Genre: Drama

Publisher: Henry Holt & Company, LLC

Publication Date: September 2010

Marianne Peters‘ Review:

In the 304-page novel entitled City of Tranquil Light, Bo Caldwell tells the story of Will and Katherine Kiehn, based on the stories she heard about her missionary grandparents. Will is the first-person narrator, but Katherine’s journal entries give us private glimpses into her mind and heart during their long tenure. What emerges is not just the story of a marriage, but the story of a faith journey that plays out on the canvas of a changing China full of war, cultural upheaval, and famine, as well as hope, community, and love.

Caldwell tells her tale in grave, spare but beautiful prose. In the first decade of the 20th century, Will, an awkward farm boy from the Midwest, meets and falls in love with strong, determined Katherine just as they are entering the mission field, barely out of their teens. Together they build a Christian community convert by convert, struggling to adjust to both the strange ways of their new country as well as the new country of marriage.

Without a trace of sentimentality, Caldwell explores the Kiehns’ deep faith, which is sorely tested through kidnapping, death, hardships, and loneliness. It’s refreshing to read a story about missionaries that is neither full of Christian jargon nor hyper-critical of the Christian faith. It sheds light on the difficulties of life on the foreign field, but also describes their shy courtship – under the guise of language-learning — and halting first interactions with their new Chinese friends. From their early marriage to their later years, when they return to the States as near-paupers, we see Will and Katherine learning each other’s weaknesses and strengths, even as they experience their own dependency on God and even question their call when tragedy visits them.

It’s also a fascinating glimpse into early 20th Century China – a country of many cultures on the cusp of modernity, though still backward in many ways. It’s a place of bandits, drowning pools, and bound feet (Katherine enjoys showing the ladies her own “large” unbound feet). Together, Will and Katherine build a community of Christian believers in a foreign place, and they discover their true home is China – and each other.

Kaci Hill’s Review:

The City of Tranquil Light—Kuang P’ing Ch’eng, is the story of Mennonite missionaries to China. It’s the story of Will Kiehn and the woman who would become his wife, Katherine Friesen as they transform from a shy Oklahoman and an Ohioan with health issues into a beautiful couple whose faith reshapes the northern regions of China.

The story begins in the early 1900s and continues through most of the 20^th Century. It’s not an action-packed thriller by any stretch, but the pacing is steady and never stalls out or drags on. Each chapter highlights the key events in the Kiehns’ life, and Caldwell doesn’t let her words fall idly. This is a missionary story, and Caldwell draws on the real-life autobiographies of others to weave Will and Katherine’s tale—and it reads like an old ex-missionary telling his life story and supplementing it with his wife’s private journal.

Thematically, she paints a spiritual journey. The book covers doubts, tragedy, turmoil, joy, and sorrow.  What I love is how real and ordinary these people are. These saints aren’t superheroes: They press on with the faith they have—and sometimes beg God when they can’t find it. There are days they wonder why they went to China, days they can’t bear the thought of leaving, and days they think God is punishing them for their lack of faith. Still, this sweet little couple throws everything before the throne of grace. Caldwell doesn’t offer pat answers. She doesn’t try to answer why God allows things to happen, but she does allow Will and Katherine to struggle through the question. In the end, the rains fall on the righteous and the wicked. She also includes one of my favorite themes: A redemption arc like few I’ve ever seen.

Famine, drought, flood, riots, civil war, and domestic strife—The City of Tranquil Light experiences all of these.  The ending might surprise the reader a little; it certainly does the characters.  The characters are developed well, and by the end I found myself wanting to be Katherine, whose Chinese name means “beautiful strength.” There’s nothing like watching her in action, one scene in particular where she shines brightest.

Caldwell has a way with words. I look forward to her other works.

Review copy provided by publisher.

Genre: Comedy, Romance, Chicklit

Publisher: NavPress

Publication Date: April 2010

Lori Twichell’s Review:

Maya Davis loves coffee and is not a big fan of eating healthy. She will gladly drink her body weight in caffeine and eat frozen foods for every meal of every day.  She’s not looking for love. She’s happy in her job as a barista at a local coffee shop (Cool Beans). She loves her friends. She loves her dog. In short, she’s completely content where she is.

Until her roommate, Jen, brings her new boyfriend, Travis, to meet Maya. Then things get a little sticky. You see Jen’s new boyfriend is Maya’s ex, but Jen doesn’t know that and apparently, neither does Travis. Since he and Maya dated years ago, she has cut and dyed her hair and lost some weight. This presents an interesting dilemma for Maya. Should she tell Jen and risk hurting Jen’s feelings or should she wait it out and see how serious things get? Or should she just go get another cup of coffee and forget about the stress for right now? Which choice do you think is the right one? And now, the better question, which one do you think Maya chooses?

If you picked getting a cup of coffee and forgetting about the stress you got the right answer. Well, as far as Maya is concerned.
Maya Davis is a snarky fun young woman who has a great way of viewing the world and Erynn Mangum expresses her values and views in a non preachy but totally realistic way. Instead of Maya being a perfect person who always chooses the right thing because the Bible says so, Maya is very realistic in her attitudes. She does what most of us in the world do. She avoids situations that make her uncomfortable or that might hurt people she loves. Oh and did I forget to mention a potential love interest in the middle? And it’s not Travis either. It’s a mixed up plot with a lot of fun inner monologue from Maya and interaction between Maya and those around her. Though the story isn’t full of angst, heavy romance or drama, it’s a thoroughly enjoyable read.

Mangum’s characters are heartwarming, delightful and fun with just enough conscience to make you cringe in sympathy at their troubles and distress. The pacing of the story is light and fun, easy to read (or devour) and at the end, it feels like time well spent. Even though I’m not a coffee drinker, I found myself craving the smell and flavor of a medium roast or dark roast. I longed for a girl’s night in pajamas with my best girlfriends and a movie (and did that last night actually – I credit Maya for the inspiration!) and a fun place to work like Cool Beans.

It appears that this is the first of a series of books from Maya’s perspective. I cannot wait to dive into Latte Daze, the next book, and find out what trouble comes Maya’s way this time.

Shaun Stevenson’s Review:

One thing is for sure: Erynn Mangum must love coffee. And chocolate. And watching Runaway Bride in pajamas. Because all three definitely appear in her new book, Cool Beans: A Maya Davis Novel. Maya Davis is twenty-four, single, working daily at the local coffee shop, Cool Beans, and loving life. That is until her roommate and best friend Jen starts dating. But she’s not just dating anyone. She’s dating Maya’s ex-boyfriend, Travis, from five years before. And thus, Maya’s perfect little world is flipped completely over. Can she deal with this new awkward relationship, her ever-annoying brother Zach moving back to town, and just sleeping through the night without her dog waking up the entire apartment complex?

Mangum returns after finishing her Lauren Holbrook series with a new setting, new characters, and more humor and relationship drama. At times, Maya is very similar to Lauren from the previous series, with many of the same quirks and habits, and it was hard to distinguish the two characters from each other. The basic construct of Maya’s world felt very similar to Lauren’s, with single’s group on Wednesday nights, a coffee shop, and church every Sunday. But that’s about where the similarities in plot and character end. About a fourth of a way through, Maya begins to emerge as a character of her own.

The writing moves along swiftly. Most of the chapters are made up of dialogue between Maya and her friends, and Mangum uses these conversations to advance the story. A few of the ending “twists” are pretty easy to see coming, but the characters are so enjoyable that they make up for the weaker plot. The reason for Maya’s breakup with Travis in the past is built up throughout the novel, but when the reality is revealed, it was almost a bit of a let-down, as we’ve been expecting something quite different from the truth. The drama never completely envelops the story, and things stay pretty light-hearted throughout.

Fans of Mangum’s earlier books (Miss Match, Rematch, and Match Point) will enjoy a new outing with funny characters and hints of Robin Gunn Jones-esque drama. All said, reading Cool Beans was often like sipping through a cup of coffee – warm and satisfying through to the end.

Don’t miss our interview with Erynn Mangum here.

Review copies provided by NavPress.

Genre: Literary, Adventure

Publisher: Farrar, Straus and Giroux

Publication Date:  February 2010

Marianne Peters’ Review:

Most high school students have read the story of Odysseus, his long journey from the fields of Troy to his home in Ithaca and his adventures along the way. Zachary Mason’s version, as he says in the Preface, is a “translation” of the story before it was canonized, when “the Homeric material was formless, fluid, its elements shuffled into new narratives like cards in a deck.”

Reading Mason’s debut novel, The Lost Books of the Odyssey, is like looking through the other end of the telescope. Each chapter answers the question, “What if?” What if we had the Cyclops’ side of the story? What if Penelope wasn’t faithful to her long-absent husband? What if Helen of Troy never married Menelaus? What if Achilles had died a natural death as a traveling beggar? The familiar landmarks of Homer’s tale disappear, and the effect is both fascinating and disconcerting. Odysseus himself has a reputation as a smooth-talking, truth-bending survivor. Truth is a slippery commodity in this novel. Each chapter’s story, each one just a fragment or episode, makes us wonder what truth looks like. Is it one story, or is it made up of many stories? And what of history? With so many points of view, how do we decide what really happened?

It’s helpful to have read Homer’s Odyssey recently, or a synopsis of it, to appreciate Mason’s interpretation. His references to Greek mythology are sometimes explained by footnotes, but as with everything in this novel, the reliability of these references is up for grabs. Even if your last reading of Odyssey is a distant memory, there’s so much to enjoy about this novel. Sometimes hilarious, sometimes ironic, sometimes even poignant, Mason’s playful interpretation of this classic is a delightful read. It’s like seeing a familiar company of players asked to read a different script, reminding us that stories are always open to interpretation.

“I hope that this translation reflects the haunted light of Homer’s older islands, “ Mason writes, “where the familiar characters are arranged in a new tableaux, but soon become restless, mercurial – they turn their backs, forget their names, move on.”

Jonathan Schindler’s Review:

The Iliad and Odyssey, we are told, circulated in oral tradition before they were ever fixed in written form. Homer is given credit for writing them down, but his epics are really the product of nameless bards reciting and refining the stories over time. As Zachary Mason notes in his preface to The Lost Books of the Odyssey, before the Odyssey was written down, “the Homeric material was formless, fluid, its elements shuffled into new narratives like cards in a deck.” It is this fluidity that provides the context for Mason’s book.

The Lost Books of the Odyssey is a collection of forty-four variations on the traditional Homeric stories, each lasting between one and eleven pages. The preface explains that these variations were unearthed in Egypt and just now translated by the author. Mason carries this conceit throughout the book with footnotes that explain “translation” choices, but which mostly fill in necessary information for those less familiar with Homer’s epics than the author.

Mason’s variations range from the standard deviations—What if Odysseus came home to find that Penelope hadn’t waited for him? What if Penelope was already dead? What if Odysseus decided to stay with Calypso?—to the more creative, bizarre ones—What if the story of Odysseus’s exploits and return to Ithaca was invented by the blinded cyclops or a cowardly Odysseus? What if Odysseus had a doppelganger? What if the Homeric epics are really just aids for memorizing an ancient chess primer? He also explores ideas in between, like, What does a fighting man do once there’s no more fighting to do? What is the nature of storytelling? What side adventures might Odysseus have had? Mason’s variations, whatever tangent they follow from the story, are well written, well thought out, and most of all engaging.

Mason’s main strength in The Lost Books of the Odyssey is not the writing—though this is top-notch and Mason is an adept storyteller. Mason’s greatest strength is his restraint—knowing just how much of a story to tell and no more. He doesn’t belabor any point (indeed, a 228-page book comprising 44 variations of the Homeric epics cannot be accused of verbosity), and he doesn’t provide bullying details that restrict the reader. Instead, he allows the reader’s imagination to do the main work. He provides the skeleton and the muscles, but it is up to the reader to flesh out each tale. Mason’s restraint works and pays dividends: many of his variations could (but hopefully won’t) become full texts in their own right, and after finishing the book I feel almost as if I’ve read these full texts.

Another aspect of The Lost Books of the Odyssey that I enjoyed is Mason’s wit in handling the source material. He doesn’t treat the Homeric epics as hallowed texts (as his preface makes clear), and he uses some of the gaps in the source as a springboard into new explorations of it. For example, in one of my favorite variations, “The Myrmidon Golem,” Agamemnon forces Odysseus to recruit Achilles for the Trojan War. Odysseus reluctantly agrees and goes ashore to convince Achilles to join, only to find that Achilles is already dead, “bitten on the heel by an adder.” Odysseus fears Agamemnon’s unpredictable rage and sculpts a clay Achilles to join in the war against Troy and fool Agamemnon. Now, this story is a bit far-fetched, but it provides an interesting (and entertaining) window into why Achilles, a key player in the Iliad, acts like he’s made of stone and is almost completely unlikable.

Not everyone will enjoy The Lost Books of the Odyssey, and reading the Iliad and Odyssey is probably prerequisite for enjoying Mason’s book. Nevertheless, for those who are captivated by Odysseus’s adventures in particular or Greek mythology in general, The Lost Books of the Odyssey will be a welcome addition to your library.

Review copies provided by Farrar, Straus and Giroux

Genre: Thriller

Publisher: Center Street

Publication Date: April 2010

Jake Chism’s Review:

He loves them because they are beautiful. He kills them because he loves them.

FBI special agent Brad Raines has never faced a killer like the Bride Collector. He’s followed the mad man all over Denver, from crime scene to crime scene, trying to get one step ahead. Each victim is beautiful and always found dressed as a bride, disturbingly displayed for all to see. Desperate for help, Raines turns to the Center for Well-being and Intelligence, a private home for those who are mentally ill and extraordinarily gifted.

Brad soon befriends a young woman named Paradise, a schizophrenic patient with a sordid past. Brad quickly sees through the madness in Paradise, seeing only brilliance and beauty that overwhelmingly draw him in.  As Brad and Paradise grow closer together they close in on the Bride Collector and enter into his deadly game.

Ted Dekker has done the unthinkable in The Bride Collector. Not only has he given us a serial killer yarn that will no doubt make your skin crawl, but he has given us a powerful love story that has absolutely floored me. It’s hard to nail down exactly what I love the most about this story. Maybe it’s the suspense and tension that pulse through every line. Perhaps it’s the collection of some of the most memorable characters I’ve ever read, especially the hauntingly beautiful Paradise who easily steals the show as Dekker’s best written character to date. The creep out factor is off the charts as the Bride Collector himself takes us down a dark and somber journey into despair, evil, and enlightenment. What do I love the most? Really, what’s not to love here?

I can’t remember the last time a novel has consumed me on this level. Everything comes together seamlessly here, and having read most of Dekker’s previous novels, I was absolutely blown away by the level of writing I found. Stories like Thr3e, The Circle Series, Saint, and Adam totally captured my imagination. As good as they were, they don’t hold a candle to what Dekker has crafted this time around. No doubt many will find elements too disturbing or intense, but it all leads to a beautiful payoff that is more than worth the ride. Leave it to Dekker to use a serial killer and mental illness to explore the true meaning of beauty. Trust me, it works.

Ted Dekker has dominated the CBA market for years and has gathered quite the rabid following. As he transitions into the ABA market, no doubt the eccentric storyteller extraordinaire has his sights set on the top of the bestsellers lists. If Dekker keeps churning out gems like The Bride Collector, it’s only a matter of time before he hits his mark. I’m beyond tempted to dub this latest offering as his best novel, but something tells me he is just getting started.

Lori Twichell’s Review:

Quinton is a messenger from God. Seven have been chosen. It’s his job to get them there.

It’s up to Brad Raines to stop him.

As an FBI investigator, Brad Raines has spent his life tracking down murderers. But this case has him consumed. The murderer, dubbed “The Bride Collector”, is a murderer that is so meticulous he has covered all forensic tracks and left nothing to chance. He’s set to murder again and Brad is determined to stop him before he can. That’s why he tries something that everyone, including himself, believes is grasping at straws. He visits the Center for Wellness and Intelligence (CWI). It’s a place that many would call a mental health institution. Raines learns that it’s much, much more than that.

Paradise has spent far too much of her 24 years being chased and abused. Now she’s at the CWI and it’s a place of relative peace for her. She’s learned how to control her fears and cope with the horrific memories of her past. She’s also learned that she has a gift for seeing unusual things. Most people would call these things supernatural. Brad Raines isn’t sure what to think of them. Or Paradise.

As I began to read The Bride Collector, I knew that Dekker’s latest offering was more of what we’d come to expect from him in recent years. I recognized from the blurb on the back that it would be a murder mystery with elements of the supernatural woven throughout. The first few pages underscored this and to be honest, I put the book down and wasn’t sure I’d be able to finish it. A few days later, I picked it back up and I’m very glad I did.  It was when I continued reading that I discovered (much like Brad and his discovery of CWI) this book so much more than just a murder mystery. This is a tightly knit, fast moving story that will engage you on all levels. Though he sets up exactly where the story is going to go, how it gets there is a ride you won’t soon forget.

It’s amazing how Dekker is able to craft an enthralling and exquisite story that is at the same time horrifying and beautiful. In one moment you’re inside the mind of a serial killer and in the next, you’re laughing at the antics of the residents of CWI. Dekker’s exploration into the minds of these characters is beyond noteworthy. It’s brilliant. The characters are more than just three dimensional. They live and breathe in front of you as you’re reading. You can imagine them with all of five of your senses. Taste their tears. Smell their shampoo. Touch their nervous fluttering hands.  Hear their panic. This is more than just description on a page. I know it’s a cliché, but in this case, it’s very true. Dekker has brought these characters to life.

The way Dekker can dive into the criminal mind is stunning. His book Adam gave me nightmares. I was worried that this one might, but thankfully, it’s not as detailed in the same way. In an odd way, this enabled me to be able to connect on a deeper level with the character. Quinton is a brilliantly crafted criminal mastermind with the best intentions. You can hate him. You may admire him. But you’ll never stop being fascinated by him.

Throughout the murder mystery, you may be surprised to find a love story. I was told this before I read the book, but still, it surprised me. Dekker captures the opening stages of romance with a depth that is breathtaking. Like toddlers learning how to walk, the characters stumble and weave, unsure of themselves and grasping for something solid to keep them balanced.  They venture through these new feelings, both of them frightened of what’s happening, at the same time they’re wondering at what’s been awakened within them. It’s a beautiful rendering of the freshness of new romance.

Like the prismatic beauty of a soap bubble, Dekker’s writing enraptures your thoughts, burrows into your brain, and makes you forget that you’re reading a story. It’s like he’s taken the magic you feel when you reach out to touch the bubble and wrapped it around you. I found myself encapsulated inside the resplendence of the bubble with the characters. As I was reading the words in front of me, the book in my hands, and the sounds around me fell away. I was as much a part of the story as anything Dekker wrote on the page.

I’ve always been a fan of Dekker’s. He is one of my favorite authors and I recommend his books often. In my opinion, this book blows the others out of the water. Dekker hit a creative stride and took off at a dead sprint with this one. I believe that this will easily be one of the best fiction releases we’ll see this year.

Don’t miss our audio interview with Ted Dekker here.

Review copies provided by Center Street/Hachette.

Genre: Thriller

Publisher: Little, Brown and Company

Publication Date: February 2010

Jake Chism’s Review:

One by one the sons and daughters of New York’s elite are being kidnapped and murdered. Each time Detective Michael Bennett is too late and he soon begins to realize he is facing a killer who is in a different league altogether. Special Agent Emily Parker is sent in from the FBI to help with the case, and soon she and Bennett are knee deep in a murder spree that has the city in a panic. As they piece together the clues behind the madman on the loose, they begin to see that the real terror is yet to come.

James Patterson and Michael Ledwidge more than deliver in this third installment of the Michael Bennett series.  Each book just gets better and I’m beginning to think that even Alex Cross himself might be warily looking over his shoulder at the new guy who is quickly gaining. Admittedly, when I first read about the concept of this series, I was underwhelmed to say the least. Another cop series from James Patterson? Really? Aren’t Alex Cross and The Women’s Murder Club enough? And not only is it another cop series, but it’s about a cop with 10 (yes, 10) kids!!  Despite the warning sounds blaring in my mind, I recently settled down and tackled all three novels. And wouldn’t you know it? I think I’ve found my new favorite character in the ever expanding James Patterson fiction-verse.

In Worst Case, we are easily treated to the best writing of the series so far, and I’m really enjoying how well Patterson and Ledwidge meld together as a writing team. The tension and suspense leap off the pages, while Michael Bennett effortlessly draws us in with his unwavering sense of justice and good guy persona. It almost seems that the art of crafting heroes has been lost in many fiction circles today, and it’s refreshing to find a lead character that gives you every reason to cheer for him. There’s even some nice romantic tension here that actually feels relevant to the story, adding another layer of depth and interest.

This series certainly hasn’t been perfect by any means. One of my biggest complaints has to do with Bennett’s children. It’s not so much the number of kids, but rather how hard it is to get to know them as characters.  As the series has progressed, Patterson and Ledwidge have been able to flesh them out a little more, but unfortunately they often feel like one big character to me. I’m hoping as time goes by and more stories are churned out (and you know there is more coming), that we will begin to spend more time with each character and that they will begin to build their own identities. Maybe 10 kids were a tad bit too many to start with, but that is a writing corner that Patterson and Ledwidge have boldly written themselves into. Something tells me these guys know what they are doing.

Worst Case is definitely must read material for Patterson fans, and those who have been turned away by Patterson’s latest offerings might be surprised by what they find here. As always readers can expect adult language and mature content, but it all seems a bit toned down compared to Patterson’s other series. On the flip side, the Michael Bennett series carries a sort of heartwarming family message that lends enough charm to keep readers coming back.

This Michael Bennett guy? I think he’s the real deal.

Jennifer Roman’s Review:

James Patterson’s latest novel (third in the new Michael Bennett series) opens with the only son of a prominent, wealthy New Yorker being abducted.  The kidnapper asks the young man several questions about social awareness, and his answers determine whether he lives or not.  The kidnapper later abducts other wealthy New Yorkers’ children in an effort to send the message that they should be using their money and influence to help those less fortunate.

New York detective Michael Bennett is assigned to the case, and due to the high profile clients’ demands, the FBI is quickly included.  The team, led by Bennett, has to piece together very subtle clues to determine who is doing such a thing and how to stop him.  Money is not the object; instead, he wants social justice.  True to form, Patterson keeps the reader interested with the fast-paced storyline and interesting scenarios.

Patterson is a prolific writer, and at times it seems as though he goes for “quantity over quality.”  He seems to go back to basics, however, with this series.  He writes a good story that is interesting and suspenseful.  The reader gets a chance to identify the kidnapper, but he is revealed at a good point in the story.  How Patterson develops the kidnapper is what makes the story so good.  Those interested in “how he got the way he is” will be satisfied.

Patterson’s earlier mysteries have graphic violence, but this series does not.  We know how someone dies, but we don’t see the whole gory scene.  We know what the kidnapper is thinking, but we don’t actually see it carried out to fruition.  There are a few times the “F bomb” is dropped, but overall, there is not a lot of foul language.  What may incite some readers is the fact that Bennett is a widowed dad of TEN adopted children.  While it is obvious that he cares about them, he spends a lot of time at work and leaves the children with one caretaker: Mary Catherine.  He seems to be developing a romantic interest in her.  While it is admirable that Bennett adopts children of all races, some may see it as “collecting” children.  Hopefully soon Patterson and Ledwidge will develop the children’s characters and let the reader see the relationship they have with their father.

Overall, this series takes a step back and follows Patterson’s early formula of success.  The storyline is fast-paced and interesting, and the book is a quick read.  Those wanting to get a good “mystery fix” should be happy with the results.

Review copy provided by Hachette Book Group.

Genre: Adventure, Religious

Publisher: Tyndale House Publishers

Publication Date: January 1, 2010

Lori Twichell’s Review:

Christy Williams is determined to make a change for the better in her life. She’s had a long rough road to travel, but she’s done with making mistakes. And thus begins a sometimes painful yet overwhelmingly beautiful story of how someone who is in over their head can make a real change for the better.

Christy has a fascinating job. She deals with rare books. She’s been trained to know their value, recognize fakes, and purchase the books for resell. This creates a wonderful backdrop for intrigue, mystery and scandal in a world that is rarely explored in fiction. It also gives us everything we need to watch Christy’s life slowly unravel from her bad choices.

Christy’s sister, May, is a hard worker who appears to have made all of the right choices in her life.  She lives and works on a ranch where she’s part owner and she loves every moment about it. The only thing missing in her life is her sister, whom she hasn’t seen in years.

C.J. Darlington, in her writing debut, doesn’t sugar coat the journey back from making all of the wrong choices and decisions in life. Her characters are real, flawed, and so recognizable that they feel like friends.  None of these characters is a cardboard cut-out or caricature of themselves. They all make mistakes, question what they’re doing and are unsure, and yet still you can clearly see the hand of God leading them in their life’s journey. This happens in language and situations that is familiar and well traveled for most of us who live a life of faith.

As I read this book, I didn’t want to put it down. I needed to know what would happen next. For anyone who loves books, stories and people, this book is a must read. It contains beautiful displays of God’s love, forgiveness, mercy and grace that everyone needs to experience in their lives. Darlington’s characters are never preachy, overbearing or false. Their honesty and depth ring true and strike directly to the heart of the matter with concise accuracy.

Thicker than Blood is a beautiful masterpiece and it’s so well done, I’m hard pressed to believe this is a first novel. I can’t wait to see what C.J. Darlington brings to the publishing world next.

Ashley Barrett’s Review:

A stolen copy of For Whom the Bell Tolls rips apart whatever life Christy Williams did have. Homelessness, an abusive ex-boyfriend and an uphill battle with alcoholism draw Christy back to her sister, May, whom she left fifteen years ago. But time has changed both sisters, and Christy finds herself reluctantly accepting May’s heartfelt welcome to Triple Cross Ranch. Can the same thing that transformed May rescue Christy? Or will the pitfalls of Christy’s past separate the Williams sisters for good?

Thicker than Blood pulled me in with its compelling plot and peppering of fascinating details. Multiple times, I got lost in the story and read more than I meant too. This book managed to do what many can’t: it made me care. I wanted to know what happened to the characters and found myself cheering for them all the way to the end. Thicker than Blood helped me remember how refreshing a good book can be!

Although a little preachy or forced in some places, Thicker than Blood was the most enjoyable book I’ve read in a while. I would recommend it, especially to readers who enjoy Christian redemptive stories and a page-turning plot.

Don’t miss our interview with C.J. Darlington.

Review copies provided by Tyndale.

Genre: Suspense

Publisher: Zondervan

Publication Date: June 2009

Jake Chism’s Review:

Kaycee Raye is scared of…well…everything. All of her life she has struggled with paranoia and irrational fears, something she believes was passed down from her troubled mother. Kaycee has found a way to deal with the fear by writing a column that has taken on a life of its own and has turned Kaycee into a household name. Up until now the column has been both fun and therapeutic as she has found a way to connect with readers who share many of the same fears and experiences. Unfortunately for Kaycee, someone out there is watching her and waiting for just the right moment to unleash the greatest fear she has ever known.

To say that Brandilyn Collins is prolific would be an understatement. You would think that a writer who cranks out a novel every few months would sooner or later hit the wall and lose their edge. It’s bound to happen right? Guess again. If Collins has proven anything to me it’s that she is not only a master of her craft, but there literally seems to be no end to the depth of her talent.

Exposure has many of the elements that we have come to expect from Collins: intensity, tension, high-caliber suspense, and engaging mystery. It’s all there and once again works well. We are also treated to a unique story telling device that really propels the narrative along. While I figured out the twist early on, never did the story lose steam in my mind. Collins knows how to grab readers early on and she never gives us a moment to even consider letting go.

Where Brandilyn Collins always excels is her ability to bring us strong spiritual insight through what her characters experience. Many fans will be able to relate and sympathize with Kaycee’s struggles in this story and will be moved by her journey to overcome. Collins once again delivers a pulse pounding story that will have you on the edge of your seat and will leave you desperate for more.

Tim George’s Review:

Willmore, Kentucky is the home of two fine institutions: Asbury College and Seminary and Bradilyn Collins. The first is dedicated to training men and women in the Wesleyan tradition and the other to scaring us witless and then pointing us back to the only One who can truly overcome evil. With Exposure, Collins carries us to a new level of psychological suspense as we follow the personal struggle of one woman with her greatest enemy: fear.

Kaycee Raye writes a column for the Willmore newspaper in which she shares her ongoing struggle with countless phobias. Though the column has helped many with their own hidden fears it has labeled Kaycee as somewhat of a crack-pot with the local police. That, and her numerous calls reporting dangers that, as far as they can tell, only exist in Kaycee’s mind. When the young daughter of a friend turns up missing, Kaycee finds herself on a collision course with her own fears and something so dark and hidden neither she nor you will figure it out until the very end.

Collins follows a great tradition of Hitchcock and Koontz in allowing the reader to paint the picture of evil without doing it for them. It doesn’t take decapitations and gallons of gore to leave one wondering if they forgot to lock the door before they went to bed. Well crafted words and a creative mind can do that job quite nicely. Consider this scene from Exposure and draw your own conclusions …

Finally she rolled over and lay still, spent. Her eyes fixed upon the far wall, unseeing.

Something shifted inside her.

At the center of her soul where hope used to live, a black dot appeared. Deeper. Eating toward the outside. The hopes that had guided Lorraine’s life began to crumble into the pit and disappear … falling until the darkness swallowed them up …

From the bottom of that black hole she felt the throb of a new suffocating spirit.

Fear.

(Don’t miss our interview with Brandilyn Collins).

Genre: Romance, Drama

Publisher: Scribner

Publication Date: September 29th, 2009

Lori Twichell’s review:

“Elspeth died while Robert was standing in front of a vending machine watching tea shoot into a small paper cup.”

Thus begins Audrey Niffenegger’s first novel since The Time Traveler’s Wife.  Now let me start out this review by saying that I am a first level geek for Niffenegger’s work.  I fell in love with The Time Traveler’s Wife and when I discovered that this book was coming out, I was over the moon. When the book finally arrived in the mail, I tore into the package like Christmas. I even paraded it around the house saying “Look! See what Mommy got in the mail! Isn’t it awesome?!” (My son, by the way, was nonplussed with the big book that had no pictures.)

Her Fearful Symmetry combines a ghost story with romance, sibling rivalry and woven throughout, death. The setting of the book is quite literally in the backyard of the famous Highgate Cemetery in London and as you may have noticed in the first sentence of this review, the main character of the book dies. That’s how the book starts. It’s not really your typical ghost story or romance. But that’s okay. Niffenegger’s normal is always anything but typical.

The main character in this book, as I mentioned, is Elspeth. She’s the dearly departed without really having departed. For some reason, Elspeth hasn’t really gone away. So when her mirror twin nieces arrive from America to take over her apartment, things get a little awkward. We follow her journey as she spends her days and nights trying to figure out ways to communicate with the girls. She also spends a lot of time trying to get out of the apartment and see Robert, her lover who lives in the flat below the girls. As Elspeth struggles with her lingering presence and lack of purpose, she notices something odd. Her niece, Valentina, has begun to have feelings for Robert. This puts Elspeth in an even more awkward position than just sleeping in a drawer. She doesn’t know what to do. Should she stop it? Encourage it? Yes. I know. Some moments of the plot do feel a little daytime soapy when you repeat them out loud.

Thankfully Niffenegger’s mastery of character development and description makes things feel far less sudsy than your average soap. She can pull off the most stunning descriptions of characters, events, and locations with the simplest turns of phrase. She can draw you in to the oddest set of storylines and characters with just a few sentences. Even as you’re thinking, “This isn’t really my style” you will come across something that takes your breath away and requires that you read it multiple times to really capture the depth of it. Her writing remains brilliant, beautiful, and stunning.

Now to be fair, the plot wasn’t something that I would normally enjoy and the ending felt like it came far too late in the story. Everything could have really been wrapped much sooner than it did. And in all honesty, I scratched my head at the abrupt climax of several major storylines. But still, it’s Audrey Niffenegger. She writes so beautifully and so brilliantly that even if you get to the end and ask “What?” you still had an amazing journey along the way.

Marianne Peters’ review:

Grief. Ghosts. Two sets of twins. Lovers separated by death and distance. Family secrets. And London’s Highgate Cemetery, an ancient burial ground full of storied occupants. Who can resist a novel with all these compelling elements?

Her Fearful Symmetry begins with Elspeth Noblin’s death and her adventures afterward as she haunts her London flat.  In her will, Elspeth mysteriously leaves her flat to her estranged twin sister’s twenty-year-old twin daughters. Her nieces, Julia and Valentina, share a creepily intense sibling bond. They move into Elspeth’s former home, located in a building which borders famous Highgate cemetery. Julia forms a friendship with upstairs neighbor Martin, a gentle, brilliant, but hopelessly obsessive-compulsive man who refuses to leave his flat. The twins also meet Robert, Elspeth’s grief-stricken former lover who is writing a history of Highgate cemetery and working as a volunteer guide there. When Robert and Valentina form a romantic bond, relationships between the living and the dead begin to unravel.

Highgate itself becomes a character in the novel. Its history, architecture, inhabitants, and daily rituals create an atmosphere of decay, a reminder of the inevitable. Descriptions of the cemetery are the most enjoyable part of the novel, along with Niffenegger’s rendering of ghost-life. Elspeth grows in ghostliness as she attempts to communicate with the twins and with Robert, her erstwhile lover. Niffenegger imagines Elspeth evolving from a misty disembodiment to a visible, powerful presence, and watching her discover her strength and begin to insert herself into the twins’ lives makes for compelling storytelling. Nothing good can come of it.

Like her previous novel, The Time Traveler’s Wife, Audrey Niffenegger renders a fantastical situation plausible with imaginative detail – for instance, what does it feel like to pull a soul from a body? Unlike her previous novel, her characters did not venture far from type, which made the outcome predictable.  Predictable, but still eerie fun, especially with a setting such as Highgate cemetery, full of ghosts and memories.

Don’t miss our interview with Audrey Niffenegger.

Genre: Suspense, Horror

Publisher: Realms

Publication Date: March 2009

Tim George’s Review:

Mike Dellosso stretches his writing wings in his sophomore tale of suspense, Scream. Offering the same intensity and smart pacing as his debut novel, The Hunted, Mike offers even better character studies in both his hero, Mark Stone and Stone’s protagonist, aptly named Judge.

Mark Stone is a hero with problems. His marriage is on the rocks and it’s his fault. What went wrong is doled out in little slices along the way but the hope of seeing things made right seems futile almost from the beginning. As though that isn’t enough to distract a man, Stone has even bigger problems. On several occasions he is talking to various people on the phone only to have the conversation interrupted by unworldly, you guessed it, screams. When he finds those he was talking with dead, our hero knows he is being plunged into a world he had believed to be behind him.

In spite of his disillusionment with the church, Mark Stone is left with nowhere to turn for answers for the hellish screams and resulting deaths except ministers. His conversations with these “men of God” reveal how little some who claim to believe in the spiritual actually do. While Stone is tempted to discount one minister’s explanation, the stakes are raised when a conversation with his estranged wife is interrupted by similar nightmarish sounds. This sets the stage for his ultimate confrontation with the reality of evil and grace.

Dellosso does an excellent job of painting the portrait of the man we know as Judge. This is no two-dimensional villain but rather a complicated man that has experienced deep tragedy in his own life. His misdirected thirst for justice has prompted him to open the door of his heart to a darkness that offers only one horrible option to satisfy that thirst. Time is taken to thoroughly develop the nature of Judge before he and Mark Stone are brought together.

In typical Dellosso style, the story begins fast and races toward its dramatic conclusion from one chapter to the next. In spite of its weighty subject matter it does it with style and suspense. It’s one scream of a ride.

Jake Chism’s Review:

Mark Stone never thought one phone call would turn his world upside down. While driving home one night he receives a call from his friend that is interrupted by a series of horrendous and piercing screams. Immediately after the screams his friend dies in a horrible car accident. As Mark searches for answers, he unwittingly finds himself involved in more similar incidents that lead to more horrible deaths. Things become even more personal when his wife is kidnapped by a madman and the same eerie screams are heard over her desperate phone call for help. Now Mark is in a race against time and evil as he desperately tries to find his wife before he loses her once and for all.

Mike Dellosso has once again brought us an engaging thriller full of gut-wrenching suspense and strong spiritual truth. In his impressive debut, The Hunted, Dellosso stormed onto the scene proving he has what it takes to scare the wits out of his audience while at the same time delivering a challenging and relevant message. Scream ups the ante on all levels bringing us even more terror, more suspense, and ultimately more heart.

Mark Stone is a fallible, yet endearing character that you can’t help but pull for from the opening chapter. His resilient search for truth and meaning provides the perfect backdrop for this incredibly creepy premise. Mark’s struggles as a husband are also effectively explored throughout and help to bring more depth to this intense thrill ride.

There is much controversy surrounding the mix of the horror genre with inspirational fiction. I’m thrilled to see that authors like Mike Dellosso are consistently churning out novels that prove how powerful this type of storytelling can be. Indeed, Scream will have you breathlessly flying through the pages and closely examining your heart at the same time. Mike Dellosso is a bright new talent that demands to be noticed.

Genre: Historical Fiction

Publisher: NavPress

Publication Date: September 15th, 2008

Kaci Hill’s Review:

I’ve been hearing Tosca Lee’s name since her book Demon: A Memoir came out.  She’s had nothing but rave reviews it seems – and that’s from a reader who only reads negative reviews. At any rate, several other writers I know personally or am familiar with through their own books only left me that much more interested. So, when her second book, Havah: The Story of Eve came out, I decided I really had better get to reading Lee’s books lest she have a stack of them I haven’t read yet.

Havah did not disappoint. There’s something striking about reading a pre-fallen world while sitting on the beach, something about the combination of quiet despite the constant movement Either way, this book is a gorgeous story with poetic prose, exploring the full range of the emotions of a couple who doesn’t even have words for those emotions yet. The book follows Havah’s first waking moments to her deception, to her and “the adam” as they struggle to raise the first family on earth. Readers follow their progression from the playful, childlike spirits of Havah and Adam to the Great Father and Mother they become. Yes, Lee covers all six hundred and thirty years of their lives, a daunting task well done. Moreover, their story becomes one of resolve to return to Eden, to the garden, the earth’s cradle where they first knew life and the One That Is.

Lee took great pains to make the story of the first man and woman and the subsequent events of their family come to life, and she explores everything from death to obedience to doubt to redemption.  She took great pains to make a pre-fallen world dynamic and alive, even within peace.

Suffice it to say, I’m definitely looking forward to Demon: A Memoir and anything else Tosca Lee deigns to write. Depth, creativity, and wit go a long way.

Jake Chism’s Review:

The story of Adam and Eve is both the oldest and most familiar story known to man. In fact, it is so familiar that we think we know all there is to know. Then along comes a story like Havah that pulls back the veil, giving us a wondrous glimpse into what life might have really been like for the first man and woman.

Havah is told from the perspective of Eve, and from the opening lines Tosca Lee hooks us with her intoxicating style and clever storytelling. All of the famous events are here: the garden, the fall, the story of Cain and Abel. But make no mistake about it: this is not the version you heard in Sunday school. Lee holds nothing back in her descriptive narrative as she explores the intimate relationship between Adam and Eve and their rugged lifestyle. Eve’s firsthand account of the fall is gut wrenching and emotional, bringing yet more vitality to another familiar aspect of this story. I was especially moved and anguished over the beautiful, yet flawed relationship of the first husband and wife.

As the story unfolds Tosca Lee gives some intriguing speculative insight into many of the questions that surround Adam and Eve. How many children did they have? How exactly was the Earth populated? What was their relationship really like? How did they interact with God? Every aspect of this story is backed by careful research and study, and even if you don’t agree with Tosca Lee’s viewpoint, you have to admire her willingness to re-explore this monumental moment in history.

Havah is a beautiful tale that will awe and inspire you at every turn. With beautiful prose and breathtaking description, Tosca Lee has breathed new life into the story we thought we all knew so well. Allow yourself to step out of the box for a moment and experience a retelling of Adam and Eve that will leave you desperate for more.

Genre: Suspense, Supernatural

Publisher: NavPress

Publication Date: May 18th, 2007

Frank Redman’s Review:

I have to admit thrillers are my favorite genre. I love the action and the pacing. But even with thrillers, it’s rare when I get so lost in a novel that I’m not mindful of the page numbers as I’m turning pages. Despite the fact Tosca Lee’s DEMON: A MEMOIR is not a thriller and not action oriented, the story is so wonderfully engrossing it literally captured my imagination. I was amazed when, finally cognizant of the act of turning pages, I’d look at the current page number and realize twenty pages just flew by. The story—the writing—is mesmerizing.

The story begins as we join Clay wandering aimlessly in an earthly purgatory. He’s recently divorced, a recovering alcoholic, a failure as a writer, and in a dead-end job. Life has no meaning. Enter Lucian, a mysterious fallen angel who desires to tell his version of biblical history. “I’m going to tell you my story, and you’re going to write it down and publish it.”

DEMON was in my queue to read, but I was in the middle of another book for review. Succumbing to the temptation to look at DEMON, one night I opened it and perused through the first few pages. Just a peek. I soon found myself obsessed with finishing it.

I admired the melodic feel to the words and phrasing. The dialog is also “voiced” well. There were no instances in which I was removed from a scene because of disjointed or boring dialog. The settings are enjoyable with sufficient description to effectively imagine the background, but not so much that it impedes the flow of the story.

Never before have I read a novel that made me really think about my lifelong perceptions of religion, angels, demons, and culturally defined happiness. I gained insight into things I had previously taken for granted—new perspectives. Unfortunately, I cannot provide examples here as they would spoil the impact of the discovery for yourself as you’re engaged with the story. Just as Clay (and I) had to experience these things firsthand, you will have to as well. But let me say traveling through time with Lucian is absolutely worth the trip.

Clay is propelled face-first through spiritual realms while he desperately tries to grasp all that is happening, as best as humanly possible. Lee kills our complacency as we read, constantly changing the character manifestations of Lucian and his demeanor. This does not detract from the enjoyment of the story, but adds to it. We don’t know when or where Lucian is going to appear and we never really know what’s going to happen next. Just when you think you might have something figured out, you’re wrong.

The writing is captivating, the story is riveting, and the themes are enlightening. Lee makes you evaluate what we believe regarding grief, grace, and spiritual beings. I’m thankful I read DEMON. It has jumped high onto the list of my all-time favorite novels.

Kaci Hill’s Review:

I said in my Havah review I’ve been looking forward to reading Tosca Lee’s books since I first started hearing rumors about this demon lurking in Bosnian cafes. Well, Demon: A Memoir was hiding from me but was at last apprehended. And I have to say, again, I’m far from disappointed.  Okay, so the recently-divorced fiction editor, Clay, receives a summons from a demon named Lucian, who has a story to tell that begins one way and ends another.

Demon begins with a tone dark and tense, full of conflict, with the story of a man in transit with his life. Honestly, the demon is compelling, and I was a little unnerved at my own appreciation for his storytelling presence. This command is, in fact, Lee’s ability to combine intensity and beauty manifesting itself once again. It’s the subtle attention to detail that, once more, is full of surprises. Even Clay’s name has a purpose.

There are two stories going: Lucian’s narrative, and Clay’s life as it’s further affected by the conflict imposed on him by his personal demon, and the two quickly become one.  Unfortunately a great deal of what I would like to say is too wrapped up in spoilers. The end is definitely not what I was expecting, almost a challenge.

Once again, Lee covers an extensive amount of ground and subject matter: creation, the Fall, the nature of man, the nature of God, how they related to one another, sin and redemption, spiritual warfare – honestly, it’s all in there.  Oh, yes, and the temptation of the angels. I almost wish I’d read Demon first and Havah second, even though the order doesn’t actually matter because they’re stand-alone titles, if only because the thought of reading Lucian’s account before Havah’s is intriguing to me personally.  I’m definitely looking forward to whatever comes next.

Genre: Horror, Suspense

Publisher: Faithwords

Publication Date: May 28th, 2009

Frank Redman’s Review:

Dennis Shore is a successful horror novelist but has suffered one of life’s greatest tragedies in the past year, the death of his wife. “When stricken by a paralyzing case of writer’s block and a looming deadline, Dennis becomes desperate.” He plagiarizes an unstable fan’s manuscript, setting off a chain of events and the pursuit of violent revenge that threatens his sanity and the lives of his daughter and friends.

This was a difficult review for me to write. I’m a fan of the horror genre, but loathe the excessive profanity, sexual content, and gratuitous gore that so many writers in the genre depend on to make an impact with the reader. I had not previously read a Travis Thrasher novel, so I was excited to see what he had to offer.

It would be an injustice to the readers of this review, to myself, and ultimately to the author if I merely stated “This book is great—read it,” and was negligent in revealing some disappointment. The fan in me loved this story. The critic in me found some minor negatives.

I was concerned a few pages in whether I would truly enjoy it. The story took a while to develop and incidents occurred that seemed disjointed from the plot. The dialog felt forced. There are some editing errors, for example, the wrong pronoun used (p.17 “Did you threaten you?” The first “you” should be “she.”). To the author’s defense, it is tricky starting a novel, establishing the plot and characters, and simultaneously hooking the reader. If you stop reading this book because of these flaws, you’ll miss out on what simply can be defined as an extraordinarily good story. I’m incredibly grateful I stuck with it.

Yet there was still one more thing that frustrated me—I couldn’t wait to see what happened next! This… was a good feeling. For thrill-seekers, GHOSTWRITER is very much like the beginning of a monster rollercoaster. After climbing that first big hill (having time to look around, check your watch, shift around in your seat…), the rest flies at you in an eye-watering rush and your focus is dominated by what’s coming in the next stage of the ride. Kudos, Mr. Thrasher.

When you read a scary story and you’re not really sure what’s going on, but just when you think you’ve nailed it, something unexpected happens and your perception is shattered, that is the outline of a great horror story. That’s a great story, period. That is what GHOSTWRITER is.

It’s easy to develop compassion for Dennis Shore and identify with his grief, lack of faith, and his struggles with what’s real and what’s not. While it’s a remarkably frightening story, it is also an emotional love story. The reader feels Shore’s nightmarish fears and also his gut-wrenching sorrow.

Shore bounces in and out of lucidity so the reader cannot always discern what is real and what is the product of his poor mental health. This element can be difficult to pull off while mitigating reader confusion, but Thrasher makes good use of the technique, effectively keeping the reader guessing.

While this may sound like just a scary love story, do not be deceived. It is a full-on horror novel. Unspeakable supernatural evil tries to destroy the very essence of Shore’s life with an unhealthy serving of shocking violence.

GHOSTWRITER is an emotionally intricate masterwork of how evil can destroy us and love can redeem us.  Thrasher has proved to me to be an exceptional storyteller.

Do you believe in ghosts?

Jake Chism’s Review:

Dennis Shore has made quite a name for himself as a bestselling horror novelist. Every year his rabid fans anxiously anticipate the release of his new and terrifying creation. What his fans don’t know is that this year things aren’t what they seem with his new book. Sure it’s scary and addicting, some would even say his best work yet. Although his name may be on the cover, Dennis Shore didn’t write this book. Unfortunately for Dennis, the man who did write it is out to get him. And Dennis Shore will pay.

Like the fictional Dennis Shore, Travis Thrasher himself has begun to make quite a name for himself in the horror genre. Isolation proved that Thrasher has what it takes to scare the wits out of his audience while challenging them at the same time. Ghostwriter takes Thrasher’s writing to a whole new level of terror and heart.

From the opening lines we are effortlessly drawn in with Thrasher’s delectable prose and revealing insight into the mind of a novelist. Dennis Shore is an endearing character that demands our compassion because of the struggles life has thrown him. Yet on the other hand the more we get to know Dennis our compassion only grows as we realize how fallible he is.

The horror elements are very strong throughout as Dennis goes head to head with a madman that will stop at nothing to see him suffer. Ghostwriter truly offers some of Thrasher’s most disturbing scenes to date. Time after time I wanted to look away, but the quality of Thrasher’s writing made it impossible to do so. As the story progresses and truth is brought to life we are treated with a wondrous display of light in the midst of the deepest darkness.

Travis Thrasher only continues to astonish me with not only the quality of his writing, but his ability to tell powerful stories. It’s rare to find an author who can take us to places we don’t want to go in order to bring us to a place we long to be. Ghostwriter is the kind of gem that comes along far too seldom; displaying the kind of writing that deserves to be devoured by the masses.