The creep out factor is off the charts as the Bride Collector himself takes us down a dark and somber journey into despair, evil, and enlightenment. What do I love the most? Really, what’s not to love here?

I can’t remember the last time a novel has consumed me on this level. Everything comes together seamlessly here, and having read most of Dekker’s previous novels, I was absolutely blown away by the level of writing I found. Stories like Thr3e, The Circle Series, Saint, and Adam totally captured my imagination. As good as they were, they don’t hold a candle to what Dekker has crafted this time around. No doubt many will find elements too disturbing or intense, but it all leads to a beautiful payoff that is more than worth the ride. Leave it to Dekker to use a serial killer and mental illness to explore the true meaning of beauty. Trust me, it works.

Ted Dekker has dominated the CBA market for years and has gathered quite the rabid following. As he transitions into the ABA market, no doubt the eccentric storyteller extraordinaire has his sights set on the top of the bestsellers lists. If Dekker keeps churning out gems like The Bride Collector, it’s only a matter of time before he hits his mark. I’m beyond tempted to dub this latest offering as his best novel, but something tells me he is just getting started.

Lori Twichell’s Review:

Quinton is a messenger from God. Seven have been chosen. It’s his job to get them there.

It’s up to Brad Raines to stop him.

As an FBI investigator, Brad Raines has spent his life tracking down murderers. But this case has him consumed. The murderer, dubbed “The Bride Collector”, is a murderer that is so meticulous he has covered all forensic tracks and left nothing to chance. He’s set to murder again and Brad is determined to stop him before he can. That’s why he tries something that everyone, including himself, believes is grasping at straws. He visits the Center for Wellness and Intelligence (CWI). It’s a place that many would call a mental health institution. Raines learns that it’s much, much more than that.

Paradise has spent far too much of her 24 years being chased and abused. Now she’s at the CWI and it’s a place of relative peace for her. She’s learned how to control her fears and cope with the horrific memories of her past. She’s also learned that she has a gift for seeing unusual things. Most people would call these things supernatural. Brad Raines isn’t sure what to think of them. Or Paradise.

As I began to read The Bride Collector, I knew that Dekker’s latest offering was more of what we’d come to expect from him in recent years. I recognized from the blurb on the back that it would be a murder mystery with elements of the supernatural woven throughout. The first few pages underscored this and to be honest, I put the book down and wasn’t sure I’d be able to finish it. A few days later, I picked it back up and I’m very glad I did.  It was when I continued reading that I discovered (much like Brad and his discovery of CWI) this book so much more than just a murder mystery. This is a tightly knit, fast moving story that will engage you on all levels. Though he sets up exactly where the story is going to go, how it gets there is a ride you won’t soon forget.

It’s amazing how Dekker is able to craft an enthralling and exquisite story that is at the same time horrifying and beautiful. In one moment you’re inside the mind of a serial killer and in the next, you’re laughing at the antics of the residents of CWI. Dekker’s exploration into the minds of these characters is beyond noteworthy. It’s brilliant. The characters are more than just three dimensional. They live and breathe in front of you as you’re reading. You can imagine them with all of five of your senses. Taste their tears. Smell their shampoo. Touch their nervous fluttering hands.  Hear their panic. This is more than just description on a page. I know it’s a cliché, but in this case, it’s very true. Dekker has brought these characters to life.

The way Dekker can dive into the criminal mind is stunning. His book Adam gave me nightmares. I was worried that this one might, but thankfully, it’s not as detailed in the same way. In an odd way, this enabled me to be able to connect on a deeper level with the character. Quinton is a brilliantly crafted criminal mastermind with the best intentions. You can hate him. You may admire him. But you’ll never stop being fascinated by him.

Throughout the murder mystery, you may be surprised to find a love story. I was told this before I read the book, but still, it surprised me. Dekker captures the opening stages of romance with a depth that is breathtaking. Like toddlers learning how to walk, the characters stumble and weave, unsure of themselves and grasping for something solid to keep them balanced.  They venture through these new feelings, both of them frightened of what’s happening, at the same time they’re wondering at what’s been awakened within them. It’s a beautiful rendering of the freshness of new romance.

Like the prismatic beauty of a soap bubble, Dekker’s writing enraptures your thoughts, burrows into your brain, and makes you forget that you’re reading a story. It’s like he’s taken the magic you feel when you reach out to touch the bubble and wrapped it around you. I found myself encapsulated inside the resplendence of the bubble with the characters. As I was reading the words in front of me, the book in my hands, and the sounds around me fell away. I was as much a part of the story as anything Dekker wrote on the page.

I’ve always been a fan of Dekker’s. He is one of my favorite authors and I recommend his books often. In my opinion, this book blows the others out of the water. Dekker hit a creative stride and took off at a dead sprint with this one. I believe that this will easily be one of the best fiction releases we’ll see this year.

Don’t miss our audio interview with Ted Dekker here.

Review copies provided by Center Street/Hachette.

Genre: Thriller

Publisher:  Pinnacle

Publication Date:  January 2010

Reviewed by Jennifer S. Roman

The format for The Sculptor is similar to many thrillers out there: The Sculptor, a psychopathic killer (most likely with homosexual tendencies and mother issues) is on the loose.  After killing his victims, he guts them, plasticizes them, and then arranges them on metal rods to pose them in the manner of famous Michelangelo statues.  An up-and-coming FBI agent (in this case, Sam Markham) is assigned to the case.  Along the way the FBI agent needs help from a local, who ends up being the love interest of the story.  Dr. Catherine Hildebrant, a world-renowned authority on the works of Michelangelo, fits the bill.  They work together, grow closer to each other, and move closer to finding the killer.

This truly is a psychological thriller, as the reader’s mind is engaged and constantly trying to figure out when and where the killer will strike next.  Along the way, there are plenty of twists and turns to really mess with what we THINK will happen.  What is really enjoyable is the ability of the reader to see into the mind of the killer, who is so “out there” that the reader is waiting to see what crazy or horrific act he performs next.

True to the genre, this book contains a lot of graphic violence.  Not only does the killer murder innocent people, but he takes out their innards, and it is described in living color.  He has a difficult family life, which includes an incestuous relationship as an adolescent with his mother, and that is described in detail.  There is some vulgar language.  Basically, it is a realistic look at the dark side of the human condition, and it is not pretty.  Those with weak stomachs or little tolerance for the dark and macabre may not find the book to their liking.  The story moves quickly and captures our interest, however, so for those of us willing to tolerate it, it’s a fantastic read that makes us want more.  From the way the book ends, that may just happen.

Review copy provided by the author.

Genre: Mystery/Thriller

Publisher: Simon & Schuster

Publication Date: August 2009

Reviewed by Elizabeth Olmedo

COLD.

Numb.

Confused.

I opened my eyes.

Too dark. Black as arctic winter.

Am I dead?

So begins Kathy Reichs’ twelfth Temperance Brennan novel, 206 Bones. As Brennan slowly gains her bearings, the reader, and Brennan, discover she is trapped in a small, dark, space. Fighting claustrophobia and panic, questions bombard her foggy thoughts—how did she get here? And who wants her out of the way? Brennan must backtrack through her fractured memories and piece together the events that led up to that moment.

Thus the reader embarks on the journey with Brennan, alternating between the past and present, as she and Lieutenant Ryan work to unravel a mystery while bodies of elderly women start to pile up. Of course, true to any Reichs novel, the heroine faces multiple challenges while attempting to uncover the truth — an anonymous tipster accusing Brennan of mishandling a case, a pesky neighbor, and problems at work, just to name a few.

206 Bones is an interesting read with twists that while surprising, aren’t shocking. The reader might not see the turn coming, but when it arrives, Reichs has set it up in a way that makes perfect sense and suddenly seems very obvious. I recommend the book to anyone who enjoys a good puzzle. This novel will keep the reader’s head spinning as he or she pieces together the clues. For those concerned about vulgarity, though, as with all the Temperance Brennan novels, crude language is present.

Review copy provided by Simon and Schuster.

Genre: Thriller, Suspense, Mystery

Publisher: Bantam

Publication Date:  August 2009

Reviewed by Jake Chism

Tim Blake is living every father’s worst nightmare. One day his teenage daughter leaves for work and never returns home. Not only are there no leads, but the people that she supposedly worked with have never even heard of her.  Trying to hold down his job as a car salesman, Tim uses every spare moment and expense to spread the word about her disappearance, hoping that someone will have seen her. He even sets up a website for people who might have information on her whereabouts.  As Tim wallows in his despair he is overjoyed when a lead from across this country surfaces. Tim is now running full out towards the possibility of hope, never realizing that the worst is yet to come.

Linwood Barclay is quickly rising to the top of my list of favorite authors and this stellar performance only propels him higher. Once again Barclay brings us a strong first person narrative from a father in the deepest throes of anguish. As a father of a little girl I found myself torn up inside along with Tim every step of the way. This all worked together for a gut wrenching, yet engaging read that refused to release my attention until the end.

Once again, the twists just don’t stop and they consistently pack a punch. I’m amazed at Barclay’s ability to hide surprises so neatly within a story, knowing just the right time to pull back the veil and amaze his audience. The suspense drips off every page and the terror is all too real.

In the midst of the thrills, Barclay also introduces some strong characters that really sell this story. From the wild child friend of Tim’s daughter, to the ever suspicious detective, and even to the highly unstable love interest, each character takes turn adding to both the despondency Tim is swimming in and the overall depth of this story.

There is some profanity and adult content readers should be aware of, but nothing on the level of Barclay’s previous work, Too Close to Home.

We’re just weeks away from Linwood Barclay’s next release, Never Look Away, and I find myself anxiously waiting what is sure to be another high quality thriller from one of my favorite new authors.

Review copy provided by Bantam.

Genre: Thriller, Suspense, Mystery

Publisher: Bantam

Publication Date: September 2008

Reviewed by Jake Chism

Jim Cutter doesn’t miss his old job. Sure, being the mayor’s driver had its perks, but no perk was worth putting up with that man. After his boss took things too far one night, Jim walked away and never looked back. Happy to be free, he started his own lawn service with his son, Derek. It also allowed him to spend more time at home with is wife, giving their relationship some much needed attention. Things seemed to be turning around for Jim. That is until his neighbors ended up dead and his son became the main suspect in their murder.

This was my first Linwood Barclay novel and it most certainly won’t be my last. After hearing comparisons to Harlan Coben, I had to find out if such lofty claims were valid.

From the opening lines Barclay weaves a tale of intrigue, murder, and mystery that keeps you guessing. Even when I thought I knew what was coming, I was continually surprised by the number of twists and how brilliantly they were orchestrated. The first person narrative of Jim Cutter is top notch and I was easily pulled into the emotional turmoil surrounding this man and his family.

Too Close to Home might be best described as a dark suburban thriller, but I’m not even sure that accurately describes the depth of this novel. Even some of the best thriller writers often neglect character development, opting instead for relentless action and pacing. Barclay expertly balances a fast paced story with the perfect amount of character building, making this story stand out above so many others written in the same vein.

The only element that seemed off here was the complete overuse of profanity. I understand a writer’s desire to create real characters, flaws and all. However, it seems that in several instances the profanity was relied upon too much, seeming forced and manufactured. There is also a smattering of adult content that some readers might want to be aware of.

Overall I was more than impressed with the level of storytelling on display here. Indeed, if you are a fan of Harlan Coben’s work you will love what Barclay brings to the table. I predict it won’t be long before fresh new thriller writers are being compared to Linwood Barclay himself.

Review copy provided by Bantam.

Genre: Thriller

Publisher: Little, Brown and Company

Publication Date: February 2010

Jake Chism’s Review:

One by one the sons and daughters of New York’s elite are being kidnapped and murdered. Each time Detective Michael Bennett is too late and he soon begins to realize he is facing a killer who is in a different league altogether. Special Agent Emily Parker is sent in from the FBI to help with the case, and soon she and Bennett are knee deep in a murder spree that has the city in a panic. As they piece together the clues behind the madman on the loose, they begin to see that the real terror is yet to come.

James Patterson and Michael Ledwidge more than deliver in this third installment of the Michael Bennett series.  Each book just gets better and I’m beginning to think that even Alex Cross himself might be warily looking over his shoulder at the new guy who is quickly gaining. Admittedly, when I first read about the concept of this series, I was underwhelmed to say the least. Another cop series from James Patterson? Really? Aren’t Alex Cross and The Women’s Murder Club enough? And not only is it another cop series, but it’s about a cop with 10 (yes, 10) kids!!  Despite the warning sounds blaring in my mind, I recently settled down and tackled all three novels. And wouldn’t you know it? I think I’ve found my new favorite character in the ever expanding James Patterson fiction-verse.

In Worst Case, we are easily treated to the best writing of the series so far, and I’m really enjoying how well Patterson and Ledwidge meld together as a writing team. The tension and suspense leap off the pages, while Michael Bennett effortlessly draws us in with his unwavering sense of justice and good guy persona. It almost seems that the art of crafting heroes has been lost in many fiction circles today, and it’s refreshing to find a lead character that gives you every reason to cheer for him. There’s even some nice romantic tension here that actually feels relevant to the story, adding another layer of depth and interest.

This series certainly hasn’t been perfect by any means. One of my biggest complaints has to do with Bennett’s children. It’s not so much the number of kids, but rather how hard it is to get to know them as characters.  As the series has progressed, Patterson and Ledwidge have been able to flesh them out a little more, but unfortunately they often feel like one big character to me. I’m hoping as time goes by and more stories are churned out (and you know there is more coming), that we will begin to spend more time with each character and that they will begin to build their own identities. Maybe 10 kids were a tad bit too many to start with, but that is a writing corner that Patterson and Ledwidge have boldly written themselves into. Something tells me these guys know what they are doing.

Worst Case is definitely must read material for Patterson fans, and those who have been turned away by Patterson’s latest offerings might be surprised by what they find here. As always readers can expect adult language and mature content, but it all seems a bit toned down compared to Patterson’s other series. On the flip side, the Michael Bennett series carries a sort of heartwarming family message that lends enough charm to keep readers coming back.

This Michael Bennett guy? I think he’s the real deal.

Jennifer Roman’s Review:

James Patterson’s latest novel (third in the new Michael Bennett series) opens with the only son of a prominent, wealthy New Yorker being abducted.  The kidnapper asks the young man several questions about social awareness, and his answers determine whether he lives or not.  The kidnapper later abducts other wealthy New Yorkers’ children in an effort to send the message that they should be using their money and influence to help those less fortunate.

New York detective Michael Bennett is assigned to the case, and due to the high profile clients’ demands, the FBI is quickly included.  The team, led by Bennett, has to piece together very subtle clues to determine who is doing such a thing and how to stop him.  Money is not the object; instead, he wants social justice.  True to form, Patterson keeps the reader interested with the fast-paced storyline and interesting scenarios.

Patterson is a prolific writer, and at times it seems as though he goes for “quantity over quality.”  He seems to go back to basics, however, with this series.  He writes a good story that is interesting and suspenseful.  The reader gets a chance to identify the kidnapper, but he is revealed at a good point in the story.  How Patterson develops the kidnapper is what makes the story so good.  Those interested in “how he got the way he is” will be satisfied.

Patterson’s earlier mysteries have graphic violence, but this series does not.  We know how someone dies, but we don’t see the whole gory scene.  We know what the kidnapper is thinking, but we don’t actually see it carried out to fruition.  There are a few times the “F bomb” is dropped, but overall, there is not a lot of foul language.  What may incite some readers is the fact that Bennett is a widowed dad of TEN adopted children.  While it is obvious that he cares about them, he spends a lot of time at work and leaves the children with one caretaker: Mary Catherine.  He seems to be developing a romantic interest in her.  While it is admirable that Bennett adopts children of all races, some may see it as “collecting” children.  Hopefully soon Patterson and Ledwidge will develop the children’s characters and let the reader see the relationship they have with their father.

Overall, this series takes a step back and follows Patterson’s early formula of success.  The storyline is fast-paced and interesting, and the book is a quick read.  Those wanting to get a good “mystery fix” should be happy with the results.

Review copy provided by Hachette Book Group.

Genre: Thriller/Mystery

Publisher:  Ballantine

Publication Date:  November, 2007

Reviewed by Jennifer Roman

The Amber Room provides those hungering for thrilling, cross-continent adventure with plenty.  There is intrigue, murder, and yes, a bit of sex as trial court judge Rachel Cutler and her ex-husband Paul search for the highly evasive and mysterious Amber Room, a room of artfully crafted amber panels created in the early 1700s in what was then Prussia.  The room was deconstructed and the panels were looted, and subsequently lost, during World War II.  Rachel’s father Karol Borya was a POW in World War II and saw things that led to the possible re-discovery of the Amber Room.  Unfortunately, early in the story, he is killed because of that knowledge.  Headstrong Rachel, in an attempt to put to rest this fascinating story, heads to Germany to search in places only her father and his comrade knew might contain the Amber Room.  Paul goes off to help her and tries to protect her from art “acquisitioners,” and, more importantly, from herself.  Along the way they learn powerful secrets and experience more violence than they ever expect.

It’s obvious from reading this novel that Berry did a lot of research on the sough-after Amber Room.  He brings the story of it from inception to creation to eventual destruction to life in great detail and includes fun anecdotes that most people never know.  In fact, after reading the story, I was intrigued and did more research on my own.  If Berry had not portrayed this great historical piece of art in such a fascinating way, I probably would not have cared.  The interesting details he gives are amazing.

That being said, the story itself is interesting, but not gripping.  The characters are your typical “headstrong woman goes off in a huff and love interest chases after her then they find mutual love and respect,” without a lot of development.  The sights in Europe are described well and brought to life, but that could be done in a good travel guide.  The “bad guys” are interesting, but predictable.  Overall, it’s a good thing Berry does so well telling the Amber Room’s story because the characters and storyline don’t do much to enhance it.

Cautions: there are a lot of gruesome murders in this story, complete with graphic descriptions of them.  If the reader has a weak stomach, this book might not be a good fit.  In addition, one of the characters in particular has a very foul mouth.  He drops the “F-bomb” throughout the story, so caution should be used when recommending this book to younger readers.  The same goes for sexual situations.  There are not a lot of sex scenes, but there are a lot of sexually explicit conversations and innuendos.  If a reader is OK with graphic violence, foul language, and sexually explicit scenes, he or she will be fine.  Otherwise, because there is so much of all, I suggest the potential reader skip this book.

Genre: Suspense, Thriller

Publisher: Minotaur Books

Publication date: October 13, 2009

Reviewed by Jeremy Taylor

Daniel Judson continues his series of standalone cerebral thrillers set in the Hamptons with The Violet Hour, a tense yet thoughtful tale of murder, betrayal, and sacrificial love.

Caleb (“Cal”) Rakowski is an auto mechanic working for cash at a friend’s illegal but lucrative garage in Bridgehampton. He lives inexpensively in a sparse apartment on the garage’s second floor, drives an unregistered motorcycle, and does his best to stay under the radar and out of people’s way. The problem is, his beautiful and pregnant older cousin Heather, recently estranged from her powerful and abusive husband, is secretly staying with him. When Heather gets word that her missing half-sister has been spotted at a party on nearby Shelter Island, Cal volunteers to go pick her up, little realizing that his simple act of charity will prove to be the undoing of his previously simple existence. Because Heather’s husband isn’t the only dangerous man in the Hamptons—and Cal is about to be caught up in a plot so twisted, he won’t know where to turn or whom to trust. And he’ll be lucky to escape with his life.

The Violet Hour is a location thriller, but it’s much more than the stereotypical story set in the author’s hometown. For one thing, Judson doesn’t live in the Hamptons (though he used to). For another thing, the book’s dark, gothic feel coupled with unexpectedly rich characterizations, intensely realistic dialog, and eerie, suspenseful scenes set in wonderfully creepy locations render it a literary triumph that easily transcends so-called “local fiction.” Judson is an author to take seriously.

The action takes place over three days—Mischief Night, Halloween, and the Day of the Dead—and unfolds almost in real time, adding a sense of urgency to the drama. Some of the villains might be a tad overdone (a codependent assassin who derives her self-worth from her handler, for example), but in the end whatever minor negatives exist are easily and decisively marginalized by the book’s strengths. Be prepared for a few descriptions of rather gruesome violence, but mostly be prepared to see a side of the Hamptons you never imagined existed.

Review copy provided by Minotaur Books.

Genre: Military Thriller

Publisher: Atria Books

Publication date: June 30, 2009

Reviewed by Jeremy Taylor

Brad Thor’s eighth novel featuring special-forces hero Scot Harvath provides decent entertainment value along with an in-depth and realistic look at the conditions U.S. troops face in Afghanistan, but it is plagued by a flawed premise and lackluster writing.

When the daughter of a wealthy presidential supporter is kidnapped in Afghanistan, Scot Harvath is called upon to comply with the ransom demands by breaking a captured terrorist out of prison. Unwilling to compromise his patriotic principles by aiding the enemy, even under orders from the commander in chief, Harvath assembles a team to help him carry out a revised mission—free the terrorist, but instead of exchanging him for the American hostage, use him to ascertain where she is being held, then free her and return the terrorist to the Afghan authorities. True to form, Harvath is determined to right a wrong and save the day while upholding the fundamentals of conservative American foreign policy.

As a military adventure story, the book mostly succeeds. Thor is good at writing exciting action scenes, and the book is for the most part fun and easy to read. The problem is that in trying to manufacture a believable reason why the U.S. president would so blatantly misuse his office’s authority by ordering a terrorist freed in exchange for the life of a political ally’s child, the story becomes overcomplicated. By the time the reader has made it through the background investigation by a Secret Service agent into events that politically indebted the president to the hostage’s mother, the story is all but finished, rendering the background basically moot and the tidy conclusion ultimately unsatisfying. The book would have been better had it focused on a simple search-and-rescue operation. Of course, then there might not have been reason enough for Scot Harvath to rise to the challenge in the first place.

Thor actually traveled to Afghanistan and was embedded with a military unit as part of his research for writing The Apostle, which lends a degree of authenticity to the characters’ experiences. One tidbit that stands out is the acronym TIA—“This Is Afghanistan”—used to explain seemingly incomprehensible differences between American and Afghan sensibilities.

Unfortunately, the book’s positives are balanced, if not outweighed, by the negatives. Lack of character depth and the plot’s over complexity significantly detract from the well-researched story and genuinely suspenseful military action scenes. In the end, The Apostle serves as an example of what could have been a timely, compelling book held to mediocrity by a few avoidable flaws.

Review copy provided by Atria Books.

Genre: Thriller

Publisher: Scribner

Publication Date: August 2008

Reviewed by Elizabeth Olmedo

In Kathy Reichs’ eleventh book, Devil Bones, forensic anthropologist, Temperance Brennan is called in to study the skull of a teenage girl found in a cellar. What she discovers surrounding the skull looks like relics from a satanic ritual — a decapitated chicken, animal bones, beads, and feathers.

Shortly after, a headless body of a teenage boy appears on the banks of a nearby lake. A pentagram and the numbers 666 are carved into his chest. Brennan and the detectives wonder if the two cases are related. If so, does this imply the presence of Devil worshipers?

Meanwhile, an extremist politician creates fear among the citizens, setting in motion a witch hunt to find the murderers. Brennan must fight time and circumstances as bodies pile up and the public’s frenzy for blood and “justice” increases.

Though this mystery is a good one and Reichs keeps the reader wondering who the killer(s) are, the story disturbs at times, especially when dealing with the occult. Through Brennan, Reichs studies cults such as Wicca, Santeria, voodoo, and others. She paints others who don’t accept these groups as valid forms of religion as intolerant. The “Christian” in the book is a fanatical jerk who misrepresents his faith.

Reichs made some very misleading statements in this novel, claiming Wiccans are not Satanists. They are. She also states that this is a religion that predates Christianity. But Wicca is not a religion. Secondly, Reichs’ meaning of Christianity is unclear. She confuses the change after Christ’s coming with the faith of the God in the Bible. Wicca predates Christianity as we know it today, but not faith in God.

When it comes to Devil Bones, the reader must decide if a few hours of an entertaining read is worth dealing with the very questionable underlying messages. I am still a fan of Reichs’ work, but this book is a disappointment when dealing with matters of faith.

Genre: Thriller

Publisher: HarperCollins

Publication Date: April 2009

Reviewed by Elizabeth Olmedo

In Sam Bourne’s The Last Testament, the world reels from shock when a well-known archeologist is shot and killed at a rally promoting a historic deal between the Israeli and Palestinian governments. Peace talks teeter as these nations rush to uncover the reason behind the death. Was it murder? Or a mistake? To salvage the situation, the U.S. government sends in peace negotiator, Maggie Costello. With past wrongs to atone for, Costello must prove she still has what it takes to renew talks between the two groups.

But the obstacles mount as every one of Costello’s leads is murdered before she can reach them. Between these deaths and an attack on a historic locale, both sides move close to calling off the signing of the treaty. Costello realizes she cannot trust anyone as she races to solve the mystery and save her own life.

Bourne wrote The Last Testament in nonsequential order and that, together with the large character pool, made the story challenging to follow. The rampant use of vulgar language and several intimate scenes seemed unnecessary and distracted from the progression of the novel.

I never connected with any of the book’s characters and I didn’t feel fear, sympathy, happiness or any sentiment other than regret as I read. Even more frustrating were the clichéd attempts at reaching my emotions — like Bourne found a thriller rubric and tried to fulfill all the criteria, but failed to give this novel its own life and uniqueness.

Genre: Thriller

Publisher: Harper Collins

Publication Date: November 24, 2009

Reviewed by Josh Olds

Captain Charles Hunter: The name struck both fear and respect into every resident in the legendary English settlement of Port Royal, the capital of Jamaica. The year is 1665, and even though King Charles II has signed a peace treaty with King Philip of Spain, and while both kings give lip service to that scrap of paper, the men of the sea who sail the dangerous Caribbean pay no heed.

To English pirates—excuse me, privateers—(piracy is a crime, you know) Spanish gold is merely English gold not yet in the possession of Englishmen, and Charles Hunter has set his sights on the expedition of the century. Deep within Spanish territory, he plans on taking his darling sloop the Cassandra, filled to the brim with the best men Port Royal has to offer, and launch an attack on the fortified island of Matanceros, home to the ruthless Cazalla, and more importantly, the temporary stopping place for the treasure-laden galleon El Trinidad.

Like any expedition of the century, Hunter and his crew encounter immeasurable odds and will survive by their wit, cunning, and utter lack of conscience. Crichton takes the reader on a rollicking fast-paced and violent journey through the Caribbean, reminding us that the waters now filled with exquisite cruise ships were once filled with the ships of a more violent and dangerous nature.

Pirate Latitudes is non-stop adventure, sure to adapt well into the movie that will certainly come. In fact, DreamWorks Studios has already bought the film rights and Steven Spielberg has already signed on to produce and possibly direct. In all, the book is a flat-out adventure and fun to read. Crichton weaves a believable tale of a seafaring life without getting too bogged down in the technical details of seventeenth century sailing. While not completely relevant, and many times while reading, I could have sworn I heard the Pirates of the Caribbean soundtrack playing in my subconscious.

Like any good tale, Pirate Latitudes has an interesting past. It was found as a complete manuscript after Crichton’s death in November of 2008. Having unearthed this book like an ancient Spanish treasure chest, Harper publishing set themselves to publish Crichton’s last story. The result is a refutation of the ancient pirate lore. Dead men do tell tales, and pretty exciting ones at that.

Genre: Political Thriller

Publisher: Atria

Publication date: October 13, 2009

Reviewed by Jeremy Taylor

Vince Flynn is to political thrillers today what Robert Ludlum was in the 1970s and ’80s and Tom Clancy was in the ’90s. His politically incorrect but oh-so-emotionally satisfying solutions to real-world problems keep readers not only on the edge of their seats but intellectually engaged from cover to cover. Poll results would seem to indicate that roughly half the country won’t agree with Flynn’s right-leaning political outlook, but even readers who don’t endorse his politics can’t help but be caught up in the suspense and drama that he brings to his stories. Readers who embrace his worldview, on the other hand, may find themselves cheering aloud as the patriotic good guys win the day using any and all means necessary.

Pursuit of Honor continues the events of Flynn’s previous book, Extreme Measures. One week after a horrific terrorist attack in Washington, D.C.—an attack that would have been even worse without CIA operative Mitch Rapp’s heroic measures—the leaders of the terror cell that instigated the plot are still on the loose. Rapp and his partner, Mike Nash, are intent on finding the perpetrators and enacting some very personal and immediate retribution. When Nash begins to have second thoughts about the morality of their quest, Rapp begins looking for a way to get him off the case. Meanwhile, bureaucratic red tape combined with treachery at high levels within the U.S. government threaten to ensure that ultimate justice is never served. It’s up to Mitch Rapp to find a way to coax the terrorists out of hiding while staying one step ahead of those within his own government who don’t want him to succeed.

Taking on issues such as the morality and effectiveness of torture as a means of acquiring potentially life-saving information, this book is sure to spark some controversy. What is never in question is the caliber of the writing, as Flynn creates dynamic settings and brings realistic and sympathetic characters to life. Particularly impressive are chapters written from the terrorists’ point of view; though the evil of their actions is never in question, Flynn manages to make the reader almost start to root for their success—up to a point. The heart-pounding climax features Rapp at his terrorist-thumping best, and though the emotional payoff is perhaps not quite as dramatic as in previous books (most notably Consent to Kill), Vince Flynn fans will leave simultaneously satisfied and eager for more.

Genre: Thriller

Publisher: Back Bay Books

Publication Date: September 14, 2009

Reviewed by Josh Olds

Dr. Peter Brown isn’t your normal everyday doctor. That much is clear within Beat the Reaper’s first paragraph, when the good doctor is mugged on his way to what must be the world’s worst hospital. Not only does Dr. Brown disarm the mugger and do some serious damage to the guy’s arm in the process, Bazell also stops the story—told in the first person—to have the Doctor recount just how it was that the mugger’s arm came apart so easily.

Dr. Brown proceeds to the hospital and, as it turns out, this encounter would be the most normal part of his day. Some of this is because he practices*medicine at an incredibly dysfunctional hospital, but most of it is because Dr. Peter Brown has a former life as Pietro “Bearclaw” Brynwa, a hit man for the mob.

Part of the book tells Peter’s back story. He grew up in the home of a mob lawyer and was best friends with his son Skinflick (a nickname, don’t ask), joined the mob, and killed some people. The reader sees Peter come of age, find love, and desire to get out of the mob.

The other part takes place in the present. One of Dr. Brown’s patients is a mob lowlife that recognizes Brown as the infamous Bearclaw. With his cover blown, Peter has to survive his shift, save his patients, outwit the mob, and in the end, face down a friend turned foe.

One thing I’ll say for Bazell is that he’s got something unique with Beat the Reaper. Section breaks were denoted by the picture of the grim reaper carrying his sickle. At one point in the book, Peter muses that this imagery is antiquated and that the reaper should drive a tractor, and thenceforth that is the image the reader sees for every section break.

The first person narration lends some impact to the book, as it allows Bazell, a real life doctor, to inject bits of medical descriptions into the book while adding to his character’s development and personality, rather than it coming from a dispassionate third person narrator. But this isn’t to say that Bazell is without flaw. Some of the events of both storylines seem randomly thrown in and don’t really contribute to the overall storyline. There’s also a lot of unnecessary profanity (OK, we get it, mobsters…and doctors…swear a lot). If it was contextual, I wouldn’t care so much, but there are places where it really detracts from the story.

Overall, after reading Beat the Reaper, I had a “meh” feeling. After thinking on it for a bit, I decided that I really liked the plot, but not always the execution. Rumor is that this is going to be a movie with Leonardo DiCaprio playing the lead. I wonder if the movie will have footnotes too.

*Somebody please express abject horror at the fact that doctors call their profession a practice! Bazell also incorporates footnotes, just like this one here, for either medical clarification or humorous effect. It’s up to reader to decide which I’m trying to do with this footnote. Sometimes they’re a little distracting, but overall it’s unique and effective.

Genre: Thriller

Publisher: Grand Central Publishing

Publication Date: October 2009

Reviewed by Josh Olds

It’s DC like you’ve never seen it before. David Baldacci’s newest novel True Blue takes the reader on a no-holds-barred journey through the capital city as the just out of jail ex-cop Mace Perry seeks to prove that she deserves her badge back.

Mace was deep undercover trying to get some evidence to bust a major drug ring when somehow she was found out. Instead of being killed, the drug lords shot her up with meth and made her part and partial to some illegal activities. Jury didn’t buy it, so she spent two years in jail and lost her badge.

Her badge. Being a cop was really all she cared for. It defined who she was. And now that she’s back on the streets, she determined to become a true blue once again—by solving a crime. She gets a perfect chance when Roy Kingman walks into his law firm and discovers the dead body of a coworker.

She begins to investigate the murder, both relying on and getting in trouble with her sister Beth—who just happens to be DC’s chief of police. The farther she digs, the more Mace realizes that what seems to be a routine murder is only a small part of a bigger picture that may involve government officials at the highest level.

It’s a highly captivating read though I will admit that it requires some suspension of belief (an ex-cop on parole and a lawyer who is a suspect in the murder break the law repeatedly in order to help solve the case). Baldacci helps us believe the story through his realistic and compelling depiction of a DC not thought about by most—a tough and gritty neighborhood where even cops tread carefully and crimes are committed out in the open streets.

In the end, True Blue is a fascinating read that’s sure to appeal to anyone who enjoys government conspiracies, mind-bending twists, and a cocky and rough-and-tumble heroine (and who doesn’t?). Word is that True Blue is just the first in a new series that Baldacci will pen. If so, I’ll be awaiting the release of book two, in the hopes that I will find Mace Perry ready as ever to tackle the mean streets of DC.

As a note, True Blue does contain a lot of PG-13 language, enough so that I stopped counting. The usage fits the characters, but readers that are sensitive to this will not want to pick up this novel. Also, the murder in the book also involves evidence of rape, which is spoken about in a medical fashion but may be offensive to some readers.

Genre: Thriller, Mystery

Publisher: Little, Brown and Company

Publication Date: November 16^th, 2009

Reviewed by Jake Chism

Alex Cross has just been notified that a distant family member has been murdered. As he looks into the details of the gruesome death, he finds connections to even more killings and mysterious disappearances. Soon the pieces of the puzzle begin to fall into place and all signs seem to point to a killer within the White House.  Alex Cross has faced his fair share of foes, but never has he gone against a killer who is as untouchable as this madman. Never one to give up, Alex Cross holds nothing back in his quest for justice.

James Patterson brings back his most beloved character in this sixteenth installment of the Alex Cross series. Long time fans will be pleased to know that this latest installment falls much closer to home than recent attempts. Patterson has certainly put Cross through the ringer with countless relationship problems, a myriad of career changes, and even a poorly imagined international romp in Cross Country. This time around we are treated to what hooked us on these novels in the first place: great mystery, strong character development, and the relentless pacing that has become the trademark of Patterson’s writing.

While I enjoyed the high profile mystery in this plot, what really sold me were the relationships that are so beautifully explored with the characters we have grown to love. There are some truly heartwarming and gut wrenching scenes that might just catch you off guard, if for no other reason than the glimpse into the eventual reality for Alex that they hint at. Mushy stuff aside, there is still plenty of action and suspense to go around for thrill seekers to devour.

It should come as no surprise to returning readers that this story is peppered with bad language, sexual content, and violence throughout. Readers searching for some “light” mystery reading should keep on searching. However, if you long for a raw, engrossing thriller that will keep you churning pages long into the night, then I, Alex Cross is certainly for you.

Genre: Thriller

Publisher: Grand Central Publishing

Publication Date: April 21, 2009

Reviewed by Frank Redman

David Baldacci is one of the more recognized writers today and known for his character driven stories and a lot of action. Yet First Family is the first Baldacci novel I’ve had the pleasure of reading. It took only a few pages to recognize why he’s so popular.

First Family is the fourth in a series involving characters Sean King and Michelle Maxwell, former Secret Service agents that now share a partnership as Washington D.C. private investigators. I’m sure there is some back story I missed by starting with book four, yet Baldacci provided enough insight into the characters to give me an understanding of who they are and their personal issues. The plot itself is stand alone and introduces an assortment of new characters.

The 12-year-old niece of First Lady Jane Cox is kidnapped following a birthday party at Camp David. King and Maxwell are hired to investigate, much to the obvious disapproval of the Secret Service and FBI. Meanwhile, we follow 62-year-old Sam Quarry, eventually discovering his involvement with the story from his compound in Alabama, called Atlee.

Baldacci throws in several plot twists as well as twisting our feelings and perceptions of characters. I enjoy novels in which things do not seem as they are, and First Family has that same form of attraction.

The story is full of scandals involving murder, high politics, and national security. The novel also creates believable scenarios depicting Secret Service and FBI procedures.

First Family is a long story, but it did not give me the feeling of hoping it ends soon. In contrast, it did give me the feeling of wanting to read the previous three novels in the series.

Genre: Thriller

Publisher: Doubleday

Publication date: September 15th, 2009

Reviewed by Jeremy Taylor

In his follow-up to the mega-best-selling The Da Vinci Code, Dan Brown has produced what is essentially a love letter to the Masonic Order combined with a humanistic New Age manifesto, thinly disguised as a genuinely entertaining ticking-clock thriller.

When Robert Langdon arrives in Washington to deliver an address at an awards dinner at the urgent request of his friend and mentor Peter Solomon, he discovers he has been duped; not only is there no dinner, but Peter has been kidnapped, and Langdon’s presence in the capital is not to deliver a speech but to assist the kidnapper in decoding a series of Masonic codes supposedly leading to a cache of hidden wisdom. As Langdon deciphers layer after layer of an increasingly complex code, he must draw upon his vast but incomplete knowledge of Masonic lore in hopes of saving his friend’s life before it’s too late. Working with him are the director of the CIA’s Security Office, who insists that what Langdon is about to uncover is somehow related to national security, and Peter’s sister, a beautiful and brilliant noetic scientist on the verge of discovering a tangible link between human thoughts and material reality, including the existence of the soul.

The Lost Symbol is every bit as readable as The Da Vinci Code while even more intense and possibly more controversial. The writing is engaging, the characters are rich and well-supplied with interesting back-stories, and the action is practically nonstop. Brown clearly undertook a monumental research project in preparation for writing; readers are inundated with a wealth of information about Masons, noetic science, and New Age mysticism, though as in Brown’s previous books the line between fact and fiction is rather blurry at times. The book takes place almost entirely in Washington, D.C., and readers will enjoy experiencing the buildings, symbols, and myths of the U.S. capital from a new perspective.

Unsurprisingly, traditional Christianity (along with Judaism, Hinduism, and Islam) is portrayed as at best backward and uninformed and at worst downright deceptive. Masons, on the other hand, are the enlightened protectors of sacred knowledge, and those who embrace the concept that God is within us all are on the path to true fulfillment. Brown’s treatment of the Masonic Order is unequivocally positive, although his descriptions of Masonic rituals paint them in an undeniably sinister light even as he defends their motives. The book contains no sexual content and minimal foul language, but the stark evil of the villain along with depictions of ritual sacrifice, bizarre ceremonies, and sadistic torture and murder make the story much darker than either of the two previous books in the series.

The pace lags a bit toward the end as Brown lapses into preacher mode, working his characters into a frenzy of pseudo-spiritualism that contributes little other than to make one wish the book had ended a few chapters earlier. Nevertheless, as an example of how to communicate what could have been pedantic and esoteric information in a thoroughly engaging way, The Lost Symbol succeeds brilliantly.

Genre: Medical Thriller

Publisher: St. Martin’s Press

Publication date: February 17, 2009

Reviewed by Jeremy Taylor

It might be your worst nightmare: you wake up from a terrible accident to discover that you are fully cognizant yet utterly unable to move your arms, legs, head, vocal cords, or even eyes. Effectively cut off from the world, you have no way of communicating. All your visitors assume you’re in a coma, but you can hear and understand their conversations and even see them talking about you. And there’s nothing you can do about it.

Michael Palmer’s latest medical thriller addresses some of the medical, legal, and ethical issues related to what doctors call “locked-in syndrome” through the eyes of the patient’s daughter, a doctor who, in a fascinating character twist, suffers from Asperger Syndrome. Like a female version of TV’s Dr. Gregory House, Thea Sperelakis is a brilliant physician who struggles in social situations because of her lack of mental or verbal filters. She says exactly what she’s thinking—all the time. And with her father, a world-renowned internist, trapped inside his disabled body, she has a lot to think about. Including what really might have happened to him and who might have a motive to do away with him once and for all. As clues and suspicions stack up, Thea realizes that her father’s life is not the only one in danger. And in the end, as with all good mysteries, the real threats come from the least expected source.

The Second Opinion is interesting and suspenseful—a good combination for a medical thriller. The character intrigue of a protagonist with a form of high-functioning Autism is fascinating, though the author admits in an afterword that some of Thea’s interactions may not be terribly plausible. Still, it’s unconventional enough to keep the reader’s guessing, and the story is a good one, with just the right combination of medical terminology, conspiracy, and hospital politics. The book contains some inexplicit sexual content and a bit of language, but nothing unacceptable for this genre. Fans of Palmer’s previous books or of TV shows like House and Gray’s Anatomy will find this a welcome prescription for combating literary malaise.

Genre: Thriller

Publisher: Simon and Schuster

Publication Date: April 2009

Reviewed by Elizabeth Olmedo

The Queen of Suspense delivers yet another page-turner. With her new thriller, Just Take My Heart, Mary Higgins Clark keeps her audience anxiously flipping pages, begging to know what follows.

Clark plunges the reader into a tangle of deceit and lies with the murder of Broadway star, Natalie Raines. Her killer walks free for two years until Jimmy Easton, a repeating offender, speaks up. He claims Gregg Aldrich, the victim’s estranged husband, hired him to murder Natalie.

The high-profile case falls to Emily Wallace, a rising assistant prosecutor with a strong sense of justice. As the trial progresses, complications arise from every angle and Emily must fight strange, conflicting sentiments that defy logic. The media frenzy surrounding the case also brings to light some of Emily’s personal affairs, such as her heart transplant — a fact she hoped to keep quiet because of the male chauvinists at her workplace who want nothing more than to prove Emily not fit for the job.

In Just Take My Heart, Clark explores the mystery surrounding heart transplant patients and the transfer of donor memories. The novel leaves the reader questioning if such a phenomenon is indeed possible and, if so, how?

Clark does not disappoint fans with this book and first-time readers receive a good taste of this seasoned suspense writer’s talent. After waiting so long to read this novel, I’m sad it’s finished. I now look forward to Clark’s next book.

Genre: Suspense, Thriller

Publisher: Bantam

Publication Date: May 2008

Reviewed by Jake Chism

After his not so normal stay at St. Bartholomew’s Abbey, Odd Thomas hits the road and finds himself in Magic Beach, California. In tow are his trusty ghost dog, Boo, and the restless spirit of Frank Sinatra. He finds work as a live in chef for a former silent movie star, all the while enjoying a rare moment of normalcy in his chaotic life.

As Odd fully expects, the normalcy doesn’t last and soon he is plagued by a nightmare of catastrophic proportions. His experience with the strange and unusual tells Odd that something big is about to go down, something more ominous than anything he has ever faced before. Using his psychic magnetism, Odd befriends a young girl named Annamaria who seems to be in the middle of whatever is about to happen. As Odd searches for the source of the impending doom, he uncovers a deadly plan that carries global implications. Once again, this lowly fry cook from Pico Mundo is the only one who can save the day. However, this time around the fate of the entire country rests on his shoulders.

Dean Koontz never fails to blow me away with his Odd Thomas novels. As always, the Odd One is clever and endearing with his engaging dialogue and unexpected moves throughout the story. As with the previous Odd novels, Koontz peels back more and more layers of Odd’s intriguing life, never quite giving us clear answers but all but guaranteeing that we will come back for more. The mysterious Annamaria is a delightful addition to the mix and Frank Sinatra’s performance in the police station is one of the best Odd Thomas scenes to date.

I’ve read many of Koontz’s novels, but none capture my heart and imagination as much the Odd Thomas books. Asking me to pick a favorite Odd tale would be like asking me to pick my favorite episode of Lost. Why not have it all? It’s simply that good. Oddie is back and just as enjoyable as ever.

Genre: Thriller, Crime

Publisher: Grand Central Publishing

Publication date: May 12, 2009

Reviewed by Jeremy Taylor

Douglas Preston and Lincoln Child are each accomplished writers with several successful solo novels, but it is when they collaborate on the best-selling novels featuring the enigmatic Agent Pendergast and his NYPD counterpart, Vincent D’Agosta, that they really shine. With Cemetery Dance, they move away from the overt spiritualistic mysticism of The Wheel of Darkness and back into more familiar dark-thriller territory, albeit with some interesting religious undertones.

Never timid, the authors start the book by killing off a popular recurring character familiar to readers from previous novels. When acclaimed journalist William Smithback is brutally stabbed in his apartment and his new wife, Nora Kelly, is injured, Pendergast and D’Agosta team up to investigate. The evidence quickly points to a disturbed tenant of the building. It’s an open and shut case, with one problem—the suspect has been dead for over a week. Strange voodoo symbols found at the crime scene, together with suspicious reports of animal sacrifices perpetrated by a cult nestled in a secluded corner of Manhattan Island, leave the duo pondering the reliability of the physical evidence. And when the deceased Smithback himself shows up at an award dinner and knifes a fellow reporter, rumors of zombies (the correct spelling is “zombii,” Pendergast asserts) fly.

D’Agosta, ever the skeptic, suspects a more human plot, but Pendergast, who possesses some familiarity with voodoo rituals and black magic from his New Orleans childhood, isn’t so sure. Now, with animal-rights activists descending upon New York to protest the city’s refusal to oust the mysterious cult and fears of supernatural murderers growing, Pendergast and D’Agosta find themselves in a race to uncover the truth before the entire city erupts.

With its fast-paced action and horrific crimes tempered by witty dialog and brilliant police work, Cemetery Dance has everything readers have come to expect from these authors. Since each book in the Pendergast series is intended to function as a stand-alone novel, old and new fans alike should be able to enjoy the story with or without having read the previous books. The book does contain a fair amount of violence and some disturbing religious imagery, particularly having to do with animal sacrifice and voodoo-related ceremonies; Preston & Child don’t write for the faint-hearted. But dark-thriller fans are in for a treat as these authors deliver yet again.

Genre: Suspense, Mystery, Thriller

Publisher: Little, Brown and Company

Publication Date: October 2009

Reviewed by Jake Chism

Detective Harry Bosch is called in on what looks to be a typical robbery murder in a convenience store in south Los Angeles. As Bosch explores the crime scene he begins to notice things that don’t add up. A string of evidence leads Harry and the team to a notorious triad member. Just as the case is breaking wide open Bosch gets a message from someone in Hong Kong who is holding his daughter captive. Either he lets his suspect go, or he will never see her again. Driven by determination and fear Harry Bosch catches the next flight to Honk Kong to save his daughter and bring her home.

Michael Connelly serves up this fifteenth installment of his Harry Bosch series in superb fashion. You would think after writing a character for so long that Connelly might begin to lose his edge or run out of great story ideas. Thankfully, neither is true in this case. The Bosch we fell in love with so long ago is evident throughout these pages and we’re reminded once again why Michael Connelly consistently soars to the top of the bestseller lists.

As always we are drawn into the plot through Harry Bosch’s detailed detective work and his commitment to the badge. I love “hitting the streets” with Bosch and chasing down leads and nabbing suspects. Connelly’s meticulous detail never seems overbearing and always serves to effectively drop the reader into the middle of everyday detective work.

Much of this story takes place in Honk Kong and it was fun to see Bosch in a different environment while he searches for his daughter. Along the way he makes unlikely allies and leaves a wake of bodes in true Harry Bosch style that fans have grown to love. Connelly somehow keeps the tension throughout this setting, while at the same time giving us a revealing glimpse into both the beauty and seediness of China’s global metropolis.

The strength of this novel is found in Bosch’s relationship to his daughter. There’s plenty of suspense, action, and hard boiled detective elements to go around, but it all works together to highlight the personal nature of this story. A man desperate to save his daughter no matter what the cost? That’s enough to keep the pages churning for sure.

Readers not familiar with Michael Connelly’s work should be aware that he holds nothing back when it comes to authenticity. All of the language and violence you would expect from a hard nosed detective story are evident here, and readers who are looking for a “lighter story” might take exception.

Whether you are a veteran fan of Harry Bosch or a newbie to this series, Nine Dragons can be enjoyed by all. Michael Connelly is at the top of his game and shows no signs of slowing down.

Genre: Thriller, Dark Fantasy, Mystery

Publisher: Jove

Publication date: August 25, 2009

Reviewed by Jeremy Taylor

Damnable, the surprising debut novel by Hank Schwaeble, is well written, intricately crafted, highly imaginative, and edge-of-your-seat suspenseful. It features a likeable and sympathetic hero, a diabolical villain, and a cast of supporting characters that enhances the fast-paced plot. It’s a quick, enjoyable read.

But the book has a big problem in its sexual content, which is so overdone and explicit that the narrative seems more like erotica than thriller in spots. This unfortunately detracts significantly from the otherwise highly engaging story.

The plot centers on Jake Hatcher, a wrongly imprisoned ex-military man. When he receives word that his brother has died—a brother he didn’t even know he had—he is temporarily released to assist his grieving mother with funeral arrangements. The trouble starts when he begins investigating the circumstances of his mysterious brother’s death. As Hatcher uncovers a series of increasingly confusing and disturbing clues, all signs seem to indicate that something very sinister is unfolding. Soon Hatcher comes face to face with true evil, and when he does, all bets are off as to whether he has what it takes to prevail.

There’s a lot to like about this book. The writing is good. The hero is sympathetic, realistic, and displays an appealing combination of street-honed toughness and cerebral dexterity. Schwaeble does an admirable job of building the suspense and tension from the first pages right to the climactic conclusion. The story contains a nice blend of mystery, fantasy, and dark thriller characteristics. But the positives are seriously marred by the overdone sexuality and crass language. The depiction of evil in the book is stark and graphic as well.

The title is derived from Jake Hatcher’s description of himself when he reveals why he was imprisoned: after a politically sensitive operation, someone in his special-forces unit had to take the fall, and he was chosen—the damnable one.

In the end, the book’s positives don’t outweigh its negatives. Hopefully, with his next book, Schwaeble will focus more on the aspects of his writing that almost make this book really good and less on the explicitness and vulgarity that overshadow it.

Genre: Young Adult, Sci-Fi, Thriller, Adventure

Publisher: Scholastic

Publication Date: September 1^st, 2009

Reviewed by Jake Chism

Katniss Everdeen and Peeta Mellark set the hearts of Panem on fire when they found a way to both win The Hunger Games and defy the evil Capitol. As they return home they discover that an uprising among the districts has begun and President Snow is doing everything in his power to quench it. Katniss and Peeta are beginning to realize that winning the Hunger Games by no means assures them of safety. In a desperate move President Snow wipes out any hope of protection and security for the two champions and their loved ones. Can the hope of a nation be silenced before the nation fights back?

Suzanne Collins left me in utter and complete awe with her phenomenal debut, The Hunger Games. With reckless abandon I tore into this sequel with strong hopes that I would be enthralled yet again. Thankfully, Collins does not disappoint. Not even close!

What I loved about Catching Fire was that Collins didn’t try to top herself. Instead of attempting to write a better novel, she focused on giving us even more story. The Hunger Games brought us so much action, romance, adventure, and suspense and all of those elements are found in perfect doses here. We’re actually treated to more character development this time around, making the aforementioned elements work seamlessly together.

I’ll admit that I expected the story to head in a different direction and I was a bit surprised when I realized exactly where Collins was taking us. Some might suggest this is a somewhat gimmicky move for a sequel, but Collins’s strong writing sold me completely on the idea and I never looked back. In the end we are left with a gut wrenching longing for the finale, where it seems like things are heading towards an explosive ending.

I am totally hooked on this series and I can’t wait to put these novels into everyone’s hands. If you’re looking for sharp storytelling, characters to root for, villains to loathe, and relentless action then this is the series for you.

Genre: Thriller

Publisher: Delacorte Press

Publication date: May 19, 2009

Reviewed by Jeremy Taylor

Lee Child delivers another winner in his thirteenth Jack Reacher novel. Though more cerebral and less action-oriented than some of Child’s previous books, Gone Tomorrow gives Reacher fans everything they’ve come to expect.

Jack Reacher is sitting in a mostly empty subway car in New York City in the middle of the night when he realizes that one of his few fellow passengers is exhibiting all twelve characteristic signs of a suicide bomber. He approaches her, she reacts, and just like that, Reacher is thrown into the middle of another unlikely but oh-so-entertaining series of challenges and solutions, this time pitting him against the NYPD, the FBI, and an Afghanistan-based terrorist organization.

For pure escapist fiction, you can’t do much better than Lee Child and Jack Reacher. In this book, Reacher plays the role of investigator, working at odds with the authorities to solve a mystery with roots going back to the Soviet invasion of Afghanistan. Along the way, he not only exhibits deduction abilities that would make Sherlock Holmes envious, he manages to escape federal custody, track down and apprehend bad guys in a city of over 8 million people, and first threaten and then team up with a United States senator.

Though far-fetched at times, the plot is exciting, and Jack Reacher is at his investigative best. Readers familiar with Child’s books won’t find anything unexpected; there’s violence and some language and one sex scene (unnecessary but not unexpected—Reacher always gets the girl). One description of torture is gruesome enough to make even the protagonist a little queasy.

For pure escapist entertainment, thriller fans can’t do much better than Lee Child. Gone Tomorrow will certainly please his regulars and may well generate new readers. An interesting additional element is a short-story prequel published in the New York Times and accessible through the author’s Web site.

Genre: Thriller, Mystery

Publisher: Revell

Publication Date: August 1^st, 2009

Reviewed by Jake Chism

FBI Agent Patrick Bowers has successfully brought down his share of serial killers. His latest case in Denver has left him more than baffled as the killer always stays one step ahead. Bowers and his team soon link the murders to a historic manuscript that the killer uses to plan each slaying. As the pieces begin to fall into place, Bowers realizes that the killer’s ultimate target has yet to be revealed. Now he is in a race against time to bring down his most formidable foe yet.

Steven James has reached that lofty status in my eyes, where I always expect the next offering to not just be good, but great. The Knight certainly doesn’t disappoint. Patrick Bowers is such an intriguing character that easily carries this story through its myriad twists and surprises. James puts on a storytelling clinic with his faultless plot pacing, strong character development, and downright pulse pounding suspense. The violent and gory elements are used in just the right doses to take us into the depths of the killer’s twisted persona. Everything comes together beautifully in this addicting page turner that makes its 490 page count seem like a breeze.

Perfectly nestled among the severed heads and bloody crime scenes are strong themes of family and relationships that have continued throughout all three Bowers Files novels. Patrick’s relationship with his step-daughter Tessa, in many ways is the glue that holds these thrillers together. You can have all the best action scenes, the darkest mysteries, and the most ruthless killers, but if we don’t care about the characters then we are left with nothing more than an average, mundane thriller. James raises the bar by bringing us in close to these characters that he no doubt loves himself, effectively separating these novels from so many others in the genre.

I’m continually in awe of Steven James and his mastery of story. While it’s been nice to see James getting more recognition, I’m still amazed that I don’t see his name in every book store I walk into. If you are looking for top notch thriller writing laced with suspense, action, mystery, and emotion then look no further. Steven James is your guy.

Genre: Young Adult, Adventure, Thriller, Sci-Fi

Publisher: Scholastic

Publication Date: October 2008

Reviewed by Jake Chism

In the future North America has vanished and a new nation called Panem has risen. Twelve districts are ruled by the Capitol, a tyrant ruling council that uses a yearly competition to keep order among its despondent citizens. Every year one boy and one girl from each district are chosen to compete in the Hunger Games where they must fight to the death. The location is always different, and every year the nation watches with bated breath to see who will be the last one standing.

In District 12, Katniss Everdeen looks on in horror as her younger sister is chosen to compete in this year’s games. Before she knows it she finds herself volunteering in her sister’s place. Also chosen is the mysterious baker’s son, Peeta, who Katniss has always known from a distance. As the competition nears Katniss and Peeta grow closer making the imminent battle for survival all the more complicated. This year Katniss and Peeta will capture the hearts of a hopeless nation as they turn the tables on The Hunger Games and the evil Capitol that controls them.

I am always on the lookout for that one story. You know what I mean. The one that gets in your head and won’t go away. The kind of book you want to put in everyone’s hands.  A story that has the power to completely mesmerize and capture your imagination. The Hunger Games has done all of that for me and more.

Collins hooks us from line one with the engaging first person narrative of Katniss Everdeen. Through her eyes we learn about this world in the distant future and the turmoil within. This is the kind of character that most novelists only dream of creating. Every turn of the page reveals just a little more about what drives her unquenchable spirit. Katniss may be low on the social ladder, but her compassion and fight for justice lend a majestic quality to this lowly peasant.

If Katniss herself doesn’t hook you, no doubt the relentless pacing will. Once the Games begin it is almost impossible to put this story down. Collins perfectly balances action, suspense, and violence throughout the second half of this story. As I was reading I felt like I, too, was watching these Games unfold along with the citizens of Panem and several times I wanted to stand and cheer for Katniss and Peeta and their heroic actions. In the end we are given the perfect amount of closure with a promise of more to come.

The Hunger Games might just be the best novel I’ve read this year and I am simply blown away by the storytelling prowess of Suzanne Collins. The sequel, Catching Fire, is due out soon and if early reviews are any indication, round two is even better. I can’t wait to disappear once more into this fascinating world that has captured my imagination in a way I never anticipated.

Genre: Fantasy, Thriller

Publisher: Thomas Nelson

Publication Date: September 1^st, 2009

Reviewed by Jake Chism

Elyon’s people are struggling. It seems the Horde have the upper hand and doubt plagues the very people whose belief was once so strong. To make matters worse, Thomas Hunter is facing resistance from his own family. His son, Samuel, has decided to take matters into his own hands instead of waiting for Elyon to take action. War is on the horizon and never has Thomas felt more vulnerable.

Green is easily Ted Dekker’s most anticipated novel to date. The journey began in 2004, when we were introduced to the captivating world of Black, Red, and White. Since then Dekker has churned out eleven more novels (aka The Books of History Chronicles) all revolving around the bestselling trilogy that firmly established his career. If that wasn’t enough fuel for hype, Dekker announced early on that Green would serve as both the beginning and end of the Circle Series. That’s right folks. A bona fide prequel/sequel.

As a fan of this series, I enjoyed this last hurrah into the world Dekker has wondrously crafted. Green is full of the action, suspense, and wonder that were trademarks of Black, Red, and White. It was fun to see all the connections to the Books of History Chronicles, and I was surprised at just how many there actually are. These elements all worked together well from the perspective of someone who is well versed in all things Dekker.

On the other hand, I’m afraid the things that worked for me as a fan, might potentially work against a newcomer to this series. Since Green is being marketed as a prequel and a sequel, I was surprised to find that there is far more sequel then prequel here. In fact, so much of this story hinges on everything that has come before that I think Dekker and company might have been better off just labeling Green as the fourth book in the series. I’ve been such a big fan of this monumental series and I sincerely hope I am proven wrong by countless new readers who are able to pick up Green and smoothly dive headfirst into this saga.

Prequel/sequel business aside, I know Dekker’s hardcore fans will love what he has in store for them here. In the end we are left with breathtaking imagery as redemption is brought full circle in true Dekker fashion.

Click here to read Ted Dekker’s thoughts on writing such a unique novel.

Genre: Suspense, Mystery, Thriller

Publisher: Revell

Publication Date: August 1^st, 2008

Reviewed by Jake Chism

FBI Agent Patrick Bowers is baffled by his latest case in San Diego. An arsonist has been wreaking havoc on the city leaving no clues as to motive or identity. Meanwhile, a shark researcher from a local aquarium has been kidnapped by a sadistic madman who has only given Bowers a few hours to save her. The only clue left behind is a shocking video clip that reveals the torture the victim is enduring. Patrick races against time to not only save an innocent life, but also to apprehend the monster responsible.

Meanwhile, both cases take a startling turn when a top secret research facility is burned down at a nearby naval base. When the culprit is apprehended, more connections to both cases are brought to light. Soon Bowers discovers a device that was stolen from the naval base, and is shocked when its purpose is revealed. As more and more answers surface Patrick realizes he is in the middle of a grand conspiracy with far reaching implications. He must find the truth at all costs and try to stop the mastermind behind it all, the ever elusive Shade.

Steven James hooked me with his debut, The Pawn. Now in this explosive sequel he has absolutely blown me away. The Rook is thriller writing at its highest level. James is a top-notch storyteller that knows exactly how to hook readers with complex storylines, unexpected plot twists, and engaging characters. While reading The Rook, I was reminded of the works of Michael Connelly, James Patterson, and Harlan Coben among others. Yes, this guy is that good!

Patrick Bowers is now becoming one of my favorite literary characters and James does a masterful job of portraying a man who is both a genius in his profession and a novice as a father. Patrick’s relationship with his step-daughter, Tessa, is emotional and real, bringing a welcome dose of family values and heart to the story. While Patrick and Tessa both struggle with their faith, their search for meaning and hope is heartfelt and inspiring.

Steven James is continuing to prove what an amazing talent he is. This one is not to be missed!

Genre: Thriller

Publisher: Bantam

Publication Date: June 9, 2009

Reviewed by Frank Redman

Okay, I’m making the call (are you ready?): Dean Koontz is the greatest writer alive today (no offense to any of my writer friends). Now, I must follow my claim with the confession I have not read everyone, and I also tend to only read things in my favored genres—thriller, suspense, mystery, sci-fi, horror, and some fantasy. I do not read literary fiction, romance, chick-lit, or westerns. I’m not saying there’s anything wrong with those genres, and certainly not saying they are inferior, I’m only stating they don’t appeal to me. I’m sure my claim will generate some disagreement, to which I hope you’ll leave a comment and let me know which writers I should check out in order to potentially persuade me into changing my opinion.

By my count, Relentless is Koontz’s 62^nd novel, not counting thirty-four out of print fiction works. I have not read them all. Relentless is very good, yet it’s not my favorite Koontz novel. But this is akin to someone coming up to you and asking if it was okay if he gave you one million dollars instead of two million. At least for me, I wouldn’t complain about only getting one million, figuratively speaking, of course.

Cullen “Cubby” Greenwich is a bestselling novelist with a wonderful family and a great life. His happy life takes an unexpected and horrifying turn when a national critic, Shearman Waxx, writes a vicious and destructive review of his latest novel. Despite numerous warnings from family and friends to let it go, Cubby decides to see if he can catch an innocent glance at the reclusive critic after discovering Waxx likes to dine at a restaurant local to Cubby. But Waxx isn’t simply a nefarious critic bent on damaging Cubby’s career, he’s a relentless sociopath who wants to destroy Cubby’s life, by mutilating one family member at a time.

If I had to describe Koontz’s stories in only one word, I would use “foreboding.” There is a nearly tangible sense of impending doom whenever you read a Koontz novel. You know bad things are coming, really bad things, and Koontz makes sure you’re aware of this tension page after page. This is a wonderful thing for a thriller fan, but I imagine the characters aren’t quite so happy about it. In Relentless, Koontz even has the antagonist point out the foreboding mood by gifting the lead character with single-word threats, saying only “Doom.”

Koontz is the master of mood setting, describing the background for a scene so that we can visualize that setting, but also injecting the scene with a specific mood he wishes for us to feel–which, many times, is indeed foreboding. An example: “High in the steadily blackening sky, a silent convulsion broke the string in an infinite necklace, and fat pearls fell through the day, bouncing on the slate patio, dimpling the water in the harbor, rattling gulls off the seawall to sheltered roosts.” There are other writers who would simply state “It was raining.” But Koontz engages our imaginations with these mood settings, preparing us to be more involved with an intense action scene that is usually soon to follow.

If there is a negative for me with this novel, it’s the extreme evil of the antagonist, the single-minded depravity in his violent acts of torture and murder. Even in this, though, there is a message: Good can overcome evil, including extreme evil.

Despite the tension and the impending doom, there are parts of this story that are laugh-out-loud funny. Koontz’s humor resonates and I enjoy the way he implements the comedy into the story without trying to force it. Laughter is a strong antidote to the effects of the malevolent.

From his satire on the publishing business to his philosophical commentary, Koontz uses these elements to enhance his desired effect without detracting from the storyline. “Beyond the service-island overhang, in the windless night, the rain came down in such straight skeins that the rigorous lines should have proved the law of gravity to any disbeliever, of which I’m sure there are multitudes, considering we live in an age of enthusiastic ignorance, when anything well-known for centuries is not only suspect but also considered worthy of being rejected in favor of a new theory more appealing to movie stars and deep-thinking rock musicians.”

Though at times Relentless is a very dark thriller, it is a tale of perseverance. Koontz tells us to always hang onto love and a sense of humor, even in a world given to madness. Light will overcome darkness.

Genre: Thriller, Historical

Publisher: Thomas Nelson

Publication Date: August 11th, 2009

Jake Chism’s Review

Gina Lazarescu is running for her life from the evil Collectors who have caused her so much pain. These undead minions have wreaked havoc on the weak by feasting on their blood and stirring dissension among the human race. She needs to find the mysterious Cal Nichols, who holds the answers to who she truly is and what is happening around her. As she fights for her life in the Romanian mountains, Gina can’t stop thinking about what Cal has already told her. The answer dies within.

Last year Eric Wilson unveiled his much anticipated Jerusalem’s Undead Trilogy with the captivating first installment, Field of Blood. We were introduced to the evil spirits called Collectors that inhabit bodies that were buried beneath the very spot where Judas Iscariot took his life. When the spirits inhabited those bodies stained with the blood of Judas, the undead rose from the grave with an insatiable appetite for human blood. They long to rid the world of Those Who Resist and the thirty-six Nistarim who serve the Nazarene.

Haunt of Jackals picks up where Field of Blood left off and Wilson gives us no time to catch our breath. The intense action sequences meld perfectly with the mystery and intrigue surrounding Gina and Cal. Their relationship especially is what carries this story as we are drawn into their epic battle against evil. Eric Wilson pulls out all of the stops with great plot twists and some exciting reveals that will only heighten the anticipation for the series finale, Valley of Bones.

Haunt of Jackals brings us some of the best writing in Eric Wilson’s short, yet illustrious career. Strong character development, methodical pacing, and spectacular imagery all combine to ensure you won’t be going anywhere once you begin. Even the undead themselves are taken to a whole new level of darkness and depravity that only serves to amplify the terror in this stirring account of good vs. evil.

This series is being marketed as a vampire series, but that doesn’t begin to describe the depth and originality of what Wilson brings to the table. Once again we are treated to some great historical tie-ins, including the infamous disappearance of hijacker D.B. Cooper in 1971. Wilson does a wondrous job of bridging connections to some of his earlier novels while never leaving new readers wandering around in the dark.

Haunt of Jackals raises the bar on every level in this top notch series that deserves much more recognition that it has seen. Nowhere will you find a better blend of supernatural suspense, historical fiction, and vampire lore. If you give these stories a chance you too might come to realize that the answer truly dies within.

Frank Redman’s Review

Add some Stephen King, a measure of C.S. Lewis, a titch of Bram Stoker, and a dash of Anne Rice. Mix well and bake for a few months. The result is a very creative and unique story from master chef, Eric Wilson. Just as separate ingredients come together to create a unique casserole (my wife accuses me of turning any food combinations into a casserole), Wilson takes familiar ingredients, for example, vampires, undead creatures, the battle for eternal souls, and creates a main course that’s too good to be called just a casserole.

Haunt of Jackals is the second book in Wilson’s Jerusalem’s Undead series. Once again we’re treated with following the wonderful character, Gina Lazarescu. Though the first novel in the series has a quick pace, this story has even more action. Now that Wilson provided the background for all of the story elements in the first book, he could concentrate more on the storyline with Haunt of Jackals.

Wilson weaves several plot threads together in creating a complex story, but keeps the reader on track through brief moments of character introspection. I’m amazed at the creativity in this series, with its strong characters and their specific histories and agendas. There are also some great plot twists that lead to some rather surprising discoveries by the characters. This is easily one of the most interesting series I’ve read.

Wilson continued with all of the elements from the first novel that I enjoyed and even increased the tension in book two. I loved the ending of this second installment and it leaves me wondering how he can top that in book three. I’m quite anxious to find out.

Genre: Thriller,  Historical

Publisher: Thomas Nelson

Publication Date: October 2008

Frank Redman’s Review:

A Christian vampire novel? Genius. It is quite difficult for vampire fans to find a genuine vampire novel absent of excessive eroticism, yet still embraces the essence to intrigue the imagination. This is not just another spinoff of Bram Stoker’s excellent novel, but an exquisitely unique narrative based on vampire lore and enriched with Wilson’s originality and creativity. He accomplishes this rare feat while still nourishing an edgy mood. By contrast and point of reference, I’ve also read Elizabeth Kostova’s vampire novel, THE HISTORIAN. Her book is beautifully written, but after a while the suspense fades, which caused me to lose interest. If you like a novel that is a thrill from the first page through the last, Wilson does not disappoint.

The story starts with the events following Judas’s suicide in the field of Akeldama, or Field of Blood.

“What if his tainted blood seeped deep into the earth, into burial caves, causing a counterfeit resurrection of the dead?” Counterfeit life was breathed into the buried dead–and born were the undead. They secretly infiltrate pockets of society, walking dead among the mortal. Their mission: lure the unwary into deviltry and collect souls. An opposing force, the immortal Nistarim, battles to protect mankind from the Akeldama, creating epic tension in the spiritual realms.

I appreciate novels that involve impressive research, and this one surpasses typical expectations. The author even travelled to Jerusalem to research the story elements. This depth is important, because it allows the reader to more easily suspend disbelief.

This is a sophisticated story–there are enough plot twists to make a perm look straight. It’s not hard to follow, but if you like to daydream about other things while you’re reading a novel, this book will make you concentrate.

Although a spiritual thriller, this is not for the faint of heart. It will scare you. If you frighten easily, I suggest you read it in broad daylight, with the lights on…and the doors locked.

Wilson proves it’s possible to write a hair-raising, Stephen King-esque novel without the extravagant gore and profanity. It is startling, harrowing, and totally compelling. This is book one in the Jerusalem’s Undead series, a series destined to be one of the most talked about in literary circles.

You’ll never again look at a mysterious insect bite in the same way. Was it really just a mosquito?

Jake Chism’s Review:

In 1989, a work crew outside of Jerusalem accidentally discovers an ancient burial chamber beneath the field where Judas Iscariot hung himself. In the shadows, evil spirits, known as Collectors, wait for a new opportunity to once again take on human form to bring destruction to the world. As the Collectors claim the bodies of the dead they discover new power from the blood of Judas that was swallowed up by the earth when he died. Armed with evil intent and a never ending thirst for blood, the Collectors seek to destroy their immortal enemies who draw life from the blood of the Nazarene. Caught between both sides, a young Romanian girl is about to discover she is far more important than she could ever imagine.

Eric Wilson blends history and fiction seamlessly in this astonishing beginning to the Jerusalem’s Undead Trilogy. Field of Blood is being marketed as a Christian Vampire story, but in reality this is so much more. Fear not bloodsucker fans, there are plenty of vampires to go around and Wilson’s original approach to a widely popular genre is excitingly fresh and innovative. However, Wilson has successfully done what few have even attempted: blending vampire lore with Christianity. The result is a wondrous story that is thrilling at every turn, consistently eye-opening, and ultimately inspirational.

Wilson’s characters leap off the page drawing us ever deeper into this wonderfully complex story. These villains are evil to the core and we are never spared a detail in the frightening bloodshed and carnage they bestow. The heroes are wonderfully flawed, endearing, and even infectious in their perpetual stand for righteousness. As the story progresses we are whisked from location to location with stunning detail. Whether it’s Jerusalem, Romania, or even Chattanooga, Tennessee, Wilson effortlessly convinces us we are along for the ride. Eric Wilson’s faithful fans will also love the subtle connections to his previous works that are laced throughout the story.

Field of Blood will no doubt spark controversy and I’m sure many readers will hear the words “Christian” and “Vampire” in the same sentence and run for the hills. Unfortunately for them, they will miss out on what is not only Eric Wilson’s best novel to date, but easily one of the most powerful and inspirational novels I’ve read in years. This is intense and edgy writing to be sure, yet nowhere will you find the redemptive power of Christ’s blood explored so brilliantly in fiction. And the best part? There are still two more books to come! I’ve had my taste and I am so thirsty for more….

Genre: Thriller

Publisher: St. Martin’s Press

Publication Date: August 2009

Reviewed by Jake Chism

Nick Heller has just received one of those phone calls you never want to get. His brother, Roger, has vanished without a trace leaving his wife and son behind with no answers. They call on Nick to use his background in intelligence to find Roger and determine what went wrong. As Nick digs deeper into the disappearance he senses foul play among the startling connections that link back to another case he has been assigned to. The closer he gets to the answers, the more he realizes he is up against an enemy that is seemingly untouchable. Unfortunately for the bad guys, they have greatly underestimated Nick Heller.

It’s been two years since Joseph Finder wowed us with the edge of your seat thrill ride, Power Play. Fans will be glad to know that Vanished is everything they have been anticipating and well worth the wait.  Finder’s fingerprints are all over this one: corporate intrigue, intense action scenes, and strong characters that effortlessly carry the story. As always Finder’s research and preparation shine through giving us a revealing and fascinating glimpse into private intelligence.

In Nick Heller, Finder has given us the kind of character that puts novelists on the map. Nick will have you cheering one moment while he is dismantling foes, and shedding a tear the next as he reaches out to his troubled nephew. This is a wondrously flawed hero that easily draws us in with his wit, humor, and humility.

Vanished is the first book in a new series, and Finder couldn’t have written a better character to carry us along. I don’t know how he does it so well, but Joseph Finder only continues to raise the bar with each new offering. And the best part? Nick Heller has only just begun.

Genre: Mystery, Thriller

Publisher: Revell

Publication Date: August 2007

Reviewed by Jake Chism

In The Pawn, Steven James takes us into the world of FBI Special Agent Patrick Bowers in this exceptional psychological thriller. A serial killer is at large in the Appalachian area of North Carolina, and Bowers, known for his expertise in environmental criminology, is called in to help make sense of this baffling case. The killer has dubbed himself “The Illusionist,” thriving on misdirection and confusion to further confound the authorities at every turn. As Bowers and his team search for clues, they realize they are facing a madman who is as cunning as he is evil. As answers are uncovered, more mysteries surface, linking the Illusionist to a charismatic cult leader with ties to the infamous Jonestown cult. Patrick Bowers now faces seemingly insurmountable odds as the case becomes larger and more dangerous than anyone ever anticipated.

Steven James writes at a break-neck pace, effortlessly pulling the reader along on this incredible thrill ride. With the backdrop of the Jonestown disaster, James has added a clever dose of history that brings a sense of relevancy to the story. The plot twists and turns while never hinting at the destination, and the characters are rich and absorbing. Patrick Bowers is an intriguing hero who is extremely brilliant, yet very fallible. While he excels in his professional career, his personal life is in shambles, and his struggles in parenthood are real and pertinent.

While The Pawn holds its own both as mystery and a suspenseful thriller, the strength of the novel is found in Patrick Bowers’ spiritual journey. As Bowers is drawn closer to danger, he finds that he must also face his difficult past and come to grips with some hard, yet hopeful truths about life and death. In the end, James leaves us enough to satisfy and whets our appetite for more.

Genre: Thriller

Publisher: Thomas Nelson

Publication date: January 10, 2006

Reviewed by Jeremy Taylor

Tim Downs’s third novel is a mostly successful combination of character depth, plot suspense, and exhaustive research. Downs, whose other books form a series about a forensic entomologist, uses his above-average knowledge about insects to good effect in this standalone thriller.

FBI counterterrorism agent Nathan Donovan’s life is coming apart. His wife left him after his son died of cancer, his career is on the rocks thanks to his unnecessary risk-taking, and his depression is spiraling out of control. One day he gets a call that changes his life—Li, an 80-year-old Chinese man, has reason to believe the dead fleas Donovan discovered at his most recent crime scene are a portent of the most sinister terrorist plot the U.S. has ever seen. Li says New York City is about to come under a biological attack when fleas carrying bubonic plague are released into the air. The man behind the attack is a guy Li has been hunting for six decades.

Plague Maker is a solid book from a promising author. It is entertaining with just the right amount of subtle humor, yet appropriately dark in places as well, particularly when discussing the motivation behind the terrorists’ plans. Downs does a good job of weaving relational issues into the narrative, using the relationship between Donovan and his ex-wife, a psychological profiler who is pulled in to assist with the case. The biggest disappointment is the fact that certain characters who seemed key to the story early on were dropped from the plot as it developed. In spite of that, the ending is satisfying if a bit abrupt, and the characters Downs has created are strong enough to perhaps warrant a sequel.

The underlying message of the book seems to be one of human forgiveness. The book contains no significant objectionable content, though some descriptions of human biological-weapons testing during World War II are disturbing.

Overall, this is quite a good book. It’s a terrorism story that relies on suspense and character interaction rather than grotesque destruction to get its point across. The writing is strong, the characters are realistic, and the threat presented seems realistic. Tim Downs is likely to be a major player in the thriller genre for a long time to come.

Genre: Mystery, Thriller

Publisher: Little, Brown and Company

Publication Date: February 4th, 2008

Reviewed by Jake Chism

Detective Lindsay Boxer just landed the lead of her career in the disappearance case of Michael Campion, the teenage son of California’s former governor. Not only has she found a suspect, but she has the murder confession to boot.  Just when everything falls into place the suspect recants the confession throwing the trial into a downward spiral.

Meanwhile, two arsonists are preying on wealthy rich couples and Lindsay and her partner, Rich Conklin, can’t seem to keep ahead of these sadistic murderers on the loose. Once again Lindsay Boxer leans on her cohorts in the Women’s Murder Club to try and save the day.

This seventh installment of James Patterson’s bestselling Women’s Murder Club series gives fans just what they want: more mystery, more murder, more romance, and thankfully a better story than The 6^th Target. Lindsay, Claire, Cindy, and Yuki are as engaging as ever and Patterson and Paetro do a great job of giving each character a fair share of the story. This series seems to be developing a pattern of following multiple cases with each new offering and this time it really works. Both cases are interesting throughout and there’s even a great little twist in the end that I never saw coming.

As always readers must be aware of the sex and profanity that Patterson deems necessary for his novels. Numerous writers in the genre have proven to us time and time again that a great story can be told without such elements. I guess Patterson and company are paying more attention to the astronomical sales numbers than to my objections.

Overall I have really enjoyed this series. The only thing not working for me is the relationship turmoil Lindsay continually finds herself in. I do realize these scenes were not necessarily written for my demographic, and I suspect Lindsay’s romantic entanglements are exactly why millions of other readers keep coming back. However, for me the mystery and fast paced storytelling are all I need and are enough to bring me back for more.

Genre: Thriller

Publisher: St. Martin’s Press

Publication Date: August 2007

Reviewed by Jake Chism

Jake Landry has just been invited to join the company higher-ups on a weekend Leadership Retreat in the Canadian wilderness. Jake is only a junior executive at Hammond Aerospace Corporation and this sudden invite has him suspicious at best. The only person he knows in this elite group of big fish is his ex girlfriend, Ali, who happens to be the brand new CEO’s chief assistant.

All seems normal until a small group of hunters crashes the party at the lodge. Soon Jake and the rest of the Hammond executives figure out that the arrival of these men is no accident. Their plan is to hold all of the Hammond executives hostage until the company pays the ransom. It is obvious these men are prepared and have thought of every possible situation. The one factor they didn’t consider was Jake Landry and his dark past.

Once again Joseph Finder knocks one out of the park. Power Play is a page turning thriller that is nothing short of addictive. Finder knows how to hook readers with a deliberate pace that slowly builds up to an action packed game of cat and mouse. Jake Landry is a fun hero to root for, and the more we discover about his past the more we can’t wait to see him in action. The backdrop of corporate kidnapping gives this story a clever twist that is both original and frightening. Joseph Finder proves once again why he demands to be read.

Genre: Mystery, Suspense, Thriller

Publisher: Little, Brown and Company

Publication Date: May 26^th, 2009

Reviewed by Jake Chism

Jack McEvoy made headlines when he helped track down a deadly serial killer early in his career. These days he is being forced out of the Los Angeles Times because of budget cuts. It seems the world has forgotten about the hero reporter who avenged his brother’s death. Just as Jack is ready to throw in the towel, he catches wind of a story that might just allow him to go out with a bang. As Jack digs deeper he soon discovers that the newspaper may be done with him, but a deadly new killer is certainly not.

We first met Jack McEvoy in Michael Connelly’s highly acclaimed novel, The Poet. Many consider that first introduction of the character to be Connelly’s finest work, surpassing even the dearly loved Harry Bosch novels. Thankfully, Connelly decided to prove to us all that Jack McEvoy is anything but a one hit wonder.

The Scarecrow is the perfect blend of vintage Connelly with a welcome dose of tech savvy thriller. While The Poet dealt much more with the daily life of a beat reporter, this time around we get more action layered with the perfect amount of detail. One of Connelly’s trademarks is his thoroughness, giving the audience an all access pass into the lives of his characters. While that element is still strong throughout here, it almost feels like Connelly holds back just enough to let the characters tell the story. The Scarecrow has a much tighter, fast paced feel that makes for an even better read than The Poet.

Rachel Walling is of course back and Connelly does a masterful job of portraying the ache of old flames and the hope of what might be. Jack and Rachel have both matured in different ways, yet they can’t deny the spark that never died. Their relationship feels like a natural overflow of the story and even helps carry the tension along as the plot unfolds.

The Scarecrow himself is a deeply disturbing villain whose weapon is the one thing that makes us all vulnerable: technology. This is a whole new frightening breed of serial killer, and Connelly wondrously brings this character to life through some riveting third person narrative.

What sets The Scarecrow apart from the rest is the character of Jack McEvoy. Michael Connelly nails every aspect of this veteran reporter with an unyielding sense of justice. The use of the first person is second to none here and the switching from first to third person throughout works as a clever storytelling device.

Millions of Michael Connelly fans wait with bated breath for the next Harry Bosch novel, and rightly so. I, however, can’t help but hope that we haven’t seen the last of Jack McEvoy.

Genre: Thriller

Publisher: St. Martin’s Press

Publication Date: May 16th, 2006

Reviewed by Jake Chism

Jason Steadman is a hard-working sales executive for Entronics. He’s worked hard to get to where he is and while his wife wants to see him climb the corporate ladder, Jason doesn’t share her ambition. He is content with his mid-level management position and has no desire to dive into the foxhole of corporate world advancement.

One evening Jason runs his car off the road and befriends the tow truck driver, Kurt Semko. The two quickly hit it off as Jason is mesmerized by Kurt’s stories of his days in the Special Forces in Iraq. Soon Kurt is joining the Entronics softball team and hanging out with all the guys. When a corporate security job opens up at work, Jason pulls some strings to get the job for Kurt. Almost immediately good things start to happen for Jason. New contracts are being landed, competition is falling flat on their faces, and suddenly upper management wants to promote him. All is well until Jason begins to suspect foul play behind his sudden rise to the top. It seems someone is going to great lengths to see him succeed, even if it means that lives are being destroyed in the process. Jason must now find a way to stop this deadly game before his own life is at stake.

Joseph Finder has crafted a tantalizing thriller set amidst the intriguing backdrop of corporate sabotage. Written in the first person from Jason Steadman’s point of view, we see the story unfold at a methodical pace as Finder cleverly strings us along with a steady mounting tension. Finder treats readers with a revealing look inside major electronics companies and the competitive sales environment within. While there is an abundance of information regarding corporate structuring, never are these details boring or overbearing. Instead they add to the credibility of the plot, thus making the story more enjoyable and relevant. This is top-notch suspense that is absolutely impossible to put down.

Genre: Thriller

Publisher: Realms

Publication Date: May 5th, 2009

Reviewed by Frank Redman

“The Firstborn—three ancient religious orders gifted with the ability to see past, present, and future—have been divided since the death of Christ. But today, in an era of terrorism and globalization, it has become clear there is an atrocity coming that they must unite to prevent—because it is one of them who will perpetrate it.”

This is Conlan Brown’s debut novel. It is an exciting, action-oriented story with a strong message. Yet when I read a novel, I am evaluating elements from a technical viewpoint. These elements are not always pertinent with some readers. Thus, I want to point out, if you avoid FIRSTBORN strictly because of my criticism, you will be missing out on a good story with a good theme.

The story is imaginative and intelligent, but the writing is unimaginative. Nevertheless, Conlan Brown fans, before you come at me with pitchforks, let me explain. From a technical perspective, the writing itself is not creative. Bland description and characterization are prominent throughout. The novel feels like it was written in a hurry. There are several instances in which Brown uses the same word or phrase to describe an action or emotion. A few examples: Characters “expertly” do something with high frequency. When they are angry, they “clench fists.” When they are scared, they “shake” or “quiver.” When there is confrontation requiring communication, they state “We need to talk.” When a character gets hit in the mid-section, he falls to the ground with “air escaping his lungs.” Again, I am reading from a technical perspective. Many readers will overlook this repetition.

Some of the fight scenes are confusing, as it’s not always easy to discern which character is doing what, or what exactly is happening. In one scene, I am led to believe a gun is knocked away from a character, only to be fired several times by that same character a few seconds later, without having been retrieved.  There are other examples, but it is not the goal of this review to be negative.

The story is predictable, but I do not necessarily consider this a negative with FIRSTBORN, because the storyline itself lends to predictability due to the nature of the plot. It is largely a rapid description of events, chronicling the struggle of religious groups with supernatural abilities to thwart terrorism in America.

It is interesting to experience the hypocrisy among the characters, as they strive to create peace in the world, each believing their way is the right way, yet commit horrific acts of violence to promote that peace. I admired observing how characters dealt with conflicting desires and overcoming obstacles such as selfishness and pride. Even as disparate as some individuals (or groups) are, there are times when people need to act together, despite those differences, to accomplish a common purpose. FIRSTBORN is a wonderful story exemplifying this message.

Brown provides tension on every page, creating a blistering pace. Action lovers will enjoy this novel.

If you like novel-related videos, I suggest you visit Brown’s website, www.conlanbrown.com. He is also a talented video editor.

Genre: Thriller

Publisher: Thomas Nelson

Publication Date: March 31^st, 2009

Reviewed by Jake Chism

It’s been one year since John Hutchinson battled Declan Page and his teen cronies in the remote Canadian wilderness. Back home in Denver, Hutch has been on a personal mission to bring down Declan’s father, Brendan Page, the man behind the horrors that took the lives of so many innocent people. Unfortunately, Page just happens to be the CEO of a major paramilitary organization with strong government support, and all of Hutch’s digging leads nowhere. Brendan Page soon decides that Hutch needs to be silenced and kidnaps his son. John Hutchinson must now fight the ultimate battle to save his son and bring down a maniacal madman who seemingly holds every card. Unfortunately for Page, he has underestimated the love and determination of a father armed only with a bow and an uncanny knack for survival.

In 2007 Robert Liparulo wowed fans and critics with his original and innovative thriller, Deadfall, where he took a peaceful camping trip and turned it into a hellish nightmare for Hutch and his buddies. Ever since the sequel was announced I have anxiously been waiting for what I hoped would be another rock solid thrill ride. Rest assured Deadlock delivers on every level.

Liparulo is known for his intense action sequences and sometimes gruesome violence, and once again I found myself fidgeting nervously and cringing throughout this story. It’s very rare that an author can make me wince involuntarily through sheer descriptive power alone, but Liparulo gets me every time. Good writers know how to drop the audience into the middle of the story, and that’s where I found myself throughout. I love the way Liparulo continues to use ground breaking technology to propel his stories. In Deadlock, virtual reality is taken to a whole new level that is both fascinating and terrifying when you consider the real life potential for military use. Fans of Deadfall will also enjoy the return of some favorite characters that bring a welcome depth to the story.

Brendan Page is one of Liparulo’s most ruthless and well crafted villains. This man is truly frightening with his distorted view of reality and his unwavering belief that he is right. Page’s character is the embodiment of so many infamous world leaders and people of influence who have sacrificed the lives of millions for their own warped versions of reality. Not only is he insane, but he is clever, highly skilled, and powerful, all working together to make him the ultimate bad guy.

Deadlock is by no means a light hearted tale, but Liparulo sets himself apart from other thriller writers with the level of emotion he brings to each story. Hutch is an endearing and imperfect character that struggles with the tension between being a hero and being a good father. Amidst all the flying bullets and whizzing arrows we are treated to a soul stirring story about fighting for your family at all costs. I love Hutch taking out bad guys with his bow just as much as the next guy, but it’s the heart in Liparulo’s storytelling that always brings me back for more. Bravo!!

Genre: Young Adult, Thriller

Publisher: Thomas Nelson

Publication Date: April 28th, 2009

Reviewed by Jake Chism

The last thing Charlie West remembers is going to sleep after one of the best days of his life. That morning he wowed his high school classmates with a black belt demonstration at school, only to have the girl of his dreams write her phone number on his arm. Later in the day Sensei Mike encouraged Charlie to follow his dream of being an Air Force pilot, and even an argument with his friend Alex couldn’t take away the buzz of an unforgettable day. Charlie falls asleep on top of the world only to wake up strapped to a chair battered, bruised, and bloody. As Charlie tries to make sense of the situation he soon discovers he is being held captive by men who want him dead. Using his black belt skills he finds a way to escape only to find out things are much worse than he could have ever imagined.

Edgar Award winner Andrew Klavan takes his first foray into young adult fiction with this riveting first installment of The Homelanders series. This is a fast paced thrill ride carried effortlessly along by the first person narrative of Charlie West. From the intriguing opening hook we are whisked along on an action packed jaunt that is full of twists and turns and is impossible to put down.

In the midst of the shootouts and riveting hand to hand combat scenes, Klavan builds character depth through Charlie’s flashbacks of the last day he remembers. We soon find out that Charlie is not just a good kid, but someone that has a strong faith and a great love for his country. It’s these solid foundations that help Charlie find the strength to face the overwhelming circumstances in front of him.

The Last Thing I Remember does everything the first book in a series should. It grabs our attention with a hero to root for and delivers a plot that will have readers begging for more in the end. Andrew Klavan gives action thriller fans a story they will love, laced with some powerful messages of honor, duty, and sacrifice. This is only the beginning for Charlie West and I can’t wait to see what’s in store next.

Genre: Mystery, Thriller

Publisher: Dutton

Publication Date: March 31^st, 2009

Reviewed by Jake Chism

It’s been ten years since Myron Bolitar has heard from his old flame, Terese Collins. She has become a suspect in her ex-husbands murder in Paris and pleads for Myron’s help. After arriving in Paris, Myron finds out troubling information about Terese’s past and the death of her daughter. Myron begins digging around for answers and discovers evidence that might prove Terese’s daughter is still alive. With the help of the ever faithful Win, Myron embarks on an international search for answers to the mystery behind Terese’s past. What they discover is more frightening then anything they could have imagined.

In Long Lost Harlan Coben sets out to satisfy the masses with his first Myron Bolitar novel in three years. Not only does he satisfy, but he gives his faithful fans what may be his most enticing thriller to date. What makes the Bolitar novels so addicting is the strong and quirky characters and of course they are all back in wondrous fashion. Myron himself is as endearing as ever with his unyielding desire to help those he loves. Coben would be shunned by his rabid fans if he didn’t give us a healthy dose of Windsor Lockwood III. Never fear. Win is back and just as psychotic and engaging as ever. Esperanza is as sassy as always bringing some welcome moments of humor and tenderness throughout.

Coben has long established himself as a master of the first person narrative and I don’t think anyone writing in the genre today compares. I love how Coben takes these characters that are so familiar and raises the stakes by placing them in a horrific conflict with global implications. This is a far cry from Myron’s mystery solving sports agent days, yet despite the raised stakes we still find the same old Myron and Win we fell in love with years ago.

In the end we are left with a truly terrifying conclusion that may surprise readers, but nevertheless fits the plot that Coben has so masterfully constructed. Harlan Coben consistently keeps me in awe with each new installment and Long Lost is certainly no exception. Even if you have never read a Myron Bolitar novel, Coben gives just enough background to keep you out of the dark. Pull up a chair and sit tight because you won’t be going anywhere once you begin.